Compil. US 1994 on EMI Classics label
Classical (Modern)
Recorded: 21 & 23.I.1934 at No.3 Studio, Abbey Road, London (tracks 1-1 to 1-6, 2-1 to 2-3; mono recordings) 19-24.XI.1956 at Kingsway Hall, London (tracks 1-7 to 1-13, 2-4 to 2-12; stereo recordings) Total time: CD 1 78:05; CD 2 78:55 This compilation and digital remastering ℗ 1994 by EMI Records Ltd. © EMI Records Ltd., 1994 Made in the USA
Paul Hindemith p, vl, 1895-1963 DE composed by, piano, conductor, viola, album by | |
Emanuel Feuermann vc, 1902-1942 UA cello | |
Louis Cahuzac cl, 1880-1960 FR clarinet | |
Douglas Larter , 1900-1969 GB engineer, balance | |
Dennis Brain alp, 1921-1957 GB horn | |
John Berger , illustration, caricature of paul hindemith | |
John McCabe p, 1939-2015 GB liner notes, english | |
Elisabeth Rhodes , liner notes, french translation | |
Friary Music Services , liner notes, german translation | |
Philharmonia Orchestra , orchestra | |
Andrew Walter , engineer, audio restoration, remastered by, digitally, transferred by, from 78s | |
Szymon Goldberg vn, 1909-1993 US violin |
Joseph Batten producer |
Walter Legge producer |
Paul Baily remastered by, digitally |
Paul Hindemith |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Sonata For Solo Viola, Op.25, No.1 (1922) | Paul Hindemith | ||
2 | I: Breit – | Paul Hindemith | 1:31 | |
3 | II. Sehr Frisch Und Straff | Paul Hindemith | 1:53 | |
4 | III: Sehr Langsam | Paul Hindemith | 5:45 | |
5 | IV: Rasendes Zeitmaß. Wild. Tonschönheit Ist Nebensache | Paul Hindemith | 1:51 | |
6 | V: Langsam, Mit Viel Ausdruck | Paul Hindemith | 4:25 | |
7 | – | Paul Hindemith | ||
8 | Scherzo For Viola And Cello (1934) | Paul Hindemith | 3:24 | |
9 | Nobilissima Visione – Suite From The Dance Legend In Six Scenes (1938) | Paul Hindemith | ||
10 | I: Einleitung Und Rondo | Paul Hindemith | 8:55 | |
11 | II: Marsch Und Pastorale | Paul Hindemith | 9:11 | |
12 | III: Passacaglia | Paul Hindemith | 6:55 | |
13 | Symphonia Serena (1946) | Paul Hindemith | ||
14 | I: Moderately Fast | Paul Hindemith | 10:48 | |
15 | II: Geschwindmarsch By Beethoven (Rather Fast) | Paul Hindemith | 3:31 | |
16 | III: Colloquy | Paul Hindemith | 10:01 | |
17 | IV: Finale (Gay) | Paul Hindemith | 9:30 | |
18 | String Trio No.2 (1933) | Paul Hindemith | ||
19 | I: Mäßig Schnell | Paul Hindemith | 7:56 | |
20 | II: Lebhaft | Paul Hindemith | 6:36 | |
21 | III: Langsam – Schnelle Halbe – Langsam – Schnell, Wie Vorher – Äußerst Lebhaft | Paul Hindemith | 8:40 | |
22 | Clarinet Concerto (1947) | Paul Hindemith | ||
23 | I: Ziemlich Schnell | Paul Hindemith | 8:27 | |
24 | II: Schnell | Paul Hindemith | 2:07 | |
25 | III: Ruhig | Paul Hindemith | 7:09 | |
26 | IV: Heiter | Paul Hindemith | 6:29 | |
27 | Horn Concerto (1949) | Paul Hindemith | ||
28 | I: Moderately Fast | Paul Hindemith | 3:21 | |
29 | II: Very Fast | Paul Hindemith | 1:55 | |
30 | III: Very Slow – Moderately Fast – Fast – Lively – Very Slow | Paul Hindemith | 9:39 | |
31 | Concert Music For Brass And Strings, Op.50 (1930) | Paul Hindemith | ||
32 | I: Mäßig Schnell, Mit Kraft – Sehr Breit, Aber Stets Fließend | Paul Hindemith | 8:05 | |
33 | II: Lebhaft – Langsam – Lebhaft | Paul Hindemith | 8:05 |