Band,
Electronic and Rock
Seattle’s NEWAXEYES plays with tensions and contradictions. Merging dark electronics, crystalline riffs, pummeling beats and noise to refract the volatility, paranoia, and catharsis of the post-Information Age, the band weaves carefully orchestrated and recklessly warped instrumentals into something entirely their own. Their debut album, BLACK FAX, recorded live to tape over the course of two days and produced by Randall Dunn (Sunn O))), Earth, Wolves In The Throne Room), is a testament to the band’s genre-agnostic approach to music. A quartet of skilled multi-instrumentalists, Jordan Rundle (Bass/Synths/Sampler), Bret Gardín (Electronic drums/Synths), Tyler Coray (Guitar/Sampler) and William Hayes (Guitar/Synths) draw inspiration from a wide variety of places and seamlessly merge them into songs that are as abrasive as they are cinematic. Since forming in 2013, NEWAXEYES has pursued a diverse range of projects within and beyond a traditional band structure. Versatile performers with backgrounds in modern composition, sound design, film and visual art, their wide-angle vision has encompassed various multimedia projects, art collaborations, and large-scale works - including 2015’s The 8th Passenger, a 2-hour-long live rescoring of Ridley Scott’s 1979 sci-fi horror classic ‘Alien’, performed to a sold-out theater. Members of NEWAXEYES have toured as keyboardist in Wolves in the Throne Room, recorded guitars on the newest Myrkur album Mareridt (2017, Relapse Records) and contributed electronic drums on post-punk pioneers Sort Sol’s Stor Langsom Stjerne (2017, Sony).
Tyler Coray g | |
Jordan Rundle b | |
Bret Gardin perc | |
William Hayes g |
Track list and 30sec audio provided by
Title | Artist | Year | Type |
---|---|---|---|
Black Fax | Newaxeyes | 2018 | Album |
Assange/Church | Newaxeyes | 2014 | Album |