ArtistInfo
Seiji Ozawa
A Life For Music
Compil. IT 2014 on Deutsche Grammophon label
Classical
In a thick, full colour card box. CDs individually housed in full colour card sleeves. With a 24 page booklet featuring performance and liner notes. Performance Notes - CD 1 & CD 2 - Recording: Naganoken Matsumoto Buna Kaikan, Japan, 29 August - 4 September 2000. ℗ 2002 Universal International Music BV CD 3 - Live recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 10/1993. ℗ 1994 Universal International Music BV CD 4 - Publishers: Universal Edition, Wien (Berg); B. Schott's Söhne, Mainz (Stravinsky). ℗ 1980 Deutsche Grammophon International GmbH, Berlin CD 5 & CD 6 - Recording: Boston, Massachussets USA, Symphony Hall, 10/1973. ℗ 1974 Deutsche Grammophon International GmbH, Berlin CD 7 - Recording: Berlin, 9/1989. ℗ 1990 Universal International Music BV CD 8 - Live recording: Musikverein, Vienna, 4/1992. ℗ 1993 Universal International Music BV CD 9 - Recording: Boston, Symphony Hall, 11/1991 (Franck), 12/1991 (Poulenc). Publishers: Éditions Salbert (Poulenc). ℗ 1993 Deutsche Grammophon International GmbH, Berlin CD 10 - Recordings: Cupertino, California, Flint Center, DeAnza College, 6/1972 (Bernstein), 5/1976 (Gershwin, Russo). Publishers: New World Music Corp., New York (Gershwin); Amberson Enterprises/G. Schirmer, New York (Bernstein). ℗ 1973 (Bernstein) / 1977 (Gershwin, Russo) Deutsche Grammophon International GmbH, Berlin CD 11 - Recording: Boston, Symphony Hall, 10/1992. ℗ 1994 Deutsche Grammophon International GmbH, Berlin CD 12 - Recordings: Boston, Symphony Hall, 11/1987. Publisher: Éditions Salabert, Paris. ℗ 1989 Deutsche Grammophon International GmbH, Berlin CD 13 - Recordings: Berlin, Jesus-Christus-Kirche, 1 & 11/1990 (No. 5), 11/1990 (Kijé). Publishers: Boosey & Hawkes, London (Kijé); Musikverlag Hans Sikorski, Hamburg (No. 5). ℗ 1991 Deutsche Grammophon International GmbH, Berlin CD 14 - Recordings: Berlin, Philharmonie (Großer Saal), 5/2007. Publishers: Boosey & Hawkes - Bote & Bock GmbH & Co. KG, Berlin (1-4); Editions Durand, Paris (5-7). ℗ 2007 Deutsche Grammophon International GmbH, Berlin CD 15 & CD 16 - Liver recording: Boston Symphony Hall, 4/1979. ℗ 1979 Universal International Music BV CD 17 - Recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 9/1993 (Schoenberg); 9/1994 (Stravinsky, Strauss). ℗ 1996 Universal International Music BV CD 18 - Recording: Boston, Symphony Hall, 8/1975. Publisher: Belwin Hills. ℗ 1976 Deutsche Grammophon International GmbH, Berlin CD 19 - Live recording: Boston Symphony Hall, 4/1992. Publishers: Musikverlag Hans Sikorski, Hamburg. ℗ 1994 Deutsche Grammophon International GmbH, Berlin CD 20 - Recording: Nagano-Ken Bunka Kaikan, Matsumoto, Japan, 9/1996. ℗ 1997 Universal International Music BV CD 21 - Recording: Großer Saal, Musikverein, Wien, 3/1996. ℗ 1997 Universal International Music BV CD 22 - Recording: Jesus-Christus-Kirche, Berlin, 9/1989 (1), Schauspielhaus, Berlin, 8/1990 (2, 3). ℗ 1991 Universal International Music BV CD 23 - Recording: Boston, October, 1985. Publisher: Robert Lienau (Sibelius). ℗ 1986 Universal International Music BV Additional Performance Notes - CD 5 & CD 6 - 'Légende dramatique en quatre parties'. Text by Hector Berlioz and Almire Gandonnière based on Gérard de Nerval's translation of Goethe's "Faust". CD 7 - 'This recording, the last in which the late Sherman Walt performed, is respectfully dedicated to his memory by Seiji Ozawa. Mr. Walt was principal bassoonist of the Boston Symphony Orchestra from 1953-1989, and participated in the concerts of the Saito Kinen orhcestra from it's inception.' CD 9 - Live recording CD 11 - 'Incidental Music to Shakespeare's play'. Text edited for a single narrator by Evans Miragaes and Seiji Ozawa CD 14 - Live recording CD 15 & CD 16 - Publishers: Universal Edition A.G., Wien CD 17 - Publishers (1-6): Universal Edition. Publishers (7-16): Boosey & Hawkes CD 21 - Publishers (1): Boosey & Hawkes. Composed for the Vienna Philharmonic Ball, the Fanfare was premiered on 4 March 1924. It is scored for 6 trumpets, 8 horns, 6 trombones, 2 tubas and 2 timpani. Publishers (2-23): F.E.C. Leuckart. Publishers (24): R. Lienau Verlag, Frankfurt. Composed in Garmisch in July 1909 and performed on 9 December 1909, this work is dedicated to Prince Frederich of Prussia, master of the Knights of St John of Balley-Brandenburg. The fanfare is scored for 12 trumpets, 3 solo trumpets, 4 horns, 4 trombones, 2 bass tubas and timpani. Photo: © Gabriela Brandenstein Universal Classics & Jazz A division of Universal Music Italia srl This product ℗ and © 2014 Universal Music Italia srl Made in the E.U.
