Album UK 1978 on RCA Red Seal label
Classical (Renaissance)
Issue with 12 page booklet, containing notes on composers and compositions, plus photographs
![]() | The London Early Music Group , ensemble, album by |
![]() | Brian Etheridge voc, GB baritone vocals |
![]() | Geoffrey Shaw voc, GB baritone vocals |
![]() | Martin Elliot voc, b, baritone vocals |
![]() | William Mason voc, bass vocals |
![]() | David James voc, countertenor vocals |
![]() | Timothy Penrose voc, 1949-2014 GB countertenor vocals |
![]() | James Tyler fl, 1940-2010 US directed by, lute, liner notes, percussion, timbrel, percussion, tabor, viol, tenor |
![]() | Andrew Van Der Beek rec, cor, dulcian, curtal |
![]() | David Watkins hrp, harp |
![]() | Bernard Thomas fl, rec, crumhorn, soprano, rauschpfeife, soprano |
![]() | Joseph Skeaping vn, fl, GB viol, treble, rebec, alto |
![]() | Susan Addison tb, *1955 GB sackbut, tenor, sackbut, alto |
![]() | Alan Lumsden ts, cor, tr, crumhorn, tenor, recorder, tenor, sackbut, tenor |
![]() | John Potter voc, GB tenor vocals |
![]() | Leigh Nixon acg, voc, ts, GB tenor vocals |
![]() | Paul Elliott ts, AU tenor vocals |
![]() | Rogers Covey-Crump voc, *1944 GB tenor vocals |
![]() | Oliver Brookes vn, viol, bass |
John Dyer design |
Colin Moorfoot engineer, recording |
Clive Barda photography by |
Charles Gerhardt producer |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Record I: Secular Music At The Courts Of Henry VII And Henry VIII | The London Early Music Group | ||
2 | Tyme To Pass With Goodly Sport (Vocal Version) | The London Early Music Group | Anonymous | |
3 | The Kyngs Pavion | The London Early Music Group | Anonymous | |
4 | Je Fille Quant Dieu Me Donne De Quoy | The London Early Music Group | Phillip Van Wilder | |
5 | De Tous Bien Plane | The London Early Music Group | Vincenzo Capirola | |
6 | Madame D'Amours | The London Early Music Group | Anonymous | |
7 | Quid Petits, O Fily? | The London Early Music Group | Richard Pygott | |
8 | Tyme To Pass With Goodly Sport (Instrumental Version) | The London Early Music Group | Anonymous | |
9 | Le Petit Rouen | The London Early Music Group | Anonymous | |
10 | Benedicte! Whate Dremyd I? | The London Early Music Group | Robert Fayrfax | |
11 | Ay, Besherewe Yow! | The London Early Music Group | William Cornysh | |
12 | Woffully Araid | The London Early Music Group | William Cornysh | |
13 | Jay Pryse Amours | The London Early Music Group | Anonymous | |
14 | Fa La Sol | The London Early Music Group | William Cornysh | |
15 | Record II: Sacred Music From The Early Tudor Era | The London Early Music Group | ||
16 | Magnificat 'O Bone Jesu' | The London Early Music Group | Robert Fayrfax | |
17 | Votive Antiphon: Ave Maria Mater Dei | The London Early Music Group | William Cornysh | |
18 | Respond: In Pace In Idipsum | The London Early Music Group | John Taverner | |
19 | Respond: Dum Transisset Sabbatum | The London Early Music Group | John Taverner | |
20 | Quemadmodum | The London Early Music Group | John Taverner | |
21 | Magnificat In The Sixth Tone | The London Early Music Group | John Taverner |