Album 1997 on EMI Classics label
Classical (Contemporary)
Recorded II.-IV.1996, No. 1 Studio, Abbey Road, London (Tracks 1 to 3, 7 to 15) & V.1996, Air Studios, London (Tracks 4 to 6).
![]() | Thomas Adès p, hps, *1971 GB composed by, organ, chamber organ, piano, album by |
![]() | Louise Hopkins vc, *1968 GB cello |
![]() | Lynsey Marsh , GB clarinet |
![]() | Simon Rhodes , engineer, balance |
![]() | David Goode org, *1971 GB organ, chamber organ |
![]() | Stephen Farr org, GB organ, chamber organ |
![]() | Mary Carewe voc, soprano vocals |
![]() | Valdine Anderson voc, CA soprano vocals |
![]() | Anthony Marwood vn, *1979 GB violin |
![]() | T. S. Eliot voc, sampler, 1888-1965 GB words by |
![]() | Tennessee Williams , 1911-1983 US words by |
Caroline Haigh edited by |
Rosie Cox edited by |
Sasha Gusov photography by, cover |
Simon Woods producer |
Thomas Adès |
No | ![]() |
Title | Artist | Composer | Duration |
---|---|---|---|---|---|
1 | ![]() | Catch, Op. 4 | Thomas Adès | 10:30 | |
2 | ![]() | Darkness Visible | Thomas Adès | 7:14 | |
3 | ![]() | Still Sorrowing, Op. 7 | Thomas Adès | 9:54 | |
4 | ![]() | Underneath Hamelin Hill, Op. 6 | Thomas Adès | ||
5 | ![]() | I: Preambulum | Thomas Adès | 3:43 | |
6 | ![]() | II: Fuga A Tre Voci Con Alcune Licenze | Thomas Adès | 4:36 | |
7 | ![]() | III: Arietta | Thomas Adès | 3:57 | |
8 | ![]() | Five Eliot Landscapes, Op. 1 | Thomas Adès | ||
9 | ![]() | I: New Hampshire | Thomas Adès | 4:39 | |
10 | ![]() | II: Virginia | Thomas Adès | 2:49 | |
11 | ![]() | III: Usk | Thomas Adès | 2:29 | |
12 | ![]() | IV: Rannoch, By Glencoe | Thomas Adès | 2:52 | |
13 | ![]() | V: Cape Ann | Thomas Adès | 3:08 | |
14 | ![]() | Traced Overhead, Op. 15 | Thomas Adès | ||
15 | I: Sursum | Thomas Adès | 0:46 | ||
16 | II: Aetheria | Thomas Adès | 2:13 | ||
17 | III: Chori | Thomas Adès | 8:39 | ||
18 | Life Story, Op. 8b | Thomas Adès | 9:00 |
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