Album UK 1988 on Beggars Banquet label
Alternative (Alternative Rock, New Wave, Post-Punk)
Track B6 is an unlisted excerpt from Last Nacht, a longer version of which appears on the "I Am Kurious Oranj" CD edition. It may also be of interest to note that the LP contains studio versions of tracks A3 and B1 while the CD contains live versions of these tracks. The LP also uses a slightly longer edit of track B2, with a spoken part at the end not present on the CD. ℗ & © 1988 Made in England
![]() | The Fall , *1976 GB album by |
![]() | Stephen Hanley b, *1959 IE bass guitar, written by |
![]() | Simon Wolstencroft dr, *1963 GB drums, written by |
![]() | Marcia Schofield key, *1962 GB keyboards, written by |
![]() | Brix Smith voc, g, *1962 GB lead guitar, vocals, written by |
![]() | Mark E. Smith voc, *1957 GB lead vocals, producer, written by |
![]() | Richard Haughton , GB photography by, stage |
![]() | Kevin Cummins , *1953 GB photography by, the fall |
![]() | Craig Scanlon g, *1960 GB rhythm guitar, acoustic guitar, written by |
![]() | Simon Rogers g, GB written by, uncredited |
Cenzo Townshend engineer |
Chris Jones engineer |
Dian Barton engineer |
Stuart Hawkes mastered by |
Ian Broudie producer |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | New Big Prinz | The Fall | Craig Scanlon, Marcia Schofield, Mark E. Smith, Stephen Hanley | 3:20 |
2 | Overture From 'I Am Curious Orange' | The Fall | Brix Smith | 2:48 |
3 | Dog Is Life / Jerusalem | The Fall | Mark E. Smith, William Blake | 7:20 |
4 | Kurious Oranj | The Fall | Mark E. Smith, Simon Wolstencroft, Stephen Hanley | 6:18 |
5 | Wrong Place, Right Time | The Fall | Mark E. Smith | 2:54 |
6 | Win Fall C.D. 2080 | The Fall | Marcia Schofield, Mark E. Smith | 2:40 |
7 | Yes, O Yes | The Fall | Brix Smith, Mark E. Smith | 3:34 |
8 | Van Plague? | The Fall | Craig Scanlon, Mark E. Smith | 4:54 |
9 | Bad News Girl | The Fall | Brix Smith, Mark E. Smith | 5:19 |
10 | Cab It Up! | The Fall | Mark E. Smith | 4:53 |
11 | Untitled | The Fall | Simon Rogers | 1:04 |