Album US 1998 on EMI Classics label
Classical (Contemporary)
Packaged in a jewel case with 8-page booklet that includes track list, credits, release information, and notes. Recorded: V.1995, All Saints' Church, Petersham (Tracks 1 to 8); III. & V.1997, No. 1 Studio, Abbey Road, London (Tracks 9 to 15 & 16 to 19); V.1997, All Hallows Church, Gospel Oak, London (Tracks 20 to 23); I.1997, Chapel of King's College, Cambridge (Track 24). Stereo. ℗ 1998 The copyright in this sound recording is owned by EMI Records Ltd. © EMI Records Ltd. Manufactured and distributed by EMI Classics, 304 Park Avenue South, New York, NY 10010. Printed in the U.S.A. Funded by The Arts Council Of England. EMI Classics - international trade mark of EMI Records Ltd.
Thomas Adès p, hps, *1971 GB composed by, conductor, harpsichord, producer, album by | |
David Waterman vc, cello | |
Jonathan Tunnell vc, GB cello | |
Louise Hopkins vc, *1968 GB cello | |
Paul Watkins vc, *1970 GB cello | |
The King's College Choir Of Cambridge , choir | |
Barnaby Robson rec, clarinet | |
Lynsey Marsh , GB clarinet | |
Paul Richards cl, clarinet | |
Markus Stenz , *1965 DE conductor | |
Stephen Cleobury org, *1948 GB conductor | |
Mike Cox engineer, balance | |
Simon Woods , engineer, balance, producer | |
Tryggvi Tryggvason , engineer, balance, producer | |
Endellion String Quartet , ensemble | |
Andrew Clark alp, french horn | |
Michael Niesemann ob, *1960 DE oboe, baroque oboe | |
London Sinfonietta , GB orchestra | |
Robert Quinney org, *1976 GB organ | |
Richard Benjafield perc, GB percussion | |
Garfield Jackson vl, viola | |
James Boyd vl, GB viola | |
Judith Busbridge vl, GB viola | |
Susan Knight vl, *1969 GB viola | |
Andrew Watkinson vn, *1955 GB violin | |
Ralph De Souza vn, violin |
Jennifer Howells edited by |
Marian Freeman edited by |
Paul Baily edited by |
David R. Murray executive-producer |
Andrew Porter liner notes |
Sasha Gusov photography, cover |
Thomas Adès |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Living Toys, Op. 9 | Thomas Adès | 19:06 | ||
2 | I: Angels - | Thomas Adès | 2:16 | ||
3 | II: Aurochs - | Thomas Adès | 2:28 | ||
4 | BALETT - | Thomas Adès | 0:57 | ||
5 | III: Militiamen - | Thomas Adès | 1:53 | ||
6 | IV: H.A.L.'s Death - | Thomas Adès | 3:21 | ||
7 | BATTLE - | Thomas Adès | 2:16 | ||
8 | V: Playing Funerals | Thomas Adès | 3:58 | ||
9 | TABLET | Thomas Adès | 1:55 | ||
10 | Arcadiana, Op. 12 | Thomas Adès | 19:27 | ||
11 | I: Venezia Notturna | Thomas Adès | 2:47 | ||
12 | II. Das Klinget So Herrlich, Das Klinget So Schön | Thomas Adès | 1:30 | ||
13 | III: Auf Dem Wasser Zu Singen | Thomas Adès | 2:33 | ||
14 | IV: Et… (Tango Mortale) | Thomas Adès | 4:13 | ||
15 | V: L'Embarquement - | Thomas Adès | 2:27 | ||
16 | VI: O Albion | Thomas Adès | 3:09 | ||
17 | VII: Lethe | Thomas Adès | 2:46 | ||
18 | Sonata Da Caccia, Op. 11 | Thomas Adès | 12:36 | ||
19 | I: Gravement - | Thomas Adès | 3:20 | ||
20 | II: Gayëment - | Thomas Adès | 3:32 | ||
21 | III: Naïvement | Thomas Adès | 4:10 | ||
22 | IV: Galament | Thomas Adès | 1:34 | ||
23 | The Origin Of The Harp, Op. 13 | Thomas Adès | 9:19 | ||
24 | I: Dolcissimo Ed Espressivo - | Thomas Adès | 2:13 | ||
25 | II: Largo Con Moto - | Thomas Adès | 2:06 | ||
26 | III: Spettrale - | Thomas Adès | 2:32 | ||
27 | IV; [Untitled] | Thomas Adès | 2:28 | ||
28 | Gefriolsae Me, Op. 3b | Thomas Adès | 3:49 |
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