Musicians
 | Seiji Ozawa p, *1935 JP conductor, text by, edited by, album by |
 | Wilhelm Hellweg p, a&r, artists & repertoire production, engineer, balance, producer, recording |
 | Robert Schumann p, 1810-1856 DE arranged by, violin part, composed by |
 | Andreas Schmidt voc, *1960 DE baritone vocals |
 | David Arnold , baritone vocals, bauer (peasant) |
 | Donald McIntyre voc, *1934 NZ baritone vocals, méphistophélès |
 | Alastair Miles voc, *1961 GB bass vocals |
 | Thomas Paul b, *1934 US bass vocals, brander, soloist, bass vocals - "epilogue sur la terre |
 | Akio Koyama bsn, JP bassoon |
 | Kinshi Tsuruta voc, biwa |
 | Sumiko Kurata vc, cello |
 | Tsuyoshi Tsutsumi vc, cello |
 | Sadao Harada vc, JP cello, continuo |
 | Boston Boy Choir , choir |
 | Tanglewood Festival Chorus voc, *1970 US choir |
 | Tokyo Opera Singers choir |
 | Dmitri Shostakovich p, RU composed by, orchestrated by |
 | Hector Berlioz , 1803-1869 FR composed by, text by |
 | Igor Stravinsky p, 1882-1971 RU composed by, composed by |
| Akira Akahoshi double bass, continuo |
 | Hans-Peter Schweigmann , DE engineer, balance, engineer, recording |
 | Jack Hunt , engineer, balance |
 | Karl-August Naegler , *1944 DE engineer, balance |
 | Klaus Hiemann , *1942 DE engineer, balance, engineer, recording |
| Masamichi Ohashi engineer, balance |
 | Onno Scholtze , 1935-2012 NL engineer, balance |
 | Matthias Spindler , coordinator, project, executive-producer, associate |
 | Shigenori Kudo fl, *1954 JP flute |
 | Corky Siegel h, p, voc, harmonica, piano |
| Nobuyuki Mizuno horn |
| Karel Clapshaw liner notes, english translation |
 | Frederica von Stade voc, *1945 US mezzo-soprano vocals, second fairy |
 | Tatiana Troyanos voc, 1938-1993 US mezzo-soprano vocals, waldtaube (wood-dove) |
 | Judi Dench voc, *1934 GB narrator |
 | Fumiaki Miyamoto ob, oboe |
 | Reinhard Holch ob, oboe |
 | Berliner Philharmoniker , DE orchestra |
 | Boston Symphony Orchestra , US orchestra |
 | Saito Kinen Orchestra , orchestra |
 | The San Francisco Symphony Orchestra , orchestra |
 | Wiener Philharmoniker , DE orchestra |
 | Rudolf Scholz org, 1933-2012 AT organ |
 | Simon Preston org, hps, *1938 GB organ |
 | Christine Schornsheim hps, org, *1959 DE organ, continuo |
 | Yundi Li p, *1982 CN piano |
 | Katsuya Yokoyama , shakuhachi |
| Judith Dickison soloist, vocals - "dans le ciel" |
 | Kathleen Battle voc, *1948 US soprano vocals, soprano vocals, first fairy |
 | Angelika Kirchschlager voc, *1965 AT contralto vocals, soprano vocals, ii |
 | Barbara Bonney voc, *1956 US soprano vocals, i |
| Edith Mathis soprano vocals, marguerite |
 | Jessye Norman voc, *1945 US soprano vocals, tove |
 | Werner Klemperer , 1920-2000 US speech, speaker |
 | Serge Poulain p, technician, piano |
 | John Mark Ainsley voc, *1963 GB tenor vocals |
 | Stuart Burrows voc, *1933 GB tenor vocals, faust |
| Kim Scown tenor vocals, klaus-narr (klaus the jester) |
 | James McCracken voc, 1926-1988 US tenor vocals, waldemar |
 | Almire Gandonnière , FR text by |
 | Jens Peter Jacobsen , 1847-1885 DK text by |
 | Evans Mirageas , text by, edited by |
 | Everett Firth perc, dr, GB timpani |
| Sawako Yasue timpani |
 | Robert Franz Arnold , 1872-1938 AT translated by, german translation |
 | Tim Morrison tr, trumpet |
| Mazumi Tanamura viola |
 | Nobuko Imai vl, *1943 JP viola |
| Nobuko Okada viola |
 | Gidon Kremer vn, *1947 LV violin |
 | Itzhak Perlman vn, *1945 US violin |
 | Masuko Ushioda vn, CN violin, violin |
 | Shoko Oki , violin |
 | Viktoria Mullova vn, *1959 RU violin |
 | Albert Parlow , 1824-1888 DE arranged by |
Producers
| Anthony Freud a&r, artists & repertoire production |
| Costa Pilavachi a&r, artists & repertoire production |
| Hermine Sterringa a&r, artists & repertoire production |
| Louwrens Langevoort a&r, artists & repertoire production |
