Album 1976 on L'Oiseau-Lyre label
Classical (Renaissance)
Ⓟ1975 The Decca Record Company Limited, London. The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French and German. It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV. Box cover illustration: Lorenzo Costa (c.1460-1535) - 'The Court of Isabella d'Este' (Louvre, Paris). Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam). On the labels is the Decca logo displayed with key and musical notes. Made in England (on box and labels).
The Consort Of Musicke , GB ensemble, album by | |
David Thomas voc, *1943 GB bass vocals | |
Andrew Parrott hps, org, *1947 GB chorus master, vocal conductor | |
John York Skinner voc, countertenor vocals | |
Kevin Smith voc, countertenor vocals | |
Bernard Thomas fl, rec, alto recorder, bagpipes, rauschpfeife, recorder, tenor recorder, recorder, descant recorder, flute, bass flute, flute, tenor flute | |
Nicholas Kraemer hps, org, *1945 GB harpsichord | |
Michael Hunt fl, bandura, lute, bass lute | |
Julian Crème fl, lute, bass lute, lute, tenor lute, score editor, performing edition | |
Anthony Rooley fl, *1944 GB cittern, viol, tenor viol, lute, gittern, lute, great bass lute, lute, bass lute, lute, tenor lute, directed by, liner notes, coordinator, program planning, research, musical, score editor, performing edition | |
Lorenzo Costa , IT painting, cover, box | |
Eleanor Sloan vn, GB rebec, treble rebec | |
Trevor Jones vl, vn, score editor, performing edition, viola, rebec, bass rebec, rebec, tenor rebec, viol, lyra viol, viol, bass viol, viol, tenor viol | |
Emma Kirkby voc, acg, *1949 GB soprano vocals | |
Martyn Hill ts, voc, *1944 GB tenor vocals | |
Paul Elliott ts, AU tenor vocals | |
Jane Ryan vn, b, GB viol, lyra viol, viol, bass viol | |
Ian Gammie vn, ts, rebec, bass rebec, viol, lyra viol, viol, bass viol, viol, tenor viol | |
Polly Waterfield vn, violin, viola, viol, tenor viol, viol, treble viol | |
Nicola Cleminson vn, vl, violin, violin, tenor violin, violin, treble violin | |
Catherine Mackintosh vn, *1947 GB violin, rebec, tenor rebec, rebec, treble rebec, violin, tenor violin, violin, treble violin | |
Antonio de Cabezón key, 1510-1566 ES arranged by |
Philip Wade engineer, sound engineer |
Raymond Ware executive-producer |
Lucas van Leyden illustration, cover, booklet |
Peter Wadland producer, record producer |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Ars Perfecta (An Internationally Unified Language C. 1500) | The Consort Of Musicke | ||
2 | Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés | The Consort Of Musicke | ||
3 | Pater Noster | The Consort Of Musicke | Jacob Obrecht | 4:25 |
4 | Ich Draghe De Mütse Clütse | The Consort Of Musicke | Jacob Obrecht | 1:30 |
5 | La La Hö Hö | The Consort Of Musicke | Heinrich Isaac | 1:25 |
6 | Mijn Morken Gaf | The Consort Of Musicke | Jacob Obrecht | 1:20 |
7 | Pour Ung Jamais | The Consort Of Musicke | Pierre de la Rue | 2:15 |
8 | Je Ne Fay | The Consort Of Musicke | Anonymous, Francesco Spinacino | 5:35 |
9 | Mille Regretz | The Consort Of Musicke | Josquin Des Prés, Luis de Narváez, Wolff Heckel | 6:15 |
10 | Caeciliam Cantate | The Consort Of Musicke | Nicolas Gombert | 2:50 |
11 | The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) | The Consort Of Musicke | ||
12 | Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music | The Consort Of Musicke | ||
13 | Tastar De Corde / Recercar | The Consort Of Musicke | Joan Ambrosia Dalza | 4:40 |
14 | Calata | The Consort Of Musicke | Anonymous | |
15 | Ave Maria | The Consort Of Musicke | Bartolomeo Tromboncino | 2:10 |
16 | Ostinato Vo' Seguire | The Consort Of Musicke | Bartolomeo Tromboncino | 1:05 |
