Album US 1998 on Composers Recordings Inc. label
Electronic (Abstract, Experimental)
Track 1 composed 1997 for 25 tape players. Track 2 composed 1995 for 10 tape loops. Track 3 composed 1996 for 8 electric guitars and basso continuo. Track 4 composed 1996 for 25 tape players. Track 5 composed 1992 for harmonicas and 12 tape loops. Tracks 1 to 4 recorded August 1997 and June 1998 at the Brooklyn Anchorage. Track 5 recorded May 1992 during the Bang On A Can Festival at the Society for Ethnical Culture. Dedicated to Robin Bruch.
Phil Kline g, voc, US composed by, performer, producer, album by, guitar, voice, harmonica | |
Bradford Reed dr, US engineer, balance, producer, recorded by | |
Ellen Watkins g, guitar | |
Jonathan Bepler str, org, voc, perc, guitar | |
Mark Howell g, voc, tr, guitar | |
Mark Stewart eg, g, guitar | |
Peter Principle , *1954 US guitar | |
Skinny John g, guitar | |
Wharton Tiers dr, g, *1953 US guitar | |
Nanker Phelge , performer, basso continuo |
Joseph R. Dalton executive-producer |
Luc Sante liner notes |
Darcy Proper mastered by |
Peter Principle recorded by |
Bob Bielecki sound designer |
Phil Kline |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Premonition | Phil Kline | 5:16 | |
2 | Chant For Voice | Phil Kline | 13:07 | |
3 | 96 Tears | Phil Kline | 10:50 | |
4 | The Holy City Of Ashtabula | Phil Kline | 17:09 | |
5 | Bachman's Warbler | Phil Kline | 16:34 |