| Wouter Hoekstra a&r, artists & repertoire production |
| Punto E Virgola artwork |
| John Oliver chorus master |
| Theodore Marier chorus master |
| Peter Dijkstra directed by, choral director |
| Christopher Alder edited by, editing, producer |
| Ingmar Haas edited by, editing |
| Oliver Rogalla edited by, editing |
| Reinhild Schmidt edited by, editing |
| Gosia Jankowska edited by, tape editing |
| Joram Pinxteren edited by, tape editing |
| Kees de Visser edited by, tape editing |
| Rico Yntema edited by, tape editing |
| Everett Porter edited by, tape editor, engineer, recording |
| Jan Wesselink edited by, tape editor, engineer, recording |
| Jean van Vugt edited by, tape editor |
| Manabu Ohkoshi edited by, tape editor |
| Raymond Rafael edited by, tape editor |
| Bastian Schick engineer, assistant |
| Wolf-Dieter Karwatky engineer, assistant, engineer, recording |
| Andrew Wedman engineer, recording |
| Cees Heijkoop engineer, recording |
| Jobst Eberhardt engineer, recording |
| Jürgen Bulgrin engineer, recording |
| Kiyoshi Fukiwa engineer, recording |
| Klaus Behrens engineer, recording |
| Pieter Boer engineer, recording |
| Reinhard Lagemann engineer, recording |
| Roger de Schot engineer, recording |
| Suenori Fukui engineer, recording |
| Tony Faulkner engineer, recording |
| Willem van Leeuwen engineer, recording |
| Youichi Umezawa engineer, recording |
| Yuji Hirano engineer, recording |
| Allison Ames executive-producer |
| Clive Bennett executive-producer |
| Hanno Rinke executive-producer |
| Wolfgang Stengel executive-producer, producer, recording |
| Pål Christian Moe executive-producer, associate |
| Thomas Mowrey executive-producer, producer, recording, producer, recording supervisor, producer, recording supervisor |
| Sandro Cappelletto liner notes |
| Gabriela Brandenstein photography by, photo |
| Franz-Christian Wulff producer |
| Christian Gansch producer, recording |
| Cord Garben producer, recording |
| Rainer Brock producer, recording supervisor |
Composers
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Johann Sebastian Bach (1685-1750) - Mass In B Minor, BWV 232 | Seiji Ozawa | ||
| 2 | Kyrie | Seiji Ozawa | ||
| 3 | No. 1 Chorus: Kyrie Eleison | Seiji Ozawa | 9:31 | |
| 4 | No. 2 Duet: Christe Eleison (Sopranos I & II) | Seiji Ozawa | 5:07 | |
| 5 | No. 3 Chorus: Kyrie Eleison | Seiji Ozawa | 3:12 | |
| 6 | Gloria | Seiji Ozawa | ||
| 7 | No. 4 Chorus: Gloria In Excelsis Deo | Seiji Ozawa | 1:43 | |
| 8 | No. 4 Chorus: Et In Terra Pax | Seiji Ozawa | 4:15 | |
| 9 | No. 5 Aria: Laudamus Te (Soprano II (Violin Obbligato)) | Seiji Ozawa | 4:11 | |
| 10 | No. 6 Chorus: Gratias Agimus Tibi | Seiji Ozawa | 2:46 | |
| 11 | No. 7 Duet: Domine Deus (Soprano I, Tenor (Flute Obbligato)) | Seiji Ozawa | 5:19 | |
| 12 | No. 8 Chorus: Qui Tollis Peccata Mundi | Seiji Ozawa | 3:26 | |
| 13 | No. 9 Aria: Qui Sedes Ad Dexteram Patris (Contralto (Oboe D'Amore Obbligato)) | Seiji Ozawa | 4:31 | |
| 14 | No. 10 Aria: Quoniam Tu Solus Sanctus | Seiji Ozawa | 4:05 | |
| 15 | No. 11 Chorus: Cum Sancto Spiritu | Seiji Ozawa | 3:51 | |
| 16 | Credo (Symbolum Nicenum) | Seiji Ozawa | ||
| 17 | No. 12 Chorus: Credo In Unum Deum | Seiji Ozawa | 2:00 | |
| 18 | No. 13 Chorus: Patrem Omnipotentum | Seiji Ozawa | 1:50 | |
| 19 | No. 14 Duet: Et In Unum Dominum (Soprano I, Contralto) | Seiji Ozawa | 4:06 | |
| 20 | No. 15 Chorus: Et Incarnatus Est | Seiji Ozawa | 3:17 | |
| 21 | No. 16 Chorus: Crucifixus | Seiji Ozawa | 2:52 | |
| 22 | No. 17 Chorus: Et Resurrexit | Seiji Ozawa | 3:49 | |
| 23 | No. 18 Aria: Et In Spiritum Sanctum (Bass) | Seiji Ozawa | 4:40 | |
| 24 | No. 19 Chorus: Confiteor Unum Baptisma | Seiji Ozawa | 3:56 | |
| 25 | No. 20 Chorus: Et Expecto Resurrectionem | Seiji Ozawa | 2:03 | |
| 26 | Sanctus | Seiji Ozawa | ||
| 27 | No. 21 Chorus: Sanctus | Seiji Ozawa | 5:05 | |
| 28 | No. 22 Chorus: Osanna | Seiji Ozawa | 2:35 | |
