Album UA 2017 on 8 ravens label
Dance (Noise, Ambient, Harsh Noise Wall, Techno)
There are at least two obvious references in this album: to Lawrence Weiner (track 1) and to Burzum (track 20) Published at Internet Archive This version was entered from ZIP file available from the Internet Archive release page; the ZIP also contained a PNG and “readme.txt” Durations were added from MediaMonkey v3.2.5.1306 with a total of 46:19
Merzlux , UA album by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Metal Exists In Blood | Merzlux | 0:12 | |
2 | For Practical And Technical Reasons | Merzlux | 1:08 | |
3 | Texts Applied To Points Of Intuition | Merzlux | 0:52 | |
4 | Path Of Destabilization (Overtaken By Stochastic Unattainability Of Speech) | Merzlux | 1:56 | |
5 | Path (ACM) | Merzlux | 1:13 | |
6 | ACM II | Merzlux | 1:00 | |
7 | Pt II (Remix Session); ACM III | Merzlux | 0:47 | |
8 | ACM IV | Merzlux | 2:28 | |
9 | Models And Frames For Sound Memory | Merzlux | 0:30 | |
10 | Correspondence With External Signals | Merzlux | 0:49 | |
11 | Reducing Labour Rationale To Seven Paragraphs, Each Containing Three Points Rendered In Rhymed Verse | Merzlux | 6:15 | |
12 | Deliberate Control And Purpose | Merzlux | 5:18 | |
13 | Recluse Stomp | Merzlux | 4:02 | |
14 | Grains Spoiling In Slow Motion | Merzlux | 2:35 | |
15 | Stems Part, They Say | Merzlux | 5:10 | |
16 | Riddim 719 | Merzlux | 7:19 | |
17 | The Most Decent Available Structure Was Then Sacrificed | Merzlux | 1:43 | |
18 | What Would Be The Meaning Of Space As A Metaphor | Merzlux | 0:17 | |
19 | Inconsistency In Rites | Merzlux | 2:15 | |
20 | Channelling The Power Of Accounts Into A New User Experience | Merzlux | 0:23 |