Band, *1992 US
Electronic and Classical
The Soil Bleeds Black was conceived in the year 1992 as a project that focused on the experimental visions of twin brothers, Mark and Michael Riddick. Over years the concepts changed as the brothers searched for a complete sound that could appropriately exhibit their transformative thoughts and interests. This endeavor reached a particular climax in the year 1994, when TSBB took on a sound of pure medieval folkloric expression. Shortly after this realization, Mark and Mike added Eugenia Wallace to their ranks. Eugenia's vocal contribution helped to bring to fruition the final elements that would make up the portrait of their endeavors. Essentially, The Soil Bleeds Black aim to convey an enchanting conglomeration of raw sound, middle age custom, and self-expression through ancient allegory, alchemical tract, and their entourage of medieval instruments.
Dawn Desiree' voc, key | |
Eugenia Houston voc, rec, perc, clap | |
Mark Riddick US | |
Michael Riddick tam, perc, clap, voc US |
Track list and 30sec audio provided by
Title | Artist | Year | Type |
---|---|---|---|
Medieval | The Soil Bleeds Black | 2016 | Album |
The Knightly Years | The Soil Bleeds Black | 2009 | Compil. |
Three Living, Three Dead | The Soil Bleeds Black | 2004 | Album |
Lead Into Gold | The Soil Bleeds Black | 2002 | Album |
Mirror Of The Middle Ages | The Soil Bleeds Black | 2002 | Album |
Quintessence | The Soil Bleeds Black | 2001 | Album |
Quintessence | The Soil Bleeds Black | 2001 | Album |
A Medieval Mélange | The Soil Bleeds Black | 2000 | Compil. |
Alchemie | The Soil Bleeds Black | 1999 | Album |
May The Blood Of Many A Valiant Knight Be Avenged | The Soil Bleeds Black | 1998 | Album |
March Of The Infidels | The Soil Bleeds Black | 1997 | Album |
The Kingdom & Its Fey | The Soil Bleeds Black | 1996 | Album |