| 29 | No. 23 Aria: Benedictus (Tenor (Violin Obbligato)) | Seiji Ozawa | 3:55 | |
| 30 | No. 23 Aria: Osanna Da Capo | Seiji Ozawa | 2:29 | |
| 31 | Agnus Dei | Seiji Ozawa | ||
| 32 | No. 24 Aria: Agnus Dei (Contralto) | Seiji Ozawa | 4:48 | |
| 33 | No. 25 Chorus: Dona Nobis Pacem | Seiji Ozawa | 3:04 | |
| 34 | - | Seiji Ozawa | ||
| 35 | Ludwig Van Beethoven (1770-1827) | Seiji Ozawa | ||
| 36 | Symphony No. 7 In A, Op. 92 | Seiji Ozawa | ||
| 37 | 1. Poco Sostenuto - Vivace | Seiji Ozawa | 14:10 | |
| 38 | 2. Allegretto | Seiji Ozawa | 8:39 | |
| 39 | 3. Presto - Assai Meno Presto | Seiji Ozawa | 9:40 | |
| 40 | 4. Allegro Con Brio | Seiji Ozawa | 8:57 | |
| 41 | - | Seiji Ozawa | ||
| 42 | Franz Schubert (1797-1828) | Seiji Ozawa | ||
| 43 | Symphony No. 8 In B Minor, D. 759 - Unfinished | Seiji Ozawa | ||
| 44 | 1. Allegro Moderato | Seiji Ozawa | 14:54 | |
| 45 | 2. Andante Con Moto | Seiji Ozawa | 11:18 | |
| 46 | - | Seiji Ozawa | ||
| 47 | Alban Berg (1885-1935) | Seiji Ozawa | ||
| 48 | Violin Concerto - To The Memory Of An Angel | Seiji Ozawa | ||
| 49 | 1. Andante - Allegretto | Seiji Ozawa | 10:52 | |
| 50 | 2. Allegro - Adagio - (Coda) | Seiji Ozawa | 14:44 | |
| 51 | - | Seiji Ozawa | ||
| 52 | Igor Stravinsky (1882-1971) | Seiji Ozawa | ||
| 53 | Violin Concerto | Seiji Ozawa | ||
| 54 | 1. Toccata | Seiji Ozawa | 5:41 | |
| 55 | 2. Aria I | Seiji Ozawa | 4:13 | |
| 56 | 3. Aria II | Seiji Ozawa | 5:36 | |
| 57 | 4. Capriccio | Seiji Ozawa | 5:53 | |
| 58 | - | Seiji Ozawa | ||
| 59 | Hector Berlioz (1803-1869) | Seiji Ozawa | ||
| 60 | La Damnation De Faust, Op. 24 | Seiji Ozawa | ||
| 61 | Première Partie: Scène 1 - Introduction - "Le Vieil Hiver A Fait Place Au Printemps" | Seiji Ozawa | 5:34 | |
| 62 | Première Partie: Scène 2 - Ronde Des Paysans - "Les Bergers Quittent Leurs Troupeaux" | Seiji Ozawa | 4:11 | |
| 63 | Première Partie: Scène 3 - "Mais D'un Éclat Guerrier Les Campagnes Se Parent" - Marche Hongroise | Seiji Ozawa | 4:27 | |
| 64 | Deuxième Partie: Scène 4 - "Sans Regrets J'ai Quitté Les Riantes Campagnes" | Seiji Ozawa | 4:03 | |
| 65 | Scène 4 - Chant De La Fête De Pâques - "Christ Vient De Ressusciter!" | Seiji Ozawa | 6:29 | |
| 66 | Scène 5 - "Ô Pure Émotion! Enfant Du Saint Parvis!" | Seiji Ozawa | 2:14 | |
| 67 | Scène 6 - "À Boire Encor! Du Vin" | Seiji Ozawa | 2:46 | |
| 68 | Scène 6 - Chanson De Brander: "Certain Rat, Dans Une Cuisine" | Seiji Ozawa | 2:14 | |
| 69 | Scène 6 - Fugue Sur Le Thème De La Chanson De Brander: "Amen" | Seiji Ozawa | 2:59 | |
| 70 | Scène 6 - Chanson De Méphistophélès: "Une Puce Gentille" | Seiji Ozawa | 3:41 | |
| 71 | Scène 7 - Air De Méphistophélès: "Voici Des Roses" | Seiji Ozawa | 2:38 | |
| 72 | Scène 7 - Chœur De Gnomes Et De Sylphes (Songe De Faust): "Dors! Heureux Faust" | Seiji Ozawa | 6:06 | |
| 73 | Scène 7 - Ballet Des Sylphes: "Margarita!" | Seiji Ozawa | 3:22 | |
| 74 | Scène 8. Finale - Chœur De Soldats: "Villes Entourées" / Chanson D'Étudiants: "Jam Nox Stellata Velamina Pandit" | Seiji Ozawa | 4:33 | |
| 75 | Troisième Partie: Tambours Et Trompettes Sonant La Retraite | Seiji Ozawa | 1:09 | |
| 76 | Scène 9 - Air De Faust: "Merci, Doux Crépuscule!" / Scène 10 - "Je L'entends!" | Seiji Ozawa | 5:31 | |
| 77 | Scène 11 - "Que L'air Est Étouffant!" | Seiji Ozawa | 2:57 | |
| 78 | Scène 11 - Le Roi De Thulé: "Autrefois Un Roi De Thulé" | Seiji Ozawa | 4:27 | |
| 79 | Scène 12 - Évocation: "Espirit Des Flammes Inconstantes" | Seiji Ozawa | 1:50 | |
| 80 | Scène 12 - Menuet Des Feux Follets: "Maintenant, Chantons À Cette Belle..." | Seiji Ozawa | 6:05 | |
| 81 | Scène 12 - Sérénade De Méphistophélès Et Chœur De Feux Follets: "Devant La Maison" | Seiji Ozawa | 2:19 | |
| 82 | Scène 13 - Duo: "Grand Dieu!" | Seiji Ozawa | 5:10 | |
| 83 | Scène 14 - Trio Et Chœur: "Allons, Il Est Trop Tard!" | Seiji Ozawa | 5:01 | |
