Album RU 2007 on Musica Excentrica label
Electronic (Experimental)
These recordings are the result of research made by Nikita Golyshev (CD-R) in a period between March and August of a year 2007. The main objective of this experiment was to detect some acoustic properties of oil as substance, placed in different capacities such as crystal glasses and medical bulbs. The obtained 15 sound fragments are collected by the frequency and spectrum analysis of oil behaviour, its molecular changes in various environments (aggressive and non-agressive) and wide range of oil interactions with metal.
Nikita Golyshev , RU album by |
Nikita Golyshev artwork by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Oil, Glass, Acoustic Possibilities | Nikita Golyshev | 2:35 | |
2 | Oil, Glass, Metal, Acoustic Possibilities | Nikita Golyshev | 2:28 | |
3 | Oil (Light X-Ray), Glass, Metal Pt. 1 | Nikita Golyshev | 0:44 | |
4 | Oil (Light X-Ray), Glass, Metal Pt. 2 | Nikita Golyshev | 1:03 | |
5 | Oil (Light X-Ray), Glass, Metal (Frozen) Pt. 3 | Nikita Golyshev | 2:46 | |
6 | Oil (X-Ray), Glass (Frozen), Oil Spectrum Low Frequency Analysis | Nikita Golyshev | 2:08 | |
7 | Oil (Agressive Acid Environment) Middle Frequencies Behaviour | Nikita Golyshev | 1:42 | |
8 | Four Glasses With Hot Oil | Nikita Golyshev | 1:08 | |
9 | Infra-Red Oil Analysis, Metal Source, Glass In Non-Agressive Environment | Nikita Golyshev | 3:17 | |
10 | High And Middle Frequencies Analysis (Oil In Agressive Acid Environment) | Nikita Golyshev | 2:04 | |
11 | High And Middle Frequencies Analysis (Chilled Oil In Agressive Acid Environment) | Nikita Golyshev | 1:13 | |
12 | Seven Glasses With Hot Oil (Infra-Red Analysis On Low Frequencies) | Nikita Golyshev | 1:14 | |
13 | Frozen Oil Spectum Analysis (Infra-Red Analysis On Low Frequencies) | Nikita Golyshev | 1:41 | |
14 | Molecular Oil Structure As The Basis For Percussive Glasses | Nikita Golyshev | 5:22 | |
15 | Molecular Oil Structure Analysis With X-Ray And Metal Source | Nikita Golyshev | 1:49 |