Album FR 2010 on Naïve label
Rock (Alternative Rock)
Recorded at Studio ICP (Brussels, Belgium) & at Monkey Business Studio ( Oostende, Belgium). Mixed at Monkey Business Studio, except 1, 6, 12a & 12b at ICP Studio. Mastered at Electric City ( Brussels). Hidden track starts at 3:33. ℗ & © 2010 Naïve. Total running time : 0hr 44mn 41s Digital version countains 5 bonus tracks. - Dance With Her - While She Dances - The Most Beautiful Mademoiselle - Quelqu'un A Touché Ma Femme (Piano version) - Elle Pense Quand Elle Danse (Piano version)
![]() | Arno voc, p, h, *1949 BE album by |
![]() | Mirko Banovic b, *1970 BE bass, backing vocals, written by |
![]() | Sam Gysel dr, drums, backing vocals |
![]() | Bruno Fevery g, BE guitar, backing vocals |
![]() | Arno Hintjens voc, lyrics by, music by, producer, arranged by, vocals, harmonica, written by |
![]() | Michel Dierickx str, mixed by, icp, recorded by, icp |
![]() | Serge Feys key, *1959 BE mixed by, monkey business, music by, piano, keyboards, programmed by, backing vocals, producer, arranged by, recorded by, monkey business |
Amanda Malela Mbuyi backing vocals |
Camille De Bruyne backing vocals |
Frank Loriou design, artwork |
Cyril Prieur executive producer |
Alan Ward mastered by |
Danny Willems photography |
No | ![]() |
Title | Artist | Composer | Duration |
---|---|---|---|---|---|
1 | ![]() | Black Dog Day | Arno | Arno Hintjens, Mirko Banovic | 3:59 |
2 | ![]() | Quelqu'un A Touché Ma Femme | Arno | 3:06 | |
3 | ![]() | God Save The Kiss | Arno | 2:54 | |
4 | ![]() | Mademoiselle | Arno | 3:53 | |
5 | ![]() | Brussels | Arno | 3:28 | |
6 | ![]() | How Are You | Arno | Arno Hintjens, Mirko Banovic | 3:50 |
7 | ![]() | Le Lundi On Reste Au Lit | Arno | 2:48 | |
8 | ![]() | Elle Pense Quand Elle Danse | Arno | 3:20 | |
9 | ![]() | Get Up, Stand Up | Arno | Bob Marley, Peter Tosh | 4:27 |
10 | ![]() | Pop Star | Arno | 2:55 | |
11 | ![]() | Ginger Red | Arno | Arno Hintjens, Mirko Banovic | 3:45 |
12 | ![]() | Ça Monte | Arno | 3:29 | |
13 | ![]() | Monday | Arno | 2:47 |
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