Album US 1998 on EMI Classics label
Classical (Modern, Opera)
Recorded: XII.1995, Rosslyn Hill Chapel London. ℗ 1998 The copyright in this sound recording is owned by BBC Music under exclusive license to EMI Records Ltd. © 1998 EMI Records Ltd. Made in U.S.A. Includes booklet (104 p.) with libretto in English.
Thomas Adès p, hps, *1971 GB composed by, conductor, album by | |
Philip Hensher , libretto by, album by | |
Jill Gomez voc, *1942 GB soprano vocals, dutchess, album by | |
Valdine Anderson voc, CA soprano vocals, maid, confidante, waitress, mistress, rubbernecker, society journalist, album by | |
Niall Morris voc, tenor vocals, electrician, lounge lizard, waiter, priest, rubbernecker, delivery boy, album by | |
Roger Bryson , bass vocals, hotel manager, duke, laundryman, other guest, judge, album by | |
Almeida Ensemble orchestra |
Simon Kiln edited by, mastered by |
Timothy Alcock engineer |
Tony Was engineer, edited by |
David R. Murray executive-producer, mastered by |
Andrew Porter liner notes |
Colin Thomas photography by |
Ivan Kyncl photography by |
Chris De Souza producer |
Thomas Adès |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Powder Her Face (An Opera In Two Acts, Op. 14) | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | |||
2 | Act One | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | |||
3 | Overture | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:58 | ||
4 | Oo Aa! Ha Ha Ha Ha Ha | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 4:12 | ||
5 | I See. This It What It Has Come To | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:52 | ||
6 | Take It From Me | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 5:06 | ||
7 | Interlude | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 1:06 | ||
8 | Of Course She's Done Well | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:14 | ||
9 | I Could Never Grow Bored Of Dukedoms | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 1:52 | ||
10 | I Hear Him Coming (Pantomime) | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 5:07 | ||
11 | Interlude | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:37 | ||
12 | Fancy, Fancy Being Rich | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 4:46 | ||
13 | Interlude. ...Mm...Ah!...How May I Help You? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:49 | ||
14 | ...Mm...Ah!...Room Service? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:24 | ||
15 | What Have You Got There? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:08 | ||
16 | Come Here | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 6:18 | ||
17 | Interlude | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:04 | ||
18 | Is Daddy Squiffy? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 5:43 | ||
19 | Are You Saying The Duchess Is A Whore? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 4:57 | ||
20 | Ha Ha Ha Ha... (Paper Chase) | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:18 | ||
21 | Act Two | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | |||
22 | Did She?...Of Course She Did | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:09 | ||
23 | Order. Silence | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 5:30 | ||
24 | But Now I Have Heard Something New | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:46 | ||
25 | Did You Hear - What He Said? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 1:44 | ||
26 | So That Is All | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 5:09 | ||
27 | Interlude | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 1:04 | ||
28 | I'd Like To Make One Thing Entirely Clear | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 3:06 | ||
29 | Ah! None Left | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 4:11 | ||
30 | Interlude. Fifty-eight, Seventy-nine | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 1:16 | ||
31 | Agh - Who Are You? | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 6:34 | ||
32 | That Will Do. You May Go | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 4:44 | ||
33 | Broken. It's Broken | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 8:07 | ||
34 | Enough...Or Too Much! | Thomas Adès, Philip Hensher - Jill Gomez, Valdine Anderson, Niall Morris, Roger Bryson, Almeida Ensemble | 2:41 |
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