17 | Suite Regina | The Consort Of Musicke | Anonymous | 2:20 |
18 | Chui Dicese E Non L'amare | The Consort Of Musicke | Anonymous | 1:35 |
19 | Pavana Venetiana | The Consort Of Musicke | Anonymous | 1:05 |
20 | Se Mai Per Maraveglia | The Consort Of Musicke | Anonymous | 3:10 |
21 | Suite Ferrarese | The Consort Of Musicke | Joan Ambrosia Dalza | 2:45 |
22 | Hor Che'l Ciel E La Terra | The Consort Of Musicke | Bartolomeo Tromboncino | 2:20 |
23 | Palle, Palle | The Consort Of Musicke | Heinrich Isaac | 2:10 |
24 | Ne Più Bella Di Queste | The Consort Of Musicke | Heinrich Isaac | 1:10 |
25 | Quis Dabit Pacem | The Consort Of Musicke | Heinrich Isaac | 3:40 |
26 | Les Cris De Paris (One Hundred Years Of French Musical Fashion) | The Consort Of Musicke | ||
27 | Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety | The Consort Of Musicke | ||
28 | Virgo Celesti | The Consort Of Musicke | Loyset Compère | 1:30 |
29 | Belle, Tenés Moy / La Triquotée | The Consort Of Musicke | Anonymous | 2:45 |
30 | Celle Qui M'a Demandé | The Consort Of Musicke | Anonymous | 1:20 |
31 | La, La, La, L'Oysillon Du Bois | The Consort Of Musicke | Jean Mouton | 1:10 |
32 | Las, Je M'y Plains | The Consort Of Musicke | Claudin de Sermisy | 1:10 |
33 | Content Désir | The Consort Of Musicke | Claudin de Sermisy | 3:10 |
34 | Content Désir Basse Danse | The Consort Of Musicke | Pierre Attaignant | |
35 | Les Cris De Paris | The Consort Of Musicke | Clément Janequin | 6:20 |
36 | Hélas, Hélas, Que De Mal | The Consort Of Musicke | Guillaume Costeley | 3:35 |
37 | Fière Cruelle | The Consort Of Musicke | Claude Le Jeune | 2:20 |
38 | Fantasia | The Consort Of Musicke | Eustache Du Caurroy | 2:00 |
39 | Mignonne Allons | The Consort Of Musicke | Anonymous | 3:55 |
40 | Las, Je N'eusse | The Consort Of Musicke | Anonymous | |
41 | Prince La France Te Veut | The Consort Of Musicke | Eustache Du Caurroy | 1:45 |
42 | Fa La Li Le La | The Consort Of Musicke | ||
43 | The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century | The Consort Of Musicke | ||
44 | Sentomi La Formicula | The Consort Of Musicke | Fillippo Azzaiolo | 0:45 |
45 | Quando La Sera | The Consort Of Musicke | Fillippo Azzaiolo | 1:00 |
46 | Pavana De La Mortè De La Ragione | The Consort Of Musicke | Anonymous | 2:05 |
47 | L'e Pur Morto Feragù | The Consort Of Musicke | Anonymous | 2:05 |
48 | Saltarello De La Morte De La Ragione | The Consort Of Musicke | Anonymous | 0:55 |
49 | La Bella Franceschina | The Consort Of Musicke | Anonymous, Giovanni Pacoloni | 3:35 |
50 | Girometta | The Consort Of Musicke | Anonymous, Fillippo Azzaiolo | 3:25 |
51 | Pavana El Todescho | The Consort Of Musicke | Anonymous | 1:05 |
52 | Mi Stare Pone Totesche | The Consort Of Musicke | Cosimo Bottegari | 1:50 |
53 | Matona Mia Cara | The Consort Of Musicke | Roland de Lassus | 2:20 |
54 | Passamezzo Commun | The Consort Of Musicke | Giovanni Pacoloni | 6:25 |
55 | Recercada | The Consort Of Musicke | Diego Ortiz | |
56 | Padoana Commun | The Consort Of Musicke | Giovanni Pacoloni | |
57 | Cathalina, Apra Finestra | The Consort Of Musicke | Roland de Lassus | 3:35 |
58 | Quodlibet | The Consort Of Musicke | ||
59 | Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century | The Consort Of Musicke | ||
60 | Germany: | The Consort Of Musicke | ||
61 | Christ Der Ist Erstanden | The Consort Of Musicke | Anonymous, Hans Judenkönig | 1:45 |
62 | O Rosa Bella / Hastu Mir | The Consort Of Musicke | Anonymous, John Dunstable | 1:20 |
63 | Der Ratten Schwanz | The Consort Of Musicke | Anonymous | 1:40 |
64 | Die Katzenpföte | The Consort Of Musicke | Anonymous | 0:55 |
65 | Elslein, Liebstes Elselein | The Consort Of Musicke | Anonymous | 2:00 |
