Album CA 2010 on Empreintes DIGITALes label
Electronic (Musique Concrète, Experimental)
The four works of the "Sub Terra Cycle" were realized in 2007-08 in the composer’s studio and premiered on the 4 September 2008 during the Numusic Festival 2008 in Stavanger (Norway). "Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS)" was realized in 2003-04 in the composer’s studio and premiered on the 27 April 2004 during the Sonorities Festival at Sonic Arts Research Centre (SARC) — Queen’s University in Belfast (Northern Ireland, UK). "Microclimates III-VI" was realized in 2007 in the composer’s studio and premiered on the 1 September 2007 during the Sleppet project in Bergen (Norway). The work was first released in 2009 on the disc Sleppet, +3DB (3DB 006). "Mobilis in Mobili" was realized in 2006 in the composer’s studio and premiered on 8 June 2006 during Synthèse, the 36th Bourges Electronic Music and Creation International Festival (France). "Rhizaria (Barely: part-4)" was realized in 2007-08 in the composer’s studio and premiered by Tanja Orning and Natasha Barrett on the 7 December 2008 during the Kick-Off Festival presented by Electric Audio Unit at the Apen Theatre in Oslo (Norway). The present version was recorded at the NoTAM (Norwegian network for Technology, Acoustics and Music) in Oslo (Norway) in May 2009 and mixed in the composer’s studio in June 2009. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08. "Gentle Sediment (Barely: part-3)" was realized in 2008 in the composer’s studio and premiered by Natasha Barrett on the 4 June 2008 during the 38th Synthèse festival in Bourges (France). The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08. The audio of "Barely: part-1" was realized in 2006-07 in the composer’s studio and the installation was premiered on the 9 October 2007 during the Ulitma Festival at Kanonhallen in Oslo (Norway). The installation was made possible by support from the Norsk kulturråd (Arts Council Norway), NoTAM (Norwegian network for Technology, Acoustics and Music), Fond for Utovender Kunstnere, and the Ultima Festival. On Bouteilles de Klein "Barely: part-1" has been remixed and reduced to 39 minutes in 2008 in the composer’s studio and is intended to create a background sound environment. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
![]() | Natasha Barrett , *1972 GB album by |
![]() | François Couture , CA liner notes, english translation |
![]() | Svein Berge voc, *1976 NO photography by, portrait |
![]() | Frédérick Rousseau syn, perc, *1958 FR technician, dvd-v authoring |
Jean-François Denis art direction, artistic direction |
Luc Beauchemin cover, design, graphic |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Sub Terra Cycle: Sub Terra | Natasha Barrett | 16:26 | |
2 | Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS) | Natasha Barrett | 10:50 | |
3 | Microclimates III-VI | Natasha Barrett | 23:32 | |
4 | Glacial Loop (Microclimate III) | Natasha Barrett | 5:48 | |
5 | Wet Face (Microclimate IV) | Natasha Barrett | 6:46 | |
6 | Water Fall (Microclimate V) | Natasha Barrett | 4:46 | |
7 | Remote Gale (Microclimate VI) | Natasha Barrett | 6:06 | |
8 | Mobilis In Mobili | Natasha Barrett | 8:08 | |
9 | Rhizaria (Barely: Part-4) | Natasha Barrett | 12:54 | |
10 | Gentle Sediment (Barely: Part-3) | Natasha Barrett | 9:35 | |
11 | Installation | Natasha Barrett | ||
12 | Sub Terra Cycle: Kongsberg Silver Mines | Natasha Barrett | 7:16 | |
13 | Sub Terra Cycle: Under The Sea Floor (Coring And Strata) | Natasha Barrett | 6:30 | |
14 | Sub Terra Cycle: Sand Island | Natasha Barrett | 5:22 | |
15 | The Barely Project: Barely: Part-1 | Natasha Barrett | 38:58 |