Album US 1997 on Entity Productions label
Electronic, Rock and Classical (Modern Classical, Experimental, Darkwave)
Midnight Syndicate , *1997 US album by | |
Scott Angus artwork, additional artwork, drums, keyboards, composed by | |
Edward Douglas , composed by, mixed by, producer, lyrics by | |
Dennis Carleton electric guitar | |
David Herpy saxophone | |
Christopher Robichaud , lyrics by, vocals | |
Anthony Weems , lyrics by, vocals | |
Rashan Poole , lyrics by, vocals | |
Ray Portler , lyrics by | |
Jami Douglas , vocals |
Mark Rakocy cover, design, photography by |
Allen Perry engineer |
Colleen Douglas photography by |
Edward Douglas remix |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Ruins Of Arcacia | Midnight Syndicate | Edward Douglas, Christopher Robichaud | 4:51 |
2 | Premonitions Of A Killer | Midnight Syndicate | Edward Douglas, Anthony Weems, Rashan Poole | 4:32 |
3 | Dark Folk | Midnight Syndicate | Edward Douglas | 2:46 |
4 | Forklift Death | Midnight Syndicate | Edward Douglas, Ray Portler | 2:19 |
5 | Wall-2-Wall Karpit | Midnight Syndicate | Edward Douglas | 0:45 |
6 | Druids | Midnight Syndicate | Edward Douglas, Scott Angus | 5:19 |
7 | That Would've Changed Everything | Midnight Syndicate | Edward Douglas | 3:31 |
8 | Enchanted Nursery | Midnight Syndicate | Edward Douglas | 0:52 |
9 | Hellacious Acres | Midnight Syndicate | Edward Douglas, Christopher Robichaud | 7:17 |
10 | Gretchen's Theme | Midnight Syndicate | Edward Douglas | 2:01 |
11 | Wamma Wamma Jamma | Midnight Syndicate | Edward Douglas, Ray Portler | 2:56 |
12 | Theme To "The Dead Matter" | Midnight Syndicate | Edward Douglas | 2:08 |
13 | Let Me Be | Midnight Syndicate | Edward Douglas, Jamie Barbour, Edward Douglas | 5:06 |
14 | Zoe-5 | Midnight Syndicate | Mark Rakocy | 2:36 |
15 | Midnight At The Swingin' Lizard | Midnight Syndicate | Edward Douglas | 3:25 |
16 | Gildian's Harp | Midnight Syndicate | Edward Douglas | 3:07 |
17 | Journey Into Dementia (Techno Mix) | Midnight Syndicate | Edward Douglas | 4:40 |