Album US on Fortress Records label
Classical (Renaissance, Medieval)
"32-2187-74" number listed on back cover. "BP 61670" number on label. Insert/booklet included with libretto/lyrics to "Samson Dux Fortissime." Translation was prepared by Ronald Beacon and Thomas Osterfield (revised R.E.B.) for use in connection with the performing edition by Robert E. Bornemann. ————————————————————————————————————————————————— Side A "Trotto" (soprano recorder and percussion) "Saltarello" (alto recorder, voices, percussion) "Samson Dux Fortissime," a dramatic cantata of the thirteenth century. (Brit. Mus., Ms. Harleian. 978) [1. Chorus; 2. Interlude—Samson—Samson & Chorus; 3. Interlude—Samson; 4. Interlude—Delilah—Samson; 5. Interlude—Chorus—Samson—Chorus—Delilah—Samson & Chorus—Samson; 6. Interlude—Chorus—Samson & Chorus] Side B "Ah Man, Assay" (choir and instruments) "Nova, Nova" (choir and instruments) "Deo Gracias" (recorders and bells) "Nota" (soprano & alto recorders, finger cymbals, drum) "Saltarello" (alto recorder, triangle, tambourine, drum) "Alleluia Psallat" (choir and instruments) —————————————————————————————————————————————————— Fortress Records – 2900 Queen Lane – Philadelphia, Pa. 19129
![]() | The Philadelphia Antiqua Players , album by |
![]() | Donald S. Cornelius cwb, tri, bells, finger cymbals, triangle |
![]() | Robert G. Sonnenberg bells, wood block |
![]() | The Choir Of The Lutheran Theological Seminary At Philadelphia choir |
![]() | Leonard F. Ashford, Jr. , drum |
![]() | Kenneth E. Zindle dr, drums |
![]() | Fred T. Crawford , finger cymbals |
![]() | John R. Warren g, guitar |
![]() | Robert L. Buckwalter rec, ss, recorder, soprano |
![]() | Kenneth T. Michnay rec, ts, recorder, tenor, tenor vocals |
![]() | David C. Newhart tam, tambourine |
![]() | Douglas A. Haak tam, tambourine |
![]() | Ronald Beacon , translated by, samson dux fortissime |
![]() | Thomas Osterfield , translated by, samson dux fortissime |
![]() | Bluma Goldberg Jacobs vl, viola |
![]() | Robert N. Peery , tenor vocals |
![]() | Roy T. Lloyd , bass vocals |
Robert E. Bornemann alto recorder, directed by, musical director |
Robert J. Bauer cover |
Richard N. Clapper producer |
Sterling C. Spielman recorded by |
Bluma Goldberg Jacobs recorder |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Deo Gracias, Anglia (Agincourt Carol) | The Philadelphia Antiqua Players | 0:51 | |
2 | Trotto | The Philadelphia Antiqua Players | 0:58 | |
3 | Be Merry, Be Merry | The Philadelphia Antiqua Players | 0:44 | |
4 | Lullay: I Saw A Sweete, Seemly Sight | The Philadelphia Antiqua Players | 3:06 | |
5 | Nowell Sing We Now | The Philadelphia Antiqua Players | 0:55 | |
6 | Saltarello | The Philadelphia Antiqua Players | 1:37 | |
7 | Samson Dux Fortissime (A Dramatic Cantata Of The Thirteenth Century) | The Philadelphia Antiqua Players | 11:58 | |
8 | Renaissance Choral Music | The Philadelphia Antiqua Players | ||
9 | Pater, Venit Hora | The Philadelphia Antiqua Players | Claudio Monteverdi | 1:22 |
10 | Hodie Christus Natus Est | The Philadelphia Antiqua Players | Giovanni Pierluigi da Palestrina | 2:06 |
11 | Chantez A Dieu Chanson Nouvelle | The Philadelphia Antiqua Players | Jan Pieterszoon Sweelinck | 1:35 |
12 | Medieval Carols And Dances | The Philadelphia Antiqua Players | ||
13 | Ah Man, Assay | The Philadelphia Antiqua Players | 1:41 | |
14 | Nova, Nova | The Philadelphia Antiqua Players | 1:28 | |
15 | Deo Gracias | The Philadelphia Antiqua Players | 0:57 | |
16 | Nota | The Philadelphia Antiqua Players | 1:10 | |
17 | Saltarello | The Philadelphia Antiqua Players | 0:53 | |
18 | Alleluia Psallat | The Philadelphia Antiqua Players | 1:09 |