| 84 | Quatresième Partie: Scène 15 - Romance: "D'amour L'ardente Flamme" | Seiji Ozawa | 8:36 | |
| 85 | Scène 15 - Romance: "Au Son Des Trompettes" | Seiji Ozawa | 2:13 | |
| 86 | Scène 16 - Invocation À La Nature: "Nature Immense, Impénétrable Et Fière" | Seiji Ozawa | 4:02 | |
| 87 | Scène 17 - Récitatif Et Chasse: "À La Voûte Azurée" | Seiji Ozawa | 3:33 | |
| 88 | Scène 18 - La Course À L'Abîme: "Dans Mon Cœur Retentit Sa Voix" | Seiji Ozawa | 3:31 | |
| 89 | Scène 19 - Pandaemonium: "Has! Irimirukarabrao! Has!" / Épilogue Sur La Terre: "Alors, L'Enfer Se Tut" | Seiji Ozawa | 4:59 | |
| 90 | Scène 20 - Dans Le Ciel: "Laus! Hosanna!" / Apothéose De Marguerite: "Remonte Au Ciel, Âme Naïve" | Seiji Ozawa | 4:50 | |
| 91 | - | Seiji Ozawa | ||
| 92 | Johannes Brahms (1833-1897) | Seiji Ozawa | ||
| 93 | Symphony No. 4 In E Minor, Op. 98 | Seiji Ozawa | ||
| 94 | 1. Allegro Non Troppo | Seiji Ozawa | 12:03 | |
| 95 | 2. Andante Moderato | Seiji Ozawa | 11:05 | |
| 96 | 3. Allegro Giocoso - Poco Meno Presto - Tempo I | Seiji Ozawa | 6:18 | |
| 97 | 4. Allegro Energico E Passionato - Più Allegro | Seiji Ozawa | 9:45 | |
| 98 | Hungarian Dance No. 5 In G Minor | Seiji Ozawa | 2:40 | |
| 99 | Hungarian Dance No. 6 In D | Seiji Ozawa | 3:25 | |
| 100 | - | Seiji Ozawa | ||
| 101 | Antonín Dvořák (1841-1904) | Seiji Ozawa | ||
| 102 | Symphony No. 8 In G, Op. 88 | Seiji Ozawa | ||
| 103 | 1. Allegro Con Brio | Seiji Ozawa | 10:04 | |
| 104 | 2. Adagio | Seiji Ozawa | 10:30 | |
| 105 | 3. Allegretto Grazioso | Seiji Ozawa | 5:50 | |
| 106 | 4. Allegro Ma Non Troppo | Seiji Ozawa | 10:00 | |
| 107 | The Noon Witch, Op. 108 | Seiji Ozawa | 12:56 | |
| 108 | - | Seiji Ozawa | ||
| 109 | César Franck (1822-1890) | Seiji Ozawa | ||
| 110 | Symphony In D Minor | Seiji Ozawa | ||
| 111 | 1. Lento - Allegro Non Troppo | Seiji Ozawa | 17:23 | |
| 112 | 2. Allegretto | Seiji Ozawa | 9:45 | |
| 113 | 3. Allegro Non Troppo | Seiji Ozawa | 10:03 | |
| 114 | - | Seiji Ozawa | ||
| 115 | Francis Poulenc (1899-1963) | Seiji Ozawa | ||
| 116 | Concerto In G Minor For Organ, Strings And Timpani | Seiji Ozawa | ||
| 117 | 1. Andante - Allegro Giocoso - | Seiji Ozawa | 5:23 | |
| 118 | 2. Subito Andante Moderato - | Seiji Ozawa | 7:07 | |
| 119 | 3. Tempo Allegro, Molto Agitato - Très Calme. / Lent - Tempo De L'Allegro Initial - Tempo Introduction: Largo | Seiji Ozawa | 9:54 | |
| 120 | - | Seiji Ozawa | ||
| 121 | George Gershwin (1898-1937) | Seiji Ozawa | ||
| 122 | An American In Paris | Seiji Ozawa | 17:58 | |
| 123 | - | Seiji Ozawa | ||
| 124 | Leonard Bernstein (1918-1990) | Seiji Ozawa | ||
| 125 | Symphonic Dances From "West Side Story" (Symphonic Dances) | Seiji Ozawa | ||
| 126 | Prologue (Allegro Moderato) | Seiji Ozawa | 4:12 | |
| 127 | "Somewhere" (Adagio) | Seiji Ozawa | 3:44 | |
| 128 | Scherzo (Vivace Leggiero) | Seiji Ozawa | 1:29 | |
| 129 | Mambo (Presto) | Seiji Ozawa | 2:26 | |
| 130 | Cha-cha (Andante Con Grazia) | Seiji Ozawa | 0:58 | |
| 131 | Meeting Scene (Meno Mosso) | Seiji Ozawa | 0:41 | |
| 132 | "Cool", Fugue (Allegretto) | Seiji Ozawa | 3:30 | |
| 133 | Rumble (Molto Allegro) | Seiji Ozawa | 1:55 | |
| 134 | Finale (Adagio) | Seiji Ozawa | 2:50 | |
| 135 | - | Seiji Ozawa | ||
| 136 | William Russo (1928-2003) | Seiji Ozawa | ||
| 137 | Street Music: A Blues Concerto | Seiji Ozawa | ||
| 138 | I. | Seiji Ozawa | 8:07 | |
| 139 | II. | Seiji Ozawa | 5:13 | |
| 140 | III. | Seiji Ozawa | 8:47 | |
| 141 | IV. | Seiji Ozawa | 8:43 | |
| 142 | - | Seiji Ozawa | ||
| 143 | Felix Mendelssohn Bartholdy (1809-1847) | Seiji Ozawa | ||
| 144 | A Midsummer Night's Dream: Op. 21 And Op. 61 | Seiji Ozawa | ||
| 145 | Overture, Op. 21: Allegro Di Molto | Seiji Ozawa | 11:55 | |
| 146 | No. 1 Scherzo: Allegro Vivace - How Now, Spirit! Whither Wander You? | Seiji Ozawa | 4:47 | |
