Album DE 1993 on Deutsche Harmonia Mundi label
Classical (Medieval)
Elizabeth Gaver's fiddle: Rainer Ullreich, Wien 1991 Rainer Ullreich's fiddle: Richard Earle, Basel 1988 Late Gothic Harp: Rainer Thurau, Wiesbaden 1987 (1, 2, 3, 6, 7) Early Gothic Harp: Geoff Ralph, London 1983 (9) Total time 70:50 Recorded: 18-22 January 1993 St. Pantaleon, Köln Cover portait of Oswald (detail) possibly by Pisanello, from B-Handschrift (Innsbruck), 1432 A co-production with WDR (P)+(C) 1993 BMG Musik
Oswald von Wolkenstein voc, 1377-1445 DE album by | |
Sequentia , *1977 ensemble, album by | |
Elizabeth Gaver vn, NO fiddle | |
Rainer Ullreich vl, fiddle | |
Lawrence Rosenwald voc, liner notes, english translation | |
Christa Trautner-Suder , liner notes, french translation | |
Mariette Müller , liner notes, french translation | |
Horst Brunner liner notes, liner notes, translated by, research, texts prepared by, edition, pronounciation training, philological consultation | |
Barbara Thornton voc, 1950-1998 US voice | |
Benjamin Bagby hrp, voc, *1950 US voice, harp |
Dr. Jens Markowsky artwork, liner notes, edition |
Georges Kisselhoff edited by |
Barbara Valentin engineer |
Jan Höfermann executive-producer |
Pisanello painting, cover portrait |
Marco Borggreve photography by, back cover |
Klaus L. Neumann producer |
Oswald von Wolkenstein |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Wes Mich Mein Bül | Oswald von Wolkenstein / Sequentia | 3:09 | |
2 | Es Seusst Dort Her | Oswald von Wolkenstein / Sequentia | 12:13 | |
3 | Do Fraig Amors | Oswald von Wolkenstein / Sequentia | 2:14 | |
4 | Es Fuegt Sich | Oswald von Wolkenstein / Sequentia | 12:20 | |
5 | Wer Ist, Die Da Durchleuchtet | Oswald von Wolkenstein / Sequentia | 7:08 | |
6 | [Instrumental Piece] | Oswald von Wolkenstein / Sequentia | 5:58 | |
7 | O Snöde Werlt | Oswald von Wolkenstein / Sequentia | 14:36 | |
8 | Durch Barbarei, Arabia | Oswald von Wolkenstein / Sequentia | 5:31 | |
9 | Vil Lieber Grüsse | Oswald von Wolkenstein / Sequentia | 6:42 |