ArtistInfo
Trevor Wishart
On Sonic Art
Album NL 1996 on Harwood Academic Publishers label
Electronic and Spoken Word (Education, Field Recording, Technical, Experimental, Musique Concrète)
New and revised edition published as both hardback and paperback (this). 358 pages. Tracks 1, 31, and 32 excerpted from Beach Singularity & Menagerie Tracks 2 and 25 excerpted from Electroacoustic Music And The Saxophones Of Stephen Cottrell Track 22, 29, 30, and 33 to 44 excerpted from Red Bird / Anticredos Track 26 unpublished Track 27 unpublished; original commissioned broadcast BBC2 Television (Sound Different: 'Music Outside') 1980
Musicians
 | Trevor Wishart voc, *1946 GB performer, album by |
 | Jean-Claude Risset p, *1938 FR performer |
 | Roger Reynolds p, perc, performer |
 | David Wessel , performer |
 | Jean-Baptiste Barrière syn, *1958 performer |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Chapter 1 | Trevor Wishart | ||
| 2 | Musical Box From Menagerie | Trevor Wishart | ||
| 3 | Chapter 2 | Trevor Wishart | ||
| 4 | Anna's Magic Garden | Trevor Wishart | ||
| 5 | Chapter 3 | Trevor Wishart | ||
| 6 | Melody With Individual Elements Less Than Five Milliseconds Long | Trevor Wishart | ||
| 7 | Melody With Individual Elements Ten Milliseconds Long | Trevor Wishart | ||
| 8 | A Low Note On The Piano | Trevor Wishart | ||
| 9 | As 3.3 But Filtering Out All Frequencies Below The Second Harmonic | Trevor Wishart | ||
| 10 | An Example Of Shepard Tones | Trevor Wishart | ||
| 11 | White Noise | Trevor Wishart | ||
| 12 | Complex Sound | Trevor Wishart | ||
| 13 | As 3.6 | Trevor Wishart | ||
| 14 | Melody Of Filtered Noise | Trevor Wishart | ||
| 15 | (A) Piano With 'Flattened Envelope' (B) Flute At Same Pitch | Trevor Wishart | ||
| 16 | (A) Flute With Imposed 'Piano Envelope' (B) Piano At Same Pitch | Trevor Wishart | ||
| 17 | Sound With Relatively Constant Envelope | Trevor Wishart | ||
| 18 | Piano Note | Trevor Wishart | ||
| 19 | Bell Sound | Trevor Wishart | ||
| 20 | Cymbal Sound | Trevor Wishart | ||
| 21 | Vibraphone Sound | Trevor Wishart | ||
| 22 | Flute Note | Trevor Wishart | ||
| 23 | Trumpet Note | Trevor Wishart | ||
| 24 | The Influence Of Onset Synchrony On Coherence | Trevor Wishart | ||
| 25 | Splitting An Aural Image Into Two | Trevor Wishart | ||
| 26 | Different Sound Objects From A Single Source | Trevor Wishart | ||
| 27 | Sound Of Definite Mass | Trevor Wishart | ||
| 28 | Grain Illustrated With Electronic Impulses | Trevor Wishart | ||
| 29 | Grain Illustrated For A Bassoon Note | Trevor Wishart | ||
| 30 | Speed Up Of Melody Into Grain | Trevor Wishart | ||
| 31 | Speed Up Of String Of Speech Sounds Approaches Speech Multiplex | Trevor Wishart | ||
| 32 | Chapter 4 | Trevor Wishart | ||
| 33 | Two Sequences Based On David Wessel's Researches Into Timbre Space | Trevor Wishart | ||
| 34 | Chapter 5 | Trevor Wishart | ||
| 35 | Chant Example: Transformation From Bell To Male Voice | Trevor Wishart | ||
