Album DE 2002 on cpo label
Classical (Romantic, Opera)
Ⓟ 2002 - Made in Germany Recorded March 19-22, 1998 at the Konzerthaus, Berlin. T.T.: 201'33 Booklet contains liner notes, synopsis and libretto in German and English.
Wilhelm Kienzl , 1857-1941 AT composed by, libretto by, album by | |
Thomas Mohr voc, *1961 DE baritone vocals, album by | |
James Wagner voc, US tenor vocals, album by | |
Matthias Henneberg , DE baritone vocals, album by | |
Michelle Breedt , *1967 ZA mezzo-soprano vocals, album by | |
Thomas Hay voc, bass vocals, album by | |
Rundfunkchor Berlin , DE chorus, album by | |
Rundfunk-Sinfonieorchester Berlin , DE orchestra, album by | |
Gustav Kuhn , *1945 AT conductor, album by | |
Gabriele Schreckenbach voc, DE alto vocals | |
Marion Nickel alto vocals | |
Tatjana Sotin alto vocals | |
Miguel de Cervantes , 1547-1616 ES author | |
Andreas Kohn voc, b, bass vocals | |
Jörg Schneider voc, b, bass vocals | |
Michael Timm voc, b, *1954 DE bass vocals | |
Anett Taube soprano vocals | |
Celina Lindsley voc, US soprano vocals | |
Kirsten Blanck voc, DE soprano vocals | |
Nora von Billerbeck voc, soprano vocals | |
Georg Taube voc, tenor vocals | |
Hans Aschenbach voc, *1965 tenor vocals | |
Thomas Kober voc, DE tenor vocals |
Sigurd Brauns chorus master |
DeutschlandRadio co-producer |
Honoré-Victorin Daumier cover |
Geert Puhlmann engineer |
Burkhard Schmilgun executive-producer |
Stefan Lang executive-producer |
Peter P. Pachl liner notes |
Helge Jörns recording supervisor |
Wilhelm Kienzl |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Erster Aufzug | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | ||
2 | Introduction / Scene 1 Madness Awakes | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 7:00 | |
3 | Scene 2 Don Quixote's Departure | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 7:14 | |
4 | Scene 3 At Tirante's "Castle" | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 13:34 | |
5 | Scene 4 The Dubbing Ceremony | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 5:18 | |
6 | Scene 5 The Knight's Vigil (orchestral interlude) | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 4:03 | |
7 | Scene 6 The Misadventure | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 4:46 | |
8 | Scene 7 Sancho Pansa Becomes A Squire | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 7:06 | |
9 | Scene 8 The Duke's Arrival | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 1:46 | |
10 | Scene 9 Mambrin's Helmet | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 10:05 | |
11 | Scene 10 Lady Carrasco | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 2:33 | |
12 | Scene 11 Finale 1: Sancho's Ups And Downs | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 3:54 | |
13 | Zweiter Aufzug | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | ||
14 | Introduction / Scene 1 Preparations At The Duke's Court | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 5:54 | |
15 | Scene 2 Don Quixote's Entry | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 4:52 | |
16 | Scene 3 Dining And Dancing | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 14:37 | |
17 | Scene 4 The Bearded Dueñas | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 11:18 | |
18 | Scene 5 Riding High On Clavileño | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 9:33 | |
19 | Scene 6 Merlin And Dulcinea's Disenchantment | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 6:23 | |
20 | Scene 7 Sancho Becomes A Governor | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 8:34 | |
21 | Dritter Aufzug | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | ||
22 | Introduction / Scene 1 The Lovers | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 12:01 | |
23 | Scene 2 Sancho's Expulsion | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 3:32 | |
24 | Scene 3 Knight And Squire Meet Again | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 10:39 | |
25 | Scene 4 Dulcinea Of Toboso | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 7:53 | |
26 | Scene 5 Don Quixote's Song Of Sorrows | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 5:12 | |
27 | Scene 6 The Knight Of The White Moon | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 19:04 | |
28 | Scene 7 Don Quixote's Last Will, Despair, And Death | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 10:22 | |
29 | Scene 8 Postlude | Wilhelm Kienzl – Thomas Mohr • James Wagner • Matthias Henneberg • Michelle Breedt • Thomas Hay • Rundfunkchor Berlin • Rundfunk-Sinfonieorchester Berlin • Gustav Kuhn | 4:02 |