ArtistInfo
Michael Gielen, Béla Bartók, Igor Stravinsky
Michael Gielen Edition, Vol .5 - 1967-2014
Compil. DE 2017 on SWR Music label
Classical (Modern)
Musicians
 | Michael Gielen , *1927 AT album by |
 | Béla Bartók p, 1881-1945 HU album by, composed by |
 | Igor Stravinsky p, 1882-1971 RU album by, composed by |
 | Sinfonieorchester Des Südwestfunks , DE orchestra |
 | Christian Ostertag vn, *1963 DE violin |
 | Rundfunk-Sinfonieorchester Saarbrücken , orchestra |
 | Robert Leonardy p, *1940 DE piano |
 | WDR Rundfunkchor Köln , choir |
 | SWR Vokalensemble Stuttgart , *1946 DE chorus |
 | Rudolf Rosen , bass vocals, baritone vocals |
 | Christian Elsner , *1965 DE tenor vocals |
 | WDR Sinfonieorchester Köln , DE orchestra |
 | Stella Doufexis voc, 1968-2015 DE mezzo-soprano vocals |
 | SWR Sinfonieorchester Baden-Baden Und Freiburg , DE orchestra |
 | Barry McDaniel voc, *1930 US baritone vocals |
 | Radio-Sinfonieorchester Stuttgart , orchestra |
 | Edda Moser voc, *1938 DE soprano vocals |
 | Werner Hollweg voc, 1936-2007 DE tenor vocals |
Composers
| Béla Bartók |
| Igor Stravinsky |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | The Wooden Prince Suite, Op. 13, Sz. 60 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 2 | I. Vorspiel. Molto Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 3 | II. Die Prinzessin. Allegretto Scherzando | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 4 | III. Der Wald. Assai Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 5 | IV. Arbeitslied Des Prinzen. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 6 | V. Der Bach. Andante | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 7 | VI. Tanz Des Holzgeschnizten Prinzen. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 8 | VII. Nachspiel. Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 9 | Concerto For Orchestra, Sz. 116 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 10 | I. Introduzione. Andante Non Troppo - Allegro Vivace | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 11 | II. Giuoco Delle Coppie. Allegretto Scherzando | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 12 | III. Elegia. Andante Non Troppo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 13 | IV. Intermezzo Interrotto. Allegretto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 14 | V. Finale. Presto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 15 | 4 Orchestral Pieces, Op. 12, Sz. 51 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 16 | I. Preludio. Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 17 | II. Scherzo. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 18 | III. Intermezzo. Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 19 | IV. Marcia Funebre. Maetoso | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 20 | Violin Concerto No. 1 Sz. 36 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 21 | I. Andante Sostenuto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 22 | II. Allegro Giocoso | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 23 | Music For Strings, Percussion & Celesta, Sz. 106 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 24 | I. Andante Tranquillo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 25 | II. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 26 | III. Adagio | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 27 | IV. Allegro Molto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 28 | Dance Suite, Sz. 77 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 29 | I. Moderato | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 30 | II. Allegro Molto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 31 | III. Allegro Vivace | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 32 | IV. Molto Tranquillo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 33 | V. Commodo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 34 | VI. Finale | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 35 | Piano Concerto No. 2, Sz. 95 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 36 | I. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 37 | II. Adagio - Più Adagio - Presto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 38 | III. Allegro Molto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 39 | The Miraculous Mandarin, Op. 19, Sz. 73 | Michael Gielen, Béla Bartók, Igor Stravinsky | Béla Bartók | |
| 40 | No. 1, Beginning | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 41 | No. 2, First Seduction Game. The Shabby Old Rake | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 42 | No. 3, Second Seduction Game. The Old Student | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 43 | No. 4, Third Seduction Game | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 44 | No. 5, The Mandarin Enters And Remains Immobile In The Doorway | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 45 | No. 6, The Girl Collapses In The Mandarin's Lap | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 46 | No. 7, A Wild Chase Begins | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 47 | No. 8, At Least The Three Tramps | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 48 | No. 9, Suddenly The Mandarin's Head Appears Between The Pillows And He Looks Longingly At The Girl | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 49 | No. 10, The Terrified Tramps Discuss How They Are To Get Rid Of The Mandarin | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 50 | No. 11, The Body Of The Mandarin Begins To Glow With A Greenish Blue Light (Live) | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 51 | No. 12, She Resists No Longer. They Embrace | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 52 | No. 13, His Longing Stilled, The Mandarin's Wounds Begin To Bleed, He Becomes Weaker And Dies | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 53 | Symphony In 3 Movements | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 54 | I. Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 55 | II. Andante | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 56 | III. Con Moto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 57 | Symphony In C Major | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 58 | I. Moderato Alla Breve | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 59 | II. Larghetto Concertante | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 60 | III. Allegretto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 61 | IV. Largo - Tempo Giusto, Alla Breve | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 62 | Symphony Of Psalms | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 63 | I. Exaudi Orationem Meam, Domine | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 64 | II. Expectans Expectavi, Dominum | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 65 | III. Alleluia. Laudate Dominum | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 66 | Le Roi Des étoiles | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 67 | Canticum Sacrum Ad Honorem Sancti Marci Nominis | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 68 | Dedicatio | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 69 | I. Euntes In Mundum | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 70 | II, Surge, Aquilo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 71 | IIIa. Ad Tres Virtutes Hortationes. Caritas | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 72 | IIIb. Ad Tres Virtutes Hortationes. Spes | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 73 | IIIc. Ad Tres Virtutes Hortationes. Fides | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 74 | IV. Brevis Motus Cantilenae | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 75 | V. Illi Autem Profecti | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 76 | Agon | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 77 | No. 1, Pas de Quatre | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 78 | No. 2, Double Pas de Quatre | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 79 | No. 3, Triple Pas de Quatre | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 80 | No. 4, Prelude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 81 | No. 5, Pas de Trois. Saraband-Step | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 82 | No. 6, Gaillarde | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 83 | No. 7, Coda | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 84 | No. 8, Interlude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 85 | No. 9, Pas de Trois. Bransle Simple | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 86 | No. 10, Bransle Gay | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 87 | No. 11, Bransle de Poitou | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 88 | No. 12, Interlude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 89 | No. 13, Pas de Deux | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 90 | No. 14, Coda | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 91 | No. 15, 4 Duos | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 92 | No. 16, 4 Trios | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 93 | Requiem Canticles | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 94 | No. 1, Prelude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 95 | No. 2, Exaudi | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 96 | No. 3, Dies Irae | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 97 | No. 4, Tuba Mirum | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 98 | No. 5, Interlude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 99 | No. 6, Rex Tremendae | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 100 | No. 7, Lacrimosa | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 101 | No. 8, Libera Me | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 102 | No. 9, Postlude | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 103 | Michael Gielen Talks About Variations | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 104 | Variations (Aldous Huxley In Memoriam) | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 105 | Pulcinella | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 106 | No.1, Ouverture | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 107 | No. 2, Serenata. Larghetto. Mentre L'erbetta | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 108 | No. 3, Scherzino | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 109 | No. 4, Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 110 | No. 5, Andantino | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 111 | No. 6, Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 112 | No. 7, Ancroa Poco Meno. Contento Forse Vivere | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 113 | No. 8, Allegro Assai | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 114 | No. 9, Allegro. Con Queste Paroline | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 115 | No. 10, Andante. Sento Dire No'nce Pace | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 116 | No. 11, Presto. Una Te Fallan Zemprecce | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 117 | No. 12, Larghetto | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 118 | No. 13, Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 119 | No. 14, Tarentella | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 120 | No. 15, Andantino. Se Tu M'ami | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 121 | No. 16, Allegro | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 122 | No. 17, Gavotta Con Due Variazioni | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 123 | No. 18, Vivo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 124 | No. 19, Tempo di Minuetto. Pupilette Fiammette D'amore | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 125 | No. 20, Finale. Allegro Assai | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 126 | Apollon Musagète | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky | |
| 127 | Tableau I: Prologue. The Birth Of Apollo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 128 | Tableau II: Apollo's Variation | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 129 | Tableau II: Pas D'Action. Apollo And The Muses | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 130 | Tableau II: Variation Of Callipe | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 131 | Tableau II: Variation Of Polymnia | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 132 | Tableau II: Variation Of Terpsichore | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 133 | Tableau II: Variation Of Apollo | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 134 | Tableau II: Pas de Deux. Apollo And Terpsichore | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 135 | Tableau II: Coda, Apollo, And The Muses | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 136 | Tableau II: Apotheosis, Apollo And The Muses | Michael Gielen, Béla Bartók, Igor Stravinsky | ||
| 137 | Scherzo à la Russe | Michael Gielen, Béla Bartók, Igor Stravinsky | Igor Stravinsky |
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