| 36 | Red Bird Transformation: '(Li)-sss-(ten)' To Birdsong | Trevor Wishart | ||
| 37 | A Typically Vocally-Produced Multiplex | Trevor Wishart | ||
| 38 | As 5.3 But The Field Characteristic Of The Multiplex Changes With Time | Trevor Wishart | ||
| 39 | Chapter 6 | Trevor Wishart | ||
| 40 | Anna's Magic Garden | Trevor Wishart | ||
| 41 | Anticredos (Unspatialised Extract From Wishart Studio Demo Version) | Trevor Wishart | ||
| 42 | Chapter 7 | Trevor Wishart | ||
| 43 | Automusic (Extract) | Trevor Wishart | ||
| 44 | Chant Example: Transformation From Bell To Male Voice | Trevor Wishart | ||
| 45 | Red Bird: Book/Door Slam | Trevor Wishart | ||
| 46 | Red Bird: Lisss/Birds | Trevor Wishart | ||
| 47 | Musical Box From Menagerie | Trevor Wishart | ||
| 48 | Still Life From Menagerie | Trevor Wishart | ||
| 49 | Chapter 8 | Trevor Wishart | ||
| 50 | Sound-Image 'Bellows/Water-Pump' | Trevor Wishart | ||
| 51 | 'Listen To Reason' Transformation | Trevor Wishart | ||
| 52 | Garden Landscape | Trevor Wishart | ||
| 53 | Reason Landscape | Trevor Wishart | ||
| 54 | Animal-Like Sound Images | Trevor Wishart | ||
| 55 | Bird Cadenza | Trevor Wishart | ||
| 56 | Word Machine | Trevor Wishart | ||
| 57 | Phonemes As Flocking Birds | Trevor Wishart | ||
| 58 | 'Rea' Transformation To Bark | Trevor Wishart | ||
| 59 | '-ble' Bursts Into Bubbling | Trevor Wishart | ||
| 60 | Ambiguous Machinery / Animal Landscape | Trevor Wishart | ||
| 61 | 'Rea' Transformation To Clock | Trevor Wishart | ||
| 62 | Chapter 11 | Trevor Wishart | ||
| 63 | Comparison Of Simulated Signals Of The Great Northern Diver (Loon), The Wolf, The Whale And The Red Squirrel | Trevor Wishart | ||
| 64 | Chapter 12 | Trevor Wishart | ||
| 65 | The Glottis And Windpipe | Trevor Wishart | ||
| 66 | Glottal Vibrations (Vibrating Larynx): Iterated Impulses (Unpitched) | Trevor Wishart | ||
| 67 | Glottal Vibrations (Vibrating Larynx): Normal Rate Of Vibration (Pitched) | Trevor Wishart | ||
| 68 | Windpipe Vibration Caused By Forcible Exhalation From Lungs: Below The Larynx | Trevor Wishart | ||
| 69 | Windpipe Vibration Caused By Forcible Exhalation From Lungs: Above The Larynx | Trevor Wishart | ||
| 70 | As 12.3 | Trevor Wishart | ||
| 71 | The Same (As 12.3) Combined With The Sound Of The Larynx | Trevor Wishart | ||
| 72 | As 12.4 | Trevor Wishart | ||
| 73 | The Same (As 12.4) Combined With The Sound Of The Larynx | Trevor Wishart | ||
| 74 | Octave Division (Normal Pitch Followed By Division) | Trevor Wishart | ||
| 75 | The Tongue | Trevor Wishart | ||
| 76 | Tongue Vibrations: Tip At Front Of Mouth | Trevor Wishart | ||
| 77 | Tongue Vibrations: Tip Onto Soft Palate | Trevor Wishart | ||
| 78 | Tongue Vibrations: Tip Strongly Retroflexed | Trevor Wishart | ||
| 79 | Rolled 'R' With Arched Tongue Middle Mouth | Trevor Wishart | ||
| 80 | Rolled 'R' With Arched Tongue Back Of Mouth | Trevor Wishart | ||
| 81 | Rolled 'R' With Arched Tongue Against Uvula (Snoring) | Trevor Wishart | ||
