ArtistInfo
Michael Hartmann
Orgelmusik Des Französischen Impressionismus
Album DE 1988 on PAN Verlag Vleugels label
Classical (Impressionist)
With inlay. An Der Orgel Der Pfarrkirche St. Andreas, Babenhausen. Recorded: 5. may 1988. Direct Metal Mastering.
Musicians
 | Michael Hartmann org, organ, album by |
 | Erich Lidel photography by, orgel |
 | Karl Wagner , photography by, portrait |
 | Hans Theodor Vleugels org, *1931 DE recording supervisor, technician, design, mixed by, schnitt |
| Ursula Vleugels recording supervisor, technician, design, mixed by, schnitt |
| Brigitte Hohenleitner technician, registrantin |
Producers
| Hubert Sandtner liner notes |
| Otto Pippel painting, front |
| Michael Kreutzer photography by, covertitel |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Pieces De Fantaisie Pour Grand Orgue En 4 Suites III - Hymne Au Soleil - Maestoso | Michael Hartmann | Louis Vierne | 4:14 |
| 2 | V - Clair De Lune - Adagio Molto Espressivo | Michael Hartmann | Louis Vierne | 8:30 |
| 3 | Two Pieces For Organ | Michael Hartmann | Arthur Honegger | |
| 4 | I. Fugue - Moderato | Michael Hartmann | 2:40 | |
| 5 | II. Choral - Lento Sostenuto | Michael Hartmann | 4:02 | |
| 6 | Prelude Et Fughetta Pour Orgue Op. 41 | Michael Hartmann | Albert Roussel | |
| 7 | Prelude | Michael Hartmann | 2:34 | |
| 8 | Fughetta | Michael Hartmann | 1:42 | |
| 9 | Marche Solennelle Pour Orgue - Maestoso | Michael Hartmann | Jean Françaix | 2:14 |
| 10 | Suite Profane Pour Orgue - Barcarolle | Michael Hartmann | Jean Françaix | 3:14 |
| 11 | Pavane Pour Une Infante Defunte (Transcription Pour Orgue) | Michael Hartmann | Maurice Ravel | 6:46 |
| 12 | Pastorale Op. 229 - Moderato | Michael Hartmann | Darius Milhaud | 4:38 |
| 13 | Xe Nocturne - Quasi Adagio (Transcription Pour Orgue) | Michael Hartmann | Gabriel Fauré | 5:50 |
| 14 | Trois Pieces Pour Grand Orgue | Michael Hartmann | Jacques Ibert | |
| 15 | I. Piece Solennelle | Michael Hartmann | 4:30 | |
| 16 | II. Musette | Michael Hartmann | 2:52 |
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Acknowledgements
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