| 147 | No. 2: L'istesso Tempo - Over Hill, Over Dale | Seiji Ozawa | 1:52 | |
| 148 | March Of The Fairies: Allegro Vivace - I Know A Bank Where The Wild Thyme Blows | Seiji Ozawa | 1:37 | |
| 149 | No. 3 Song With Chorus: Allegro Ma Non Troppo - Come, Now A Roundel And A Fairy Song / You Spotted Snakes With Double Tongue | Seiji Ozawa | 4:44 | |
| 150 | No. 4: Andante - Allegro Molto - What Thou See'st When Thou Dost Wake | Seiji Ozawa | 0:41 | |
| 151 | No. 4: Andante - Allegro Molto - Help Me, Lysander, Help Me! | Seiji Ozawa | 4:08 | |
| 152 | No. 5 (Intermezzo): Allegro Apassionata - On The Ground Sleep Sound | Seiji Ozawa | 6:21 | |
| 153 | No. 7 (Nocturne): Con Moto Tranquillo - Her Dotage Now I Do Begin To Pity / No. 8: Andante - Be As Thou Wast Wont To Be | Seiji Ozawa | 2:32 | |
| 154 | No. 9 Wedding March: Allegro Vivace | Seiji Ozawa | 5:07 | |
| 155 | No. 9 Wedding March: Allegro Vivace - Gentles, Perchance You Wonder At This Show / No. 10: Allegro Comodo - Anon Comes Pyramus | Seiji Ozawa | 0:47 | |
| 156 | Marcia Funebre: Andante Comodo | Seiji Ozawa | 1:34 | |
| 157 | Marcia Funebre: Andante Comodo - Will It Please You To See The Epilogue / No. 11 A Dance Of Clowns (Danza Dei Villici): Allegro Di Molto - The Iron Tongue Of Midnight Hath Told Twelve | Seiji Ozawa | 2:05 | |
| 158 | No. 12: Allegro Vivace Come I - How The Hungry Lion Roars | Seiji Ozawa | 1:40 | |
| 159 | No. 13: Finale: Allegro Di Molto - Through The House Give Glimmering Light / Through This House Gave Glimmering Light | Seiji Ozawa | 5:48 | |
| 160 | - | Seiji Ozawa | ||
| 161 | Francis Poulenc (1899-1963) | Seiji Ozawa | ||
| 162 | Gloria (For Soprano, Mixed Chorus And Orchestra) | Seiji Ozawa | ||
| 163 | I Gloria. Maestoso | Seiji Ozawa | 2:23 | |
| 164 | II Laudamus Te: Très Vite Et Joyeux | Seiji Ozawa | 2:48 | |
| 165 | III Domine Deus (Soprano). Très Lent Et Calme | Seiji Ozawa | 4:35 | |
| 166 | IV Domine Fili Unigenite. Très Vite Et Joyeux | Seiji Ozawa | 1:20 | |
| 167 | V Domine Deus, Agnus Dei (Soprano). Bien Lent | Seiji Ozawa | 5:53 | |
| 168 | VI Qui Sedes Ad Dexteram Patris (Soprano). Maestoso, Allegretto | Seiji Ozawa | 6:11 | |
| 169 | Stabat Mater (For Soprano, Mixed Chorus And Orchestra) | Seiji Ozawa | ||
| 170 | I Stabat Mater Dolorosa. Très Calme | Seiji Ozawa | 3:54 | |
| 171 | II Cujus Animam Gementem. Allegro Molto (Très Violent) | Seiji Ozawa | 0:55 | |
| 172 | III O Quam Tristis. Très Lent | Seiji Ozawa | 2:17 | |
| 173 | IV Quae Maerebat. Andantino | Seiji Ozawa | 1:18 | |
| 174 | V Quis Est Homo. Allegro Molto | Seiji Ozawa | 1:15 | |
| 175 | VI Vidit Suum (Soprano). Andante | Seiji Ozawa | 3:29 | |
| 176 | VII Eja, Mater. Allegro | Seiji Ozawa | 1:02 | |
| 177 | VIII Fac, Ut Ardeat. Maestoso | Seiji Ozawa | 2:02 | |
| 178 | IX Sancta Mater. Moderato | Seiji Ozawa | 2:58 | |
| 179 | X Fac, Ut Portem (Soprano). Tempo De Sarabande | Seiji Ozawa | 3:38 | |
| 180 | XI Inflammatus Et Accensus. Animé Et Très Rythmé | Seiji Ozawa | 1:46 | |
| 181 | XII Quando Corpus (Soprano). Très Calme | Seiji Ozawa | 3:44 | |
| 182 | - | Seiji Ozawa | ||
| 183 | Serge Prokofiev (1891-1953) | Seiji Ozawa | ||
| 184 | Symphony No. 5 In B Flat Major, Op. 100 | Seiji Ozawa | ||
| 185 | 1. Andante | Seiji Ozawa | 11:51 | |
| 186 | 2. Allegro Marcato | Seiji Ozawa | 8:50 | |
| 187 | 3. Adagio | Seiji Ozawa | 11:13 | |
| 188 | 4. Allegro Giocoso | Seiji Ozawa | 9:49 | |
| 189 | Lieutenant Kijé - Symphonic Suite, Op. 60 | Seiji Ozawa | ||
| 190 | 1. Kijé's Birth (La Nascita Di Kijé) | Seiji Ozawa | 4:08 | |
| 191 | 2. Romance | Seiji Ozawa | 3:49 | |
| 192 | 3. Kijé's Wedding (Le Nozze Di Kijé) | Seiji Ozawa | 2:44 | |
| 193 | 4. Troika | Seiji Ozawa | 3:00 | |
| 194 | 5. Kijé's Burial (La Sepoltura Di Kijé) | Seiji Ozawa | 6:05 | |
| 195 | Piano Concerto No. 2 In G Minor, Op. 16 | Seiji Ozawa | ||
| 196 | 1. Andantino | Seiji Ozawa | 11:12 | |
