Album JP 1992 on Eva label
Electronic (Experimental)
Composed and produced by David Cunningham. Performed by David Cunningham with the help of many other voices: Susan Belling gave voice to 'Resolution' and 'True Air' on the 7th April 1992. 'Invisible' was created from the voice of a bass guitar played by John Greaves. Other voices contributed by archiv collective. "This music is not only concerned with voices. the voice is the element which unifies the differing treatments. through this point of reference the processes are exposed and allowed an identity beyond the rôle of pure manipulation. the technical procedures are not in themselves important. they are devices, a vocabulary of musical electronics (as opposed to electronic music) to structure the voicings of other musics. the important element in the construction of much of this music is the exploration of 'soft' systems, responsive systems as opposed to pure process. although this would appear to be a rather clinical procedure, because of inherent defects in the machines, difficulty in precise control of the system and the resultant 'mistakes' the system is more likely to respond in an unpredictable way, creating something which has very much in common with the product of a non-technical culture. the studio and associated machines draw on the grain, the physical properties, of the source material. this overall approach deals with music as texture and as a time-based activity as well as rhythm, melody and harmony. for the most part it can only exist as recorded sound." - David Cunningham, May 1992 "An extended version of Canta was commissioned by Ian Spink with funding from the Arts Council of Great Britain. it was first performed as a dance work at York Arts Centre on the 15th October 1980. 'The piece is performed by six dancers. The movement material was developed mostly through a series of dense verbal instructions issued to the dancers by the choreographer who refrained from physically demonstrating any of the steps." - Ian Spink, May 1992. Phonetic analysis of Voiceworks: voiced labiodental fricative cardinal vowel no.6: lower-mid back rounded semi-high front unrounded vowel between cardinal 1 and cardinal 2 voiceless alveolar central fricative voiced rounded labiovelar approximant central unrounded vowel equal in height to cardinal 3 voiced apico-alveolar trill voiceless velar stop voiceless alveolar central fricative. thanks to: Masanori Akashi for his help and encouragement Thomas Fehlmann for advice Ian Spink for his use of the work in his dance work 'canta' Ken McMullen and Stuart Brisley for commissioning some of this music for their film 'Being and Doing' Mark Lucas and Jane Thorburn for their commissions of other pieces of this music for the television series 'Alter Image'
![]() | David Cunningham perc, *1954 IE composed by, engineer, performer, producer, album by |
![]() | Susan Belling , *1943 US voice |
![]() | John Greaves b, voc, p, *1950 GB bass |
David Cunningham |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Masks And Voices | David Cunningham | ||
2 | Siren Sign | David Cunningham | 1:47 | |
3 | Engine Shadow | David Cunningham | 2:54 | |
4 | Magic Words | David Cunningham | 2:00 | |
5 | At One Remove | David Cunningham | 1:34 | |
6 | Engine Definite | David Cunningham | 2:18 | |
7 | Not Speech | David Cunningham | 0:48 | |
8 | Masks And Voices | David Cunningham | 2:33 | |
9 | Canta | David Cunningham | ||
10 | Mass | David Cunningham | 7:01 | |
11 | Canta | David Cunningham | 8:17 | |
12 | Collective | David Cunningham | 3:51 | |
13 | Four Songs | David Cunningham | ||
14 | Resolution | David Cunningham | 2:01 | |
15 | Black Air Tower | David Cunningham | 2:13 | |
16 | Belgrano | David Cunningham | 2:38 | |
17 | True Air | David Cunningham | 2:03 | |
18 | Two Solos | David Cunningham | ||
19 | Idiolect | David Cunningham | 1:59 | |
20 | Invisible | David Cunningham | 4:10 |