ArtistInfo
Ton-Art
Zú
Album CH 1989 on hat ART label
Jazz (Free Improvisation)
Digital two-track recording May 1-4, 1989 at Volkshochschule Ottakring, Vienna/Austria
Musicians
 | Ton-Art , album by |
 | Bernhard Spahn as, sax, alto saxophone |
 | Werner Dafeldecker b, cb, *1964 AT bass, composed by |
 | Hans Steiner bcl, bass clarinet, composed by |
 | Paul Skrepek dr, *1963 AT drums |
 | Burkhard Stangl g, *1960 AT guitar, composed by |
 | Stephan A. Cuny liner notes, translation |
 | Klaus Peham tr, fh, trumpet, flugelhorn, composed by |
 | Franz Koglmann fh, tr, *1947 AT flugelhorn |
Producers
| Paolo Pola cover |
| Walter Bosshardt design |
| Robert Bilek liner notes |
| Peter Pfister mastered by |
| Christian Luckow photography by |
| Pia & Werner X. Uehlinger producer |
| Ton-Art producer |
| Franz Koglmann producer, supervision |
| Ulrich Goebel recorded by |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Der Tod Meiner Kleinen Anarchistin | Ton-Art | Hans Steiner | 12:58 |
| 2 | Fragment I | Ton-Art | Burkhard Stangl | 1:08 |
| 3 | Fragment II | Ton-Art | Burkhard Stangl | 0:29 |
| 4 | Sou | Ton-Art | Burkhard Stangl | 3:45 |
| 5 | Das Sechste Gebot | Ton-Art | Hans Steiner | 10:32 |
| 6 | Es Webert Schön Am Koglberg | Ton-Art | Burkhard Stangl | 9:34 |
| 7 | Sieben Billige Handschuhtage | Ton-Art | Klaus Peham | 3:43 |
| 8 | Deadline | Ton-Art | Klaus Peham | 11:31 |
| 9 | Was Will Das Gespenst | Ton-Art | Burkhard Stangl | 4:22 |
| 10 | Notorisch Hippopotamus | Ton-Art | Werner Dafeldecker | 1:34 |
| 11 | Sternspritzer Im Ohr: Reihenweise | Ton-Art | Klaus Peham | 7:48 |
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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.ArtistInfo for Mac, iPad, and iPhone
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