| 197 | 2. Scherzo (Vivace) | Seiji Ozawa | 2:17 | |
| 198 | 3. Intermezzo (Allegro Moderato) | Seiji Ozawa | 5:41 | |
| 199 | 4. Finale (Allegro Tempestoso) | Seiji Ozawa | 11:03 | |
| 200 | - | Seiji Ozawa | ||
| 201 | Maurice Ravel (1875-1937) | Seiji Ozawa | ||
| 202 | Piano Concerto In G Major | Seiji Ozawa | ||
| 203 | 1. Allegramente | Seiji Ozawa | 8:16 | |
| 204 | 2. Adagio Assai | Seiji Ozawa | 8:42 | |
| 205 | 3. Presto | Seiji Ozawa | 3:53 | |
| 206 | - | Seiji Ozawa | ||
| 207 | Arnold Schoenberg (1874-1951) | Seiji Ozawa | ||
| 208 | Gurrelieder (For Soloists, Chorus And Orchestra) - Part One: | Seiji Ozawa | ||
| 209 | Orchestral Prelude | Seiji Ozawa | 6:58 | |
| 210 | Nun Dämpft Die Dämm'rung | Seiji Ozawa | 3:27 | |
| 211 | O, Wenn Des Mondes Strahlen | Seiji Ozawa | 3:15 | |
| 212 | Roß! Mein Roß! | Seiji Ozawa | 3:12 | |
| 213 | Sterne Jubeln | Seiji Ozawa | 2:20 | |
| 214 | So Tanzen Die Engel Vor Gottes Thron Nicht | Seiji Ozawa | 2:01 | |
| 215 | Nun Sag Ich Dir Zum Ersten Mal | Seiji Ozawa | 3:44 | |
| 216 | Es Ist Metternachtszeit | Seiji Ozawa | 5:02 | |
| 217 | Du Sendest Mir Einen Liebesblick | Seiji Ozawa | 5:10 | |
| 218 | Du Wunderliche Tove! / Orchestral Interlude | Seiji Ozawa | 8:59 | |
| 219 | Tauben Von Gurre! | Seiji Ozawa | 12:05 | |
| 220 | Gurrelieder - Part Two: | Seiji Ozawa | ||
| 221 | Herrgot, Weißt Du, Was Du Tatest | Seiji Ozawa | 4:09 | |
| 222 | Part Three: Die Wilde Jagd | Seiji Ozawa | ||
| 223 | Erwacht, König Waldermars Mannen Wert! | Seiji Ozawa | 2:49 | |
| 224 | Deckel Des Sarges Klappert | Seiji Ozawa | 3:43 | |
| 225 | Gegrüßt, O König | Seiji Ozawa | 5:00 | |
| 226 | Mit Toves Stimme Flüstert Der Wald | Seiji Ozawa | 3:23 | |
| 227 | "Ein Seltsamer Vogel Ist So'n Aal" | Seiji Ozawa | 6:08 | |
| 228 | Du Strenger Richter Droben | Seiji Ozawa | 2:13 | |
| 229 | Der Hahn Erhebt Den Kopf Zur Kraht | Seiji Ozawa | 5:57 | |
| 230 | Des Sommerwindes Wilde Jagd (The Wild Hunt Of The Summer Wind) | Seiji Ozawa | ||
| 231 | Orchestral Prelude | Seiji Ozawa | 2:59 | |
| 232 | Herr Gänsefuß, Frau Gänsekraut | Seiji Ozawa | 5:12 | |
| 233 | Seht Die Sonne | Seiji Ozawa | 4:42 | |
| 234 | Verklärte Nacht, Op. 4 (Transfigured Night - Rev.: 1943, Version For String Orchestra) | Seiji Ozawa | ||
| 235 | Grave | Seiji Ozawa | 6:49 | |
| 236 | Molto Rallentando | Seiji Ozawa | 6:06 | |
| 237 | Pesante - Grave | Seiji Ozawa | 2:14 | |
| 238 | Adagio | Seiji Ozawa | 10:10 | |
| 239 | Adagio | Seiji Ozawa | 4:36 | |
| 240 | - | Seiji Ozawa | ||
| 241 | Richard Strauss (1864-1949) | Seiji Ozawa | ||
| 242 | Cappricio | Seiji Ozawa | ||
| 243 | Einleitung | Seiji Ozawa | 6:30 | |
| 244 | - | Seiji Ozawa | ||
| 245 | Igor Stravinsky (1882-1971) | Seiji Ozawa | ||
| 246 | Apollon Musagète (Ballet In Two Scenes - 1947 Version) | Seiji Ozawa | ||
| 247 | 1st Scene (Prologue): Birth Of Apollo | Seiji Ozawa | 4:10 | |
| 248 | 2nd Scene: Variation Of Apollo (Apollo And The Muses) | Seiji Ozawa | 2:49 | |
| 249 | Pas D'action (Apollo And The Three Muses: Calliope, Polyhymnia And Terpsichore) | Seiji Ozawa | 3:55 | |
| 250 | Variation Of Calliope (The Alexandrine) | Seiji Ozawa | 1:30 | |
| 251 | Variation Of Polyhymnia | Seiji Ozawa | 1:13 | |
| 252 | Variation Of Terpsichore | Seiji Ozawa | 1:29 | |
| 253 | Variation Of Apollo | Seiji Ozawa | 2:09 | |
| 254 | Pas De Deux (Apollo And Terpsichore) | Seiji Ozawa | 3:26 | |
| 255 | Coda (Apollo And The Muses) | Seiji Ozawa | 3:22 | |
| 256 | Apotheosis | Seiji Ozawa | 3:09 | |
| 257 | - | Seiji Ozawa | ||
| 258 | Dmitri Shostakovich (1906-1975) | Seiji Ozawa | ||
| 259 | Concerto For Cello And Orchestra No. 2, Op. 126 | Seiji Ozawa | ||
| 260 | 1. Largo | Seiji Ozawa | 13:55 | |
| 261 | 2. Allegretto | Seiji Ozawa | 4:20 | |
| 262 | 3. Allegretto | Seiji Ozawa | 14:54 | |
| 263 | Concerto For Violin And Orchestra No. 2, Op. 129 | Seiji Ozawa | ||
