Album DE 1995 on Silk Road Music label
Classical
DIRECT METAL MASTER CUT VINYL 180g Audiophile Vinyl Pressing More than 100 years after Paganini’s death, the piano was called the widow of Paganini. The piano was deeply locked in a glass case, and no one dared to play it, as if it were a piano The embarrassment is also like a fearful awe. Salvatore Accardo Akado - violin Laura Manzini Mancini - the most legendary wild horse in the history of the piano Nikolay. Paganini, the most legendary figure in the history of violin for two hundred years. Paganini has collected twenty-two violins, the most cherished of which is a Guarari name named Jesus (nickname: Cannon). After Paganini’s death for more than 100 years, people called it The piano is the widow of Paganini. This piano is deeply locked in a glass case. No one dares to play it. It is like a jealousy to the piano, and it seems like a curse-like awe. This piano was made by Guanari in 1742. It is the most legendary piano in history. However, Guarani is a little leather. His piano is difficult to tame like a wild horse, but once the wild horse recognizes the owner, it becomes a thousand miles. Hey. Therefore, when the violinist Guarariqin performed, it was not a separate show of their exquisite piano art, but two souls juxtaposed on the stage, one is the soul of the performer, and the other is the soul of the violin. In 1822, Paganini received the piano and cherished his life. Even the women sighed. After Paganini’s death, he gave the piano to Genoa’s “permanent preservation”, but the government of the Republic of Genoa “has loved” the piano, so it was deeply locked in the exhibition hall, but unexpectedly due to poor ventilation and humidity. The "cannon" was seriously damaged. Fortunately, after the intensive care of the violinist Candi, the "Cannon" was brought back to life, and this Paganini's favorite "cannon" was re-dedicated to music, no longer locked in the glass box. . Paganini's violin is the touchstone of all the famous performers. Even today, with the ever-changing violin playing skills, most of the players who have experienced the battle have a cold sweat. Plus the cannon is hard to control, except Pagini, the best interpreter of the Arkanto and the disciple of the house, Massimo. Outside Guatta, no one can tame the cannon. There are so many joys and sorrows on a famous piano. There is absolutely no less than a living person, but the piano can't talk, but through the person who plays the piano, the piano sound reveals the past, we I hope that the words of the soul of the soul will only be heard by those who care. Acardo's perfect performance In the prestigious piano of Paganini, of course, the 1742 Guararii violin, which is the nickname Cannon, is the most desirable. This piano was bequeathed to the Italian government after the death of Paganini and must be licensed by the government. The winner of this award was the first Italian winner of the Paganini medal. The recorded tracks are actually very common, but the focus is not on the uniqueness of the tracks, but on the tone of the piano. It is said that the sound of the Guinari name is very rich. As long as there is some slight change in the strength of the bow, it can produce a variety of different expressions, and in terms of recording, in order to match the power of the cannon, of course The recording is such that even the smallest breath is not missed. This version will send the master tape to the top-level Pauler Acoustics studio of the German Tiger Fish Studio for post-mastering, and the sound quality is better than ever!
![]() | Salvatore Accardo vn, *1941 IT album by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | TARTINI: Variations on a theme by Corelli | Salvatore Accardo | 3:16 | |
2 | MILSTEIN: Paganiniana for solo violin | Salvatore Accardo | 7:50 | |
3 | SUK: Love Song Op.7 No.1 | Salvatore Accardo | 6:33 | |
4 | SARASATE: Introduction and Tarantella | Salvatore Accardo | 4:58 | |
5 | CHOPIN: Nocturne Op.9 No.2 | Salvatore Accardo | 5:07 | |
6 | BRAHMS: Hungarian Dance No. 7 | Salvatore Accardo | 2:14 | |
7 | ELGAR: La Capricieuse | Salvatore Accardo | 4:17 | |
8 | MOSZKOWSKI: Guitarre Op.45 No.2 | Salvatore Accardo | 3:32 | |
9 | DE FALLA: Pantomime (from El Amor Brujo) | Salvatore Accardo | 3:24 | |
10 | WILLIAM KROLL: Banjo and Fiddle | Salvatore Accardo | 2:52 | |
11 | SHOSTAKOVICH: Two Preludes (Op.34 No.10 and No.15) | Salvatore Accardo | 3:13 | |
12 | RAVEL: Piece en forme de Habanera | Salvatore Accardo | 2:56 | |
13 | ARTHUR BENJAMIN: Jamaican Rumba | Salvatore Accardo | 1:49 | |
14 | HUBAY: Zefir (Op. 30 No. 5) | Salvatore Accardo | 3:34 | |
15 | DEBUSSY: Clair de Lune | Salvatore Accardo | 4:49 | |
16 | SZYMANOWSKI: Paganini'a Caprice Op. 40 No.20 | Salvatore Accardo | 3:14 | |
17 | SZYMANOWSKI: Paganini'a Caprice Op. 40 No.21 | Salvatore Accardo | 2:44 | |
18 | SZYMANOWSKI: Paganini'a Caprice Op. 40 No.24 | Salvatore Accardo | 8:03 |