ArtistInfo
Phil Collins
Live And Loose In Paris
Album DE 1997 on Warner Music Vision label
Rock and Pop (Soft Rock, Pop Rock)
On inlay: A Serpent Films Production. Picture format: Pal 4:3(4:3) Multiple viewing angles: 1 Colour mode: Colour Region code: 2/3/4/5/6 Disc format: DVD-5 Duration: Approx. 90 min. Language & Audio content: 1 English/Linear PCM Stereo 2 English/Dolby Digital 5.0 Surround Sound Subtitles: 1 English Lyrics Subtitles 2 English Closed Captions © 1997 Philip Collins Ltd. Manufactured in Germany by [Warner W logo] Warner Music Manufacturing Europe. E Exempt from classification. Freigegeben ohne Altersbeschränkung gemäß §7 JÖSchG FSK The following logos appear: DVD Video, DVD region, Warner Music Vision, Macrovision, Service mark of the National Captioning Institute, Inc., Linear PCM, Dolby Digital. On booklet (4 pages): Everything you see and hear on this DVD was taken from one night in Paris. The music you hear is un-tampered with. So... I would like to thank everyone involved, David Mallet and his crew, Cubby & Nick, our on-stage team, the lighting guys, and of course the band, for sounding like th best band I could imagine. Thanks Phil Collins Copyrights mentioned as follows: Tracks 1, 9: ©1980 Tracks 2, 4, 8, 14 & 15: ©1989 Tracks 3, 5 & 11: ©1984 Track 4: ©1989 Tracks 6, 12 & 13: ©1996 Track 7: ©1985 Track 10: ©1997 On DVD: Approximate running time: 90 minutes. © 1997 Philip Collins Ltd. Exempt from classification. Released in a Super Jewel Box. Some credits taken from end titles.
Musicians
 | Phil Collins voc, dr, *1951 GB vocals, drums, album by, written by |
 | Nathan East b, voc, *1955 US bass guitar, vocals, written by |
 | Alan Beal cameraman, camera operator |
| Alex Gorski cameraman, camera operator |
| Andy Watt cameraman, camera operator |
| Chris Coles cameraman, camera operator |
| Colin Brewer cameraman, camera operator |
| Dave Matthews cameraman, camera operator |
| Dave Oakley cameraman, camera operator |
| Dave Swann cameraman, camera operator |
| Derek Pennell cameraman, camera operator |
| Dominic Jackson cameraman, camera operator |
| Duncan Cross cameraman, camera operator |
| Duncan McLaren cameraman, camera operator |
| Ian Munday cameraman, camera operator |
| Jim O'Donnell cameraman, camera operator |
| Justin Craven cameraman, camera operator |
| Keith Bradshaw cameraman, camera operator |
| Martin Hawkins cameraman, camera operator |
| Matthew Allwork cameraman, camera operator |
| Phil Piotrowsky cameraman, camera operator |
| Richard Dellow cameraman, camera operator |
| Ron Tufnell cameraman, camera operator |
| Barrie Dodd] cameraman, senior camera operator |
| Jane Darby crew, director's assistant film crew |
 | Mark Fisher perc, GB design, set |
 | Ricky Lawson dr, 1954-2013 US drums |
 | David Woolley , *1957 GB engineer, audio post production, mixed by, surround sound |
 | Robert Colby , engineer, foh sound, mixed by, sound remixing, recorded by, sound recording |
| Pete Buess engineer, monitor |
 | Daryl Stuermer g, b, *1952 US guitar, written by |
 | Brad Cole key, b, US keyboards |
| Dave Smith lighting, co-ordinator |
| Scotty Duhig lighting, crew chief |
 | Patrick Woodroffe , *1954 GB lighting, designer |
| Mike Sutcliffe lighting, tv lighting designer |
| Tellson James lighting, vari*lite operator |
| Ahmed Bouchaala management, production manager france, film crew |
| Lana Topham management, production, film crew |
 | Luis Conte perc, *1954 CU percussion, written by |
 | Diana Scrimgeour , photography by, front background, inner spread |
| Elizabeth Flowers producer, line |
 | Ronnie Caryl voc, b, acg, *1953 GB rhythm guitar, vocals |
| Andrew Woodfolk saxophone, vine street horns |
 | Arturo Velasco tb, US trombone, vine street horns |
 | Dan Fornero tr, fh, US trumpet, vine street horns |
 | Harry Kim tr, fh, str, trumpet, vine street horns |
 | Amy Keys voc, bvoc, US vocals |
 | Arnold McCuller bvoc, voc, *1950 US vocals |
Producers
| Wherefore Art? design |
| Neil Grigson directed by, 1st assistant director film crew |
| Robbie Williams directed by, production director |
| Dave Gardener edited by |
| David Mallet edited by, film director |
| Elliot McCaffrey edited by |
| Nick Morris edited by |
| Peter Ephick edited by, on line editor |
| Tim Waddell edited by, on line editor |
| Rocky Oldham executive producer |
| Vince Foster lighting director |
| Carol Willis-Impey management |
| Hit & Run Music management |
| Tony Smith management, producer |
| Roger Chopping management, construction manager |
| Howard Hopkins management, production |
| Mike Kidson management, tour manager |
| Bill Morris management, unit manager |
| Gered Mankowitz photography by |
| Guido Karp photography by |
| Jon Super photography by |
| Paul Bergen photography by, front foreground |
| Nick Davis mixed by, sound remixing, recorded by, sound recording |
| Steve Jones stage manager |
| Malcolm Whittall supervised by, vision supervisor |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Hand In Hand | Phil Collins | Phil Collins | |
| 2 | Hang In Long Enough | Phil Collins | Phil Collins | |
| 3 | Don't Lose My Number | Phil Collins | Phil Collins | |
| 4 | Another Day In Paradise | Phil Collins | Phil Collins | |
| 5 | Against All Odds (Take A Look At Me Now) | Phil Collins | Phil Collins | |
| 6 | Lorenzo | Phil Collins | Michaela Odone, Phil Collins | |
| 7 | Separate Lives | Phil Collins | Stephen Bishop | |
| 8 | Long Long Way To Go | Phil Collins | Phil Collins | |
| 9 | In The Air Tonight | Phil Collins | Phil Collins | |
| 10 | Timbantiocha | Phil Collins | Luis Conte, Phil Collins | |
| 11 | Easy Lover | Phil Collins | Nathan East, Phil Collins, Philip Bailey | |
| 12 | Dance Into The Light | Phil Collins | Phil Collins | |
| 13 | Wear My Hat | Phil Collins | Phil Collins | |
| 14 | Something Happened On The Way To Heaven | Phil Collins | Daryl Stuermer, Phil Collins | |
| 15 | Sussudio | Phil Collins | Phil Collins |
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