| 82 | Rolled 'R' With Arched Tongue Brought Into Sung Pitch Range | Trevor Wishart | ||
| 83 | The Lips And Cheeks | Trevor Wishart | ||
| 84 | Lip Vibration: Normal | Trevor Wishart | ||
| 85 | Lip Vibration: Folded Towards Teeth | Trevor Wishart | ||
| 86 | Lip Vibration: Strongly Pouted Outwards | Trevor Wishart | ||
| 87 | Use Of Hands To Assist Production Of Long Lip Notes | Trevor Wishart | ||
| 88 | Lip Oscillation Variations | Trevor Wishart | ||
| 89 | Tow Independent Lip Oscillations | Trevor Wishart | ||
| 90 | Cheek Vibrations With Pitch Variations Controlled By Hands | Trevor Wishart | ||
| 91 | Sub-Audio Cheek Vibration | Trevor Wishart | ||
| 92 | Independent Cheek Vibrations (With Resultant Beats) | Trevor Wishart | ||
| 93 | Filters | Trevor Wishart | ||
| 94 | Sun Vowels | Trevor Wishart | ||
| 95 | Different Routes From A To Ü Through The Vowel Space | Trevor Wishart | ||
| 96 | Effect Of Lip Rounding On Formants (Vowels) | Trevor Wishart | ||
| 97 | Different Mouth (Formant) Positions For I: (u)le As Compared With (e)le | Trevor Wishart | ||
| 98 | Filtered Inhaled Glottal Clicks | Trevor Wishart | ||
| 99 | Vocal Analogue Of Shepard Tone (Rising And Falling) | Trevor Wishart | ||
| 100 | Filtered Lip Vibrations | Trevor Wishart | ||
| 101 | Use Of Hands To Filter Cheek Vibrations | Trevor Wishart | ||
| 102 | Hand Funnel Filtering (Noise Sound) | Trevor Wishart | ||
| 103 | Formant Filtering To Accentuate Harmonics Of A Glottal Tone | Trevor Wishart | ||
| 104 | Formant Filtering To Accentuate Harmonics Of A Glottal Subharmonic | Trevor Wishart | ||
| 105 | Formant Filtering To Accentuate Harmonics Of A High Pitched Tongue Vibration | Trevor Wishart | ||
| 106 | Filtered Noise And Whistles | Trevor Wishart | ||
| 107 | Changing Formant Structure Of Continuous Noise Consonants (Mouth Cavity) | Trevor Wishart | ||
| 108 | Changing Formant Structure Of Continuous Noise Consonants (Mouth Cavity / Tongue Combination) | Trevor Wishart | ||
| 109 | X/f Hybrid Continuous Consonant | Trevor Wishart | ||
| 110 | The Lip Whistle: Three Registers | Trevor Wishart | ||
| 111 | Tongue Whistle (Tongue Arch Rear Position) | Trevor Wishart | ||
| 112 | Tongue Whistle (Tip Of Tongue in Sh Position) | Trevor Wishart | ||
| 113 | Tongue Whistle (Tip Of Tongue in S Position) | Trevor Wishart | ||
| 114 | Tongue / Lips Double Whistle | Trevor Wishart | ||
| 115 | Double And Treble Production | Trevor Wishart | ||
| 116 | Different Types Of Roar Or Bark (3 Variants) | Trevor Wishart | ||
| 117 | Tongue Vibration (rrr) Combined With Glotal Sounds (3 Variants) | Trevor Wishart | ||
| 118 | Tongue Vibration (RRR) Combined With Glotal Sounds (2 Variants) | Trevor Wishart | ||
| 119 | Tongue Vibration (Retroflexed RRR) Combined With Glottal Sounds (2 Variants) | Trevor Wishart | ||
| 120 | Tongue Vibrations (Uvula U) Combined With Glottal Sounds (3 Variants) | Trevor Wishart | ||
| 121 | Combinations Of Lip And Glottis Vibrations | Trevor Wishart | ||