| 264 | 1. Moderato | Seiji Ozawa | 13:55 | |
| 265 | 2. Adagio | Seiji Ozawa | 9:34 | |
| 266 | 3. Adagio - Allegro | Seiji Ozawa | 8:20 | |
| 267 | - | Seiji Ozawa | ||
| 268 | Robert Schumann (1810-1856) - (Orch. Dmitri Shostakovich As Op. 125) | Seiji Ozawa | ||
| 269 | Concerto For Violin And Orchestra In A Minor (= Schumann, Cello Concerto, Op. 129) | Seiji Ozawa | ||
| 270 | 1. Nicht Zu Schnell | Seiji Ozawa | 10:44 | |
| 271 | 2. Langsam | Seiji Ozawa | 4:20 | |
| 272 | 3. Sehr Lebhaft | Seiji Ozawa | 7:26 | |
| 273 | - | Seiji Ozawa | ||
| 274 | Franz Schubert (1797-1828) | Seiji Ozawa | ||
| 275 | Symphony No. 9 In C, D. 944 "Great" | Seiji Ozawa | ||
| 276 | 1. Andante - Allegro Ma Non Troppo | Seiji Ozawa | 13:05 | |
| 277 | 2. Andante Con Moto | Seiji Ozawa | 13:08 | |
| 278 | 3. Scherzo. Allegro Vivace | Seiji Ozawa | 13:56 | |
| 279 | 4. Allegro Vivace | Seiji Ozawa | 15:52 | |
| 280 | - | Seiji Ozawa | ||
| 281 | Richard Strauss (1864-1949) | Seiji Ozawa | ||
| 282 | Wiener-Philharmoniker-Fanfare Für Blechblasinstrumente Und Pauken, O.Op. 109 - Fanfare For The Vienna Philharmonic | Seiji Ozawa | 2:23 | |
| 283 | Eine Alpensinfonie, Op. 64 (An Alpine Symphony) | Seiji Ozawa | ||
| 284 | Nacht (Night) | Seiji Ozawa | 3:18 | |
| 285 | Sonnenaufgang (Sunrise) | Seiji Ozawa | 1:38 | |
| 286 | Der Anstieg (The Ascent) | Seiji Ozawa | 2:17 | |
| 287 | Eintritt In Den Wald (Entry Into The Wood) | Seiji Ozawa | 4:50 | |
| 288 | Wanderung Neben Dem Bache (Wandering By The Brook) | Seiji Ozawa | 0:43 | |
| 289 | Am Wasserfall (At The Waterfall) | Seiji Ozawa | 0:15 | |
| 290 | Erscheinung (Apparition) | Seiji Ozawa | 0:46 | |
| 291 | Auf Blumigen Wiesen (On The Flowering Meadows) | Seiji Ozawa | 0:55 | |
| 292 | Auf Der Alm (On Alpine Pasture) | Seiji Ozawa | 2:05 | |
| 293 | Durch Dickicht Und Gestrüpp Auf Irrwegen (Lost In Thicket And Undergrowth) | Seiji Ozawa | 1:26 | |
| 294 | Auf Dem Gletscher (On The Glacier) | Seiji Ozawa | 1:02 | |
| 295 | Gefahrvolle Augenblicke (Dangerous Moments) | Seiji Ozawa | 1:24 | |
| 296 | Auf Dem Gipfel (On The Summit) | Seiji Ozawa | 4:49 | |
| 297 | Vision | Seiji Ozawa | 3:29 | |
| 298 | Nebel Steigen Auf (Mists Rise) | Seiji Ozawa | 0:20 | |
| 299 | Die Sonne Verdüstert Sich Allmählich (The Sun Is Gradually Obscured) | Seiji Ozawa | 0:54 | |
| 300 | Elegie (Elegy) | Seiji Ozawa | 2:20 | |
| 301 | Stille Vor Dem Sturm (Calm Before The Storm) | Seiji Ozawa | 2:51 | |
| 302 | Gewitter Und Sturm, Abstieg (Thunder And Tempest) | Seiji Ozawa | 3:50 | |
| 303 | Sonnenuntergang (Sunset) | Seiji Ozawa | 2:48 | |
| 304 | Ausklang (Fading Tones) | Seiji Ozawa | 5:58 | |
| 305 | Nacht (Night) | Seiji Ozawa | 2:19 | |
| 306 | Feierlicher Einzug Der Ritter Des Johanniterordens (Investitutmarsch) Für Blechbläser Und Pauken, O.Op. 103 - Solemn Entry Of The Knights Of St John | Seiji Ozawa | 6:08 | |
| 307 | - | Seiji Ozawa | ||
| 308 | Toru Takemitsu (1930-1996) | Seiji Ozawa | ||
| 309 | November Steps (For Orchestra With Shakuhachi And Biwa) | Seiji Ozawa | 18:56 | |
| 310 | Eclipse (For Shakuhachi And Biwa) | Seiji Ozawa | 10:46 | |
| 311 | Viola Concerto - A String Around Autumn | Seiji Ozawa | 16:04 | |
| 312 | - | Seiji Ozawa | ||
| 313 | Pyotr Ilyich Tchaikovsky (1840-1893) | Seiji Ozawa | ||
| 314 | Violin Concerto In D Major, Op. 35 | Seiji Ozawa | ||
| 315 | I Allegro Moderato | Seiji Ozawa | 18:14 | |
| 316 | II Canzonetta: Andante - | Seiji Ozawa | 6:03 | |
| 317 | III Finale: Allegro Vivacissimo | Seiji Ozawa | 9:42 | |
| 318 | - | Seiji Ozawa | ||
| 319 | Jean Sibelius (1865-1957) | Seiji Ozawa | ||
| 320 | Violin Concerto In D Minor, Op. 47 | Seiji Ozawa | ||
| 321 | I Allegro Moderato | Seiji Ozawa | 16:19 | |
| 322 | II Adagio Di Molto | Seiji Ozawa | 8:10 | |
| 323 | III Allegro, Ma Non Tanto | Seiji Ozawa | 7:54 |
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