Melanie Delaney

ArtistInfo

Melanie Delaney

perc, cl,
Electronic and Rock
A.k.a. Ocelocelot

Melanie Delaney (a.k.a. O’Dubhshlaine) has performed and composed music based in the noise, improvised, experimental and psychedelic rock genres. Her solo work takes the form of two projects; Melanie O’Dubhshlaine concentrates on electronic composition, whilst Ocelocelot is centred in the noise genre. Her background in visual arts leads her to introduce visual elements into her performances. An overriding theme of her work is using unusual instrumentation to extend human expressive capabilities and give voice to previously unheard sounds. She has collaborated with other artists including Neil Campbell, Ashtray Navigations, Part Wild Horses Mane On Both Sides, Bridget Hayden, Uton, John Moloney (Sunburned Hand of the Man) and MV & EE. As a member of Ashtray Navigations she has appeared at All Tomorrow’s Parties (Nightmare Before Christmas, curated by Thurston Moore), Music Lover’s Field Companion in Gateshead, Incubate in Tilburg, Netherlands, Swn Festival in Cardiff and Sotto Voce at Cafe Oto, London, also touring the UK, Europe and USA.

Instruments

Percussion
Clarinet
Saxophone
Keyboards

Genres

Electronic
Rock
Folk

Plays With

Ashtray Navigations

Human Combustion Engine

Human Horses

Last Night On Earth

Sculptress

Pelktopia

Band Members

Discography

Title	Artist	Year	Type
Deformed Vowels	Melanie Delaney	2015	Album
I Can Remember The Faces Of All The Grebs At My School	Melanie Delaney	2012	Album
Freeway Alabama	Melanie Delaney, Bridget Hayden & Phil Todd	2006	Album

External Links

Home Page

Discogs

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Acknowledgements

To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.

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Universal Link: https://music.metason.net/artistinfo?name=Melanie%20Delaney

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