| 122 | Combinations Of Cheek And Glottis Vibrations | Trevor Wishart | ||
| 123 | Combinations Of Noise Sounds And Glottis Vibrations | Trevor Wishart | ||
| 124 | Combination With Intermodulation Of (a) Ordinary Whistling With Singing Compared With (b) High S-Whistle With Low Glottal Sounds | Trevor Wishart | ||
| 125 | Two Simultaneous Tongue Vibrations | Trevor Wishart | ||
| 126 | Combination Of Lip And Tongue Vibrations (With Intermodulation) | Trevor Wishart | ||
| 127 | Cheek And Tongue Vibrations | Trevor Wishart | ||
| 128 | Noise And Tongue Vibrations | Trevor Wishart | ||
| 129 | Lips And Arched Tongue Vibrations | Trevor Wishart | ||
| 130 | Cheeks And Arched Tongue Vibrations | Trevor Wishart | ||
| 131 | Noise And Arched Tongue Vibrations | Trevor Wishart | ||
| 132 | Whistle And Arched Tongue Vibrations | Trevor Wishart | ||
| 133 | Noise And Uvular Vibration Of Tongue | Trevor Wishart | ||
| 134 | Noise And Lip Vibrations | Trevor Wishart | ||
| 135 | Whistle And Lip Vibrations ('Trimphone') | Trevor Wishart | ||
| 136 | Simultaneous Noise, Tongue, Lip, Glottis Vibrations Independently Articulated | Trevor Wishart | ||
| 137 | Glottis And Tongue Vibration Through Pouted Lips ('Trumpet') | Trevor Wishart | ||
| 138 | Air Stream And Other Effects | Trevor Wishart | ||
| 139 | 'Wamp', 'Half-wamp' And 'Quarter-wamp' | Trevor Wishart | ||
| 140 | Half-Lunged Multiphonic | Trevor Wishart | ||
| 141 | Unlunged Whistle | Trevor Wishart | ||
| 142 | Manual-Diaphragm Flutter (Continuous Sound) | Trevor Wishart | ||
| 143 | Manual-Diaphragm Drumming (Short Staccato Sounds) | Trevor Wishart | ||
| 144 | Shake-head Flutter (Pitched And Noise Versions) | Trevor Wishart | ||
| 145 | Drum-glottis Flutter | Trevor Wishart | ||
| 146 | Shake-body Flutter | Trevor Wishart | ||
| 147 | Drum-cheeks Flutter | Trevor Wishart | ||
| 148 | Strum-Lips Flutter | Trevor Wishart | ||
| 149 | Strum-Nose Flutter | Trevor Wishart | ||
| 150 | Diaphragm Flutter With Tongue Vibration | Trevor Wishart | ||
| 151 | Diaphragm Flutter With Lip Vibration | Trevor Wishart | ||
| 152 | Ululation | Trevor Wishart | ||
| 153 | Ululation Across Break In Voice | Trevor Wishart | ||
| 154 | Ululation With High Depth ('Laugh') | Trevor Wishart | ||
| 155 | Water Effects | Trevor Wishart | ||
| 156 | Arched Tongue Vibration With Saliva/Water | Trevor Wishart | ||
| 157 | X/Water | Trevor Wishart | ||
| 158 | Filter X/Water | Trevor Wishart | ||
| 159 | Filtered Half-Lunged X/Water | Trevor Wishart | ||
| 160 | K-Plosive + X/Water ('Children's Gunshot') | Trevor Wishart | ||
| 161 | Filtered Half-Lunged X/Water: Plosive Staccato Production | Trevor Wishart | ||
| 162 | Filtered Half-Lunged X/Water: Plosive Staccato Production + Tongue-Tip Vibration | Trevor Wishart | ||
| 163 | Unvoiced/Water Sounds With Pitch Content | Trevor Wishart | ||
| 164 | Inhaled Lip Vibration (Normal Then Water Behind Lips) | Trevor Wishart | ||
