Stephanie Blythe (born 1970) is an American mezzo-soprano who has had an active international career in operas and concerts since the early 1990s. She is particularly associated with the Metropolitan Opera in New York City, with whom she has performed annually since her debut with the company in 1995. In 2014 she starred as Gertrude Stein in the world premiere of 27, an opera composed by Ricky Ian Gordon with libretto by Royce Vavrek, and commissioned for her by the Opera Theatre of Saint Louis.
Popular Tracks
An American Requiem: Vigil II - Lacrimosa - Pie Jesu on Danielpour: An American Requiem by Richard Danielpour, Pacific Chorale, Pacific Symphony Orchestra & Carl St. Clair Giulio Cesare, HWV. 17 'Julius Caesar' Act I: Son nata a lagrimar on Handel Hits by George Frideric Handel & Various Artists Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) on Handel/Bach - Arias by Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris & John Nelson Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" on Handel/Bach - Arias by Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris & John Nelson Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "Dall'ondoso periglio" - Aria. "Aure, deh, per pietà" (Cesare) on Handel/Bach - Arias by Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris & John Nelson Handel: Semele, HWV 58, Act 2: Air. "Hence, Iris hence away" (Juno) on Handel/Bach - Arias by Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris & John Nelson Aria: Es ist vollbracht ... Der Held aus Juda (from St John Passion BWV245) on 100 Best Baroque by Various Artists 27, Act IV: Introduction, "Twice Denying a War" on Ricky Ian Gordon: 27 by Ricky Ian Gordon, Michael Christie & St. Louis Symphony Always (arr. S. Blythe and C. Terry) on As Long as there are Songs by Craig Terry & Stephanie Blythe Handel: Semele, HWV 58, Act 2: Accompagnato. "Awake, Saturnia, from thy lethargy!" (Juno) on Handel/Bach - Arias by Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris & John Nelson
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Acknowledgements
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