Album US 1962 on Diplomat Records label
Jazz and Latin (Soul-Jazz, Samba, Bossa Nova)
Liner notes on back cover: Bossa Nova: The new Bossa Nova dance rhythm is the most exciting musical current to sweep through this nation since the Cha Cha Cha. Because of its gay beat and the tender simplicity of its melodies, Bossa Nova has already gained wide acceptance by the American public. "Desafinado," which means "slightly out of tune," is currently one of the country's top records hits and leads off this recording. The album's second selection, "Samba De Uma Nota So" (One Note Samba) has also gained great favor among fans of the new wave of music from Brazil. Bossa Nova is the outgrowth of dissatisfaction with the traditional samba among members of the younger generation of poets and musicians in Rio De Janeiro. They felt that the samba rhythms were growing cold, becoming mechanical, with too many influences of the Mexican bolero, the Argentine tango, and the West Indian merengue creeping into the dance. These angry young men felt that the lyrics had become oversophisticated so that they no longer reflected the intense joy for living that is basic in the spirit of the Brazilian people. Therefore, borrowing from modern American jazz and contemporary classical music, such Bossa Nova pioneers as Joao Gilberto, Carlos Jobim and Oscar Castro Neves fashioned an excellent new musical style based upon the roots of the traditional samba. The term "Bossa Nova" actually means a new flair, a new knack, a new way of doing things. Since its birth in 1959, the Bossa Nova movement has captured the hearts of Brazilians and is now claiming the respect, admiration, and allegiance of people all around the world who love lively music with a joyous message and a bright, bold beat. Diplomat Records, your best buy in recorded entertainment - send to 461 Eighth Ave., N.Y. for our complete free catalog. A product of Synthetic Plastics Co., Newark, N.J. Made and printed in U.S.A.
The Brasiléros , featuring, album by | |
Ron Carter b, *1937 US bass, uncredited | |
Charlie Persip dr, *1929 US drums, uncredited | |
Kenny Barron p, *1943 US piano, uncredited | |
Bill Barron ts, 1927-1989 US tenor saxophone, uncredited, written by, uncredited | |
Antonio Carlos Jobim p, g, 1927-1994 BR written by, uncredited | |
Jon Hendricks voc, *1921 US written by, uncredited | |
Newton Mendonça p, 1953-1960 BR written by, uncredited | |
Patrick Sarsfield Gilmore , *1829 IE written by, uncredited | |
Egbert Van Alstyne p, 1878-1951 US written by, uncredited | |
Harry Williams , 1879-1922 US written by, uncredited |
Frank Daniel illustration |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Desafinado (Slightly Out Of Tune) | The Brasiléros | Antonio Carlos Jobim, Jon Hendricks, Newton Mendonça | |
2 | Samba De Uma Nota So (One Note Samba) | The Brasiléros | Antonio Carlos Jobim, Newton Mendonça | |
3 | When Johnny Comes Marching Home | The Brasiléros | Patrick Sarsfield Gilmore | |
4 | Sugar Loaf | The Brasiléros | Bill Barron | |
5 | Bossa Nova Blues | The Brasiléros | Bill Barron | |
6 | Sazella De Rio | The Brasiléros | Bill Barron | |
7 | Promenade São Paulo | The Brasiléros | Bill Barron | |
8 | In The Shade Of The Old Apple Tree | The Brasiléros | Egbert Van Alstyne, Harry Williams | |
9 | Desarama | The Brasiléros | Bill Barron | |
10 | Witch Hazel | The Brasiléros | Bill Barron |