| 165 | Inhaled Air Stream With Water Around The Sides Of Tongue | Trevor Wishart | ||
| 166 | Transformations (Exhaled Sustainable Sounds) | Trevor Wishart | ||
| 167 | Tongue Oscillation Transformations | Trevor Wishart | ||
| 168 | As 94 Adding And Subtracting Water | Trevor Wishart | ||
| 169 | Pitched Production: Transformations Between Lunged And Half-lunged | Trevor Wishart | ||
| 170 | Pitched Production: Transformations Between Under- And Over-breathed | Trevor Wishart | ||
| 171 | Pitched Production: Transformation Between Normal And Fluttered | Trevor Wishart | ||
| 172 | Transformation From Tongue To Lip Vibration | Trevor Wishart | ||
| 173 | Inhaled Sounds | Trevor Wishart | ||
| 174 | Inhaled Lip Vibrations: Tones, Pulses, Multiphonics | Trevor Wishart | ||
| 175 | As 100 + Control With Heals Of Hands | Trevor Wishart | ||
| 176 | Inhaled Tongue Vibration (Retroflex Position) | Trevor Wishart | ||
| 177 | Inhaled Tongue Vibration (Uvula Position) | Trevor Wishart | ||
| 178 | Inhaled Pure Tones | Trevor Wishart | ||
| 179 | Inhaled Click Trains | Trevor Wishart | ||
| 180 | Inhaled Sub-Harmonics | Trevor Wishart | ||
| 181 | Inhaled Complex Multiphonics | Trevor Wishart | ||
| 182 | Inhaled Unstable Complex Vibration | Trevor Wishart | ||
| 183 | Inhaled Unstable Complex Vibration With Filtering | Trevor Wishart | ||
| 184 | Pulses | Trevor Wishart | ||
| 185 | Epiglottis Pulses | Trevor Wishart | ||
| 186 | Arched Tongue Pulses (Rear, Centre And Front) | Trevor Wishart | ||
| 187 | Tip Of Tongue Pulses (From Retroflexed To Further Forward) | Trevor Wishart | ||
| 188 | Tongue/Teeth And Tongue/ Top Lip Pulses | Trevor Wishart | ||
| 189 | Teeth And Lips Pulses | Trevor Wishart | ||
| 190 | Lips Pulses | Trevor Wishart | ||
| 191 | Pulses k and t: Lunged, Half Lunged, Unlunged | Trevor Wishart | ||
| 192 | Plosive Half-lunged d | Trevor Wishart | ||
| 193 | Plosive Half-lunged p | Trevor Wishart | ||
| 194 | Plosive Unlunged p | Trevor Wishart | ||
| 195 | Voiced Pulses | Trevor Wishart | ||
| 196 | Pulse D (Lunged) With Secondary Voicing And Breath | Trevor Wishart | ||
| 197 | As 120: Other Types Of Voicing (Windpipe, Tongue Vibration, Whistle) | Trevor Wishart | ||
| 198 | Pulse K (Lunged): Vibration Of Airstream Content | Trevor Wishart | ||
| 199 | Pulse k (Lunged): Vibration Of Airstream Type | Trevor Wishart | ||
| 200 | Pulse K (Lunged): Vibration Of Airstream Glissando | Trevor Wishart | ||
| 201 | Plosive Air Stream Effect (Suppression Of Original Pulses) | Trevor Wishart | ||
| 202 | Pulses With Stops, Buzzes, Filtering | Trevor Wishart | ||
| 203 | Plosive D (Unvoiced, Voiced) Compared With Addition Of G-Stop (d(g)!) (Unvoiced, Voiced) | Trevor Wishart | ||
| 204 | Plosive D With Addition Of p-stop (d(p)!) | Trevor Wishart | ||
| 205 | Drum Imitation (d(g)! With Glottal Vibration) | Trevor Wishart | ||
| 206 | H-stream Stopped With Ch And K | Trevor Wishart | ||
| 207 | S-stream Stopped With P | Trevor Wishart | ||
