Album 1994 on Deutsche Grammophon label
Classical (Romantic)
Recording: Boston Symphony Hall, 10/1986 (op. 64); Performing Arts Center, State University of New York at Purchase, 12/1987 (op. 25) [DDD] ℗ 1987 (op. 64)/ 1988 (op. 25) Polydor International GmbH, Hamburg. Printed in Germany by Neef, Wittingen Made in Germany Release No. 49 of the Classikon Series. Total playing time: 62:34. The second cat# variation appears on the disc, the first on the cover and spine.
Sergei Prokofiev p, *1891 RU album by | |
Orpheus Chamber Orchestra , US orchestra, album by | |
Boston Symphony Orchestra , US orchestra, album by | |
Seiji Ozawa p, *1935 JP conductor, album by | |
Andreas Neubronner , DE engineer, balance | |
Hans-Peter Schweigmann , DE engineer, balance |
Hanno Rinke executive-producer |
Steven Paul executive-producer |
Wolf Erichson producer, recording |
Wolfgang Stengel producer, recording |
Sergei Prokofiev |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Symphonie Classique Op. 25 | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 14:10 | |
2 | I. Allegro | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 4:24 | |
3 | II. Larghetto | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 4:09 | |
4 | III. Gavotta: Non Troppo Allegro | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 1:28 | |
5 | IV. Finale: Molto Vivace | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 4:02 | |
6 | Romeo Und Julia Op. 64 (Auszüge Aus Der Gesamtaufnahme) | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 48:24 | |
7 | Erster Akt | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | ||
8 | No. 7 - Der Befehl Des Herzogs | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 1:19 | |
9 | No. 10 - Das Mädchen Julia | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 3:29 | |
10 | No. 12 - Masken | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 2:43 | |
11 | No. 13 - Tanz Der Ritter | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 5:21 | |
12 | No. 15 - Mercutio | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 2:21 | |
13 | No. 19 - Balkonszene | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 3:26 | |
14 | No. 20 - Variation Romeos | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 1:37 | |
15 | No. 21 - Liebestanz Romeos Und Julias | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 6:02 | |
16 | Zweiter Akt | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | ||
17 | No. 24 - Tanz Der Fünf Paare | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 3:56 | |
18 | No. 33 - Tybalt Ficht Mit Mercutio | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 1:31 | |
19 | No. 35 - Romeo Beschließt, Den Tod Mercutios Zu Rächen | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 2:06 | |
20 | No. 36 - Finale Des Zweiten Akts (Zug Mit Tybalts Leiche) | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 1:49 | |
21 | Dritter Akt | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | ||
22 | No. 48 - Morgendliches Ständchen (Mit Mandolinen) | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 2:39 | |
23 | No. 51 - Julias Begräbnis (Und Romeos Tod) | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 5:29 | |
24 | No. 52 - Julias Tod | Sergei Prokofiev, Orpheus Chamber Orchestra, Boston Symphony Orchestra, Seiji Ozawa | 4:29 |