Album US 1951 on Columbia label
Jazz (Post-Bop, Swing, Cool Jazz)
Original issue label variation with green and gold labels. Repressed in 1953 as Ellington Uptown
Duke Ellington And His Orchestra , album by | |
Louis Bellson dr, 1924-2009 IT drums, featuring, written by | |
Billy Strayhorn p, 1915-1967 US piano, written by | |
Duke Ellington p, 1899-1974 US piano, written by | |
Harry Carney sax, bs, 1910-1974 US saxophone | |
Hilton Jefferson sax, as, 1903-1968 US saxophone | |
Jimmy Hamilton sax, cl, ts, 1917-1994 US saxophone | |
Paul Gonsalves ts, sax, 1920-1974 US saxophone | |
Russell Procope sax, as, cl, 1908-1981 US saxophone | |
Britt Woodman tb, 1920-2000 US trombone | |
Juan Tizol tb, 1900-1984 PR trombone, written by | |
Quentin Jackson tb, 1909-1976 US trombone | |
Cat Anderson tr, 1916-1981 US trumpet | |
Clark Terry tr, fh, 1920-2015 US trumpet | |
Ray Nance tr, vn, 1913-1976 US trumpet | |
Willie Cook tr, 1970-2000 US trumpet | |
Betty Roché voc, 1920-1999 US vocals |
Monogram design |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Skin Deep | Duke Ellington And His Orchestra | Louis Bellson | ||
2 | The Mooche | Duke Ellington And His Orchestra | Duke Ellington, Irving Mills | ||
3 | Take The "A" Train | Duke Ellington And His Orchestra | Billy Strayhorn | ||
4 | A Tone Parallel To Harlem (The Harlem Suite) | Duke Ellington And His Orchestra | Duke Ellington | ||
5 | Perdido | Duke Ellington And His Orchestra | Ervin Drake, Harry Lenk, Juan Tizol |
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