| 208 | Slap Tongue (Unlunged T), Slap Teeth Pulses | Trevor Wishart | ||
| 209 | Buzzed Lips: Lunged | Trevor Wishart | ||
| 210 | Buzzed Lips: Half Lunged | Trevor Wishart | ||
| 211 | Buzzed Lips: Unlunged | Trevor Wishart | ||
| 212 | As 134 With Air Exhalation | Trevor Wishart | ||
| 213 | Manually Initiated Lip Pulses | Trevor Wishart | ||
| 214 | Pulse (Unlunged K) With Oral Filtering | Trevor Wishart | ||
| 215 | Pulse (Unlunged P) Resonance Control Through Pouting | Trevor Wishart | ||
| 216 | Plosive Click With Filter Glissando | Trevor Wishart | ||
| 217 | Simultaneous And Alternated Pulses | Trevor Wishart | ||
| 218 | Simultaneous Pulses G + K | Trevor Wishart | ||
| 219 | Simultaneous Pulses T + K | Trevor Wishart | ||
| 220 | Pulse Alternation Tktk…: Lunged | Trevor Wishart | ||
| 221 | Pulse Alternation Tktk…: Half-Lunged | Trevor Wishart | ||
| 222 | Pulse Alternation tktk…: Unlunged | Trevor Wishart | ||
| 223 | Pulse Alternation Gthgth…: Unlunged | Trevor Wishart | ||
| 224 | Pulse Alternation Ptpt…: Lunged | Trevor Wishart | ||
| 225 | Pulse Alternation Ptpt…: Half-lunged | Trevor Wishart | ||
| 226 | Pulse Alternation Ptpt…: Unlunged | Trevor Wishart | ||
| 227 | Manual Iteration Lip Pulses: Lunged | Trevor Wishart | ||
| 228 | Manual Iteration Lip Pulses: Unlunged | Trevor Wishart | ||
| 229 | Pulses (Clicks And Combinations) | Trevor Wishart | ||
| 230 | Pulse During Inhalation At Epiglottis | Trevor Wishart | ||
| 231 | Unlunged Click: Lateral Tongue Movement | Trevor Wishart | ||
| 232 | Unlunged Click: Vertical Tongue Movement (kl) | Trevor Wishart | ||
| 233 | Unlunged Click: Plosive Vertical Tongue Movement | Trevor Wishart | ||
| 234 | Unlunged T- Or Tut-click | Trevor Wishart | ||
| 235 | Unlunged Th-click | Trevor Wishart | ||
| 236 | Kiss (Short) With Various Degrees Of Lip Pouting | Trevor Wishart | ||
| 237 | Plosive + Kiss Combination | Trevor Wishart | ||
| 238 | Lateral + Kiss Combination | Trevor Wishart | ||
| 239 | Transitionals And Percussives | Trevor Wishart | ||
| 240 | Consonant Transitions Between Harmonics Of A Given Glottal Pitch: M, N, Ng, 'Deep' Ng | Trevor Wishart | ||
| 241 | Iterations Of Transitionals: Mnmn… And N-ng-n-ng… | Trevor Wishart | ||
| 242 | Hand Clap With Mouth As Variable Resonator | Trevor Wishart | ||
| 243 | Tapping Teeth With Mouth As Variable Resonator | Trevor Wishart | ||
| 244 | Popping Finger Out Of Closed Lips | Trevor Wishart | ||
| 245 | Manual Expulsion Of Air From Checks Through Lips | Trevor Wishart | ||
| 246 | Water Drop | Trevor Wishart | ||
| 247 | Multiplexes And Complex Articulations | Trevor Wishart | ||
| 248 | Multiplex Combinations: Pkƒlgr + X+ (Lunged And Half-Lunged) + Lip-Flabber | Trevor Wishart | ||
| 249 | As 167 + Tongue Movement | Trevor Wishart | ||
| 250 | As 168 + Glottal Glissando | Trevor Wishart | ||
| 251 | Chapter 13 | Trevor Wishart | ||
| 252 | Birdsong Trills Slowed Down | Trevor Wishart |
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