Album BE 1994 on Sub Rosa label
Electronic and Spoken Word (Ambient, Drone, Experimental, Spoken Word)
All material sporadically recorded between 1989 & 1993. Project initiator Ian Lake. All titles published by Touch Music. Typography & sleeve design by MOSCROM Internat., Suitcase Studios & Siegfried Hausner. Photography by Other Methods TM. Front cover image by Patricia Ann Blair. Assistant Moth Wrangler Annika Lundgren. Casting by A.F.S.R.I.N.M.O.R. Catering by Marjolein Kuijsten. Location graciously provided by Agustin + Schoonman c.v. Sets by Mat Wijnene. Decor by Carl Giskes. Hafler Trio Logo by Mark O. Assistants to the Producer: Willem de Ridder, C.M. Von Hausswolff, Johan Söderberg, Greg Gallant, Randi van den Wijngaard, Alisa Messer, Jon Wozencroft, Kari Jantsen, Annie Sprinkle, Veronica Vera, John Savage, Adair Brouwer, Joanna Macrae, Sue Smeaton, Ben Ponton. Executive producers: Fred Walheer, Guy Marc Hinant. Directed by A.M. McKenzie for The Hafler Trio in PERCEPTOVISION TM. Background vocals: David Tibet. Posthumous scripting: Anthony Balch. Voice overs: Tina Grace. Victim/volunteer: Dennis Florio. Optigan coordination: Greg Gallant. Guitar: Birgir. Circular circumnabulations: G.I. Markusson. Slaap: Teery van Dijk. Computers, periferals & software by MOSCROM Internat. Make-up by Malin Larsson & Helena Aberg. Technical assistence & advice by The Anstending Institue. Script by Peter Greenaway. Post Production by Mark Poysner @ Light Sounds Studio, Amsterdam. One-of-our-pilots-is - missing Detp.: A. Newton. Lighting by Gwen Weimann. Refreshments by De Tweede kantoor & Tai Shangai. Costumes modelled by Ingrid Willemse. Management by Emily Woods. Still: Ingvar Örn Karlsson. Transport by Bruce, P.I.A. & Flugleidir. Special effects by Dale Travous. Crèche provided by Maria Stefansdóttir. Train robbery by Arthur Sørenssen. Rostrum camera: Erik Pauser. Knots by P.W. Blandford 1943. Hair and picked walnuts by David Scott. Animal Handling by Marga Sewart. Stunts: Geert-Jan Hobijn. Originally there was a hate list here, but then, that was one of those late-night thoughts that don't look good in the cold light of the morning. But names were very nearly named. These credits by Murray Fontana. That's all folks! Comes packaged in a large card wallet, with a 32-page booklet.
The Hafler Trio , *1980 GB album by | |
Mark O. artwork by, hafler trio logo | |
Birgir b, guitar |
Patricia Ann Blair artwork by, front cover image |
David Tibet backing vocals, background |
Andrew McKenzie directed by |
Fred Walheer executive producer |
Guy Marc Hinant executive producer |
Other Methods TM photography |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Some High Flying Toxic Luck, On The Earth Possibly | The Hafler Trio | 4:45 | |
2 | By Eager Discarded Mention, Such Distance | The Hafler Trio | 4:04 | |
3 | A On A | The Hafler Trio | 7:10 | |
4 | Stolen Track Found In Search Of The Path | The Hafler Trio | 11:26 | |
5 | From A Cause, The Supply | The Hafler Trio | 1:21 | |
6 | Like Watching Winter. Long The Abuse Of Night | The Hafler Trio | 2:19 | |
7 | After The Dark, Shadow Never Again | The Hafler Trio | 3:56 | |
8 | Who Approach Only Through Anxieties. Absolutely Pouring The Afternoon Buildings | The Hafler Trio | 3:04 | |
9 | Film To The Body, Later | The Hafler Trio | 4:21 | |
10 | The Seventh Door Into The Site | The Hafler Trio | 4:13 | |
11 | Be In Damp Mould, Up | The Hafler Trio | 2:47 | |
12 | First Enough And Ceased Finally To Comfort | The Hafler Trio | 1:59 |