66 | Bruder Konrad | The Consort Of Musicke | Anonymous, Heinrich Isaac | 1:55 |
67 | Nach Willen Dein | The Consort Of Musicke | Paul Hofhaimer, Wolff Heckel | 4:40 |
68 | Vitrum Nostrum Gloriosum | The Consort Of Musicke | Georg Forster | 1:15 |
69 | Spain: | The Consort Of Musicke | ||
70 | La Spagna | The Consort Of Musicke | Francisco de la Torre | 1:10 |
71 | Adoramos Te, Señor | The Consort Of Musicke | Francisco de la Torre | 2:05 |
72 | Fantasia | The Consort Of Musicke | Luis de Narváez | 1:10 |
73 | Dulces Exuviae | The Consort Of Musicke | Alonso Mudarra | 3:40 |
74 | E Qui La Dira | The Consort Of Musicke | Adrian Willaert | 1:50 |
75 | Doulce Memoire | The Consort Of Musicke | Diego Ortiz, Pierre Sandrin | 3:15 |
76 | Lindos Ojos Aveys, Señora | The Consort Of Musicke | Juan Vasquez | 1:10 |
77 | Per Cantare E Sonare | The Consort Of Musicke | ||
78 | The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved | The Consort Of Musicke | ||
79 | Recercare A 4 | The Consort Of Musicke | Julius De Modena | 2:00 |
80 | Madonna, Qual Certezza | The Consort Of Musicke | Adrian Willaert, Melchiore de Barberiis, Philippe Verdelot | 4:30 |
81 | Ricercare A 3 | The Consort Of Musicke | Giuliano Tiburtino | 2:00 |
82 | De La Belle Contrade | The Consort Of Musicke | Cipriano De Rore | 2:45 |
83 | Canzona Francese | The Consort Of Musicke | Andrea Gabrieli | 4:45 |
84 | Occhi Lucenti | The Consort Of Musicke | Luca Marenzio | 2:25 |
85 | Canzona Francese | The Consort Of Musicke | Claudio Merulo, Giovanni Antonio Terzi | 4:45 |
86 | O Voi Che Sospirate | The Consort Of Musicke | Luca Marenzio | 3:40 |
87 | Canzona Francese | The Consort Of Musicke | Carlo Gesualdo | 2:20 |
88 | Mille Volte Il Dio Moro | The Consort Of Musicke | Carlo Gesualdo | 3:00 |
89 | Sanctus Dominus Deus | The Consort Of Musicke | Giovanni Gabrieli | 2:05 |
90 | The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) | The Consort Of Musicke | ||
91 | Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent | The Consort Of Musicke | ||
92 | Thatt Was My Woo | The Consort Of Musicke | Robert Fayrfax | 2:00 |
93 | I Love, Loved | The Consort Of Musicke | Robert Fayrfax | 2:55 |
94 | In Nomine | The Consort Of Musicke | Christopher Tye | 2:15 |
95 | Blame Not My Lute | The Consort Of Musicke | Anonymous, Sir Thomas Wyatt | 1:55 |
96 | Lady WynkFyldes Rownde | The Consort Of Musicke | Anonymous | 1:20 |
97 | Where Griping Griefs | The Consort Of Musicke | Anonymous, Richard Edwards | 1:05 |
98 | Shooting Of The Guns Pavan | The Consort Of Musicke | Anonymous | 2:35 |
99 | Wand'ring In This Place | The Consort Of Musicke | Michael Cavendish | 3:00 |
100 | Dolorosa Pavan | The Consort Of Musicke | Richard Allison | 3:50 |
101 | Now Each Flowery Bank | The Consort Of Musicke | Orlando Gibbons | 3:15 |
102 | The Leaves Be Greene | The Consort Of Musicke | William Inglott | 3:30 |
103 | Le Rossignol | The Consort Of Musicke | Anonymous | 1:30 |
104 | Musick And Mirth | The Consort Of Musicke | Tobias Hume | 2:00 |
105 | The Wind Of Change (The Changes Which Led European Society Into A New Age) | The Consort Of Musicke | ||
106 | They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe | The Consort Of Musicke | ||
107 | La Brillantina | The Consort Of Musicke | Gioseffo Guami | 3:00 |
108 | Sta Notte | The Consort Of Musicke | Anonymous | 2:25 |
109 | Sonata | The Consort Of Musicke | Giovanni Battista Fontana | 6:30 |
110 | Nerinda Bella | The Consort Of Musicke | Rafaello Rontani | 3:25 |
111 | Toccata | The Consort Of Musicke | Girolamo Frescobaldi | 5:15 |
112 | Lamento D'Olimpia | The Consort Of Musicke | Claudio Monteverdi | 6:00 |
113 | Thus Sang Orpheus | The Consort Of Musicke | Walter Porter | 3:20 |