Album US 2013 on Intrada label
Soundtrack (Score, Soundtrack)
CD1 Total Time: 37:32 CD2 Total Time: 57:17 Recorded January 26, February 2, 11, 16, 25, 26 and March 4, 1959, at the Warner Bros. Scoring Stage, Burbank, California. Analog-to-Digital Transfers by Warner Archival Mastering, Burbank, California. CD Mastering at Mulholland Music, Chatsworth, California. DDP Mastering at Joe Tarantino Mastering, Berkeley, California. From intrada.com: "Years in the making! Elmer Bernstein fans place such high esteem on epic 1959 score that composer starts club in 1974, makes highlights from The Miracle the first of his own music to re-record. 26 minutes make it to second LP on his private label, but incredible wealth of powerhouse music including massive choral segments, battle music, entire Spanish elements of score remain unrecorded... until now! Over 90 minutes of actual soundtrack music spread over 2 CDs! Large-scale picture from Warner Bros. directed by Irving Rapper, starring Carroll Baker, Roger Moore is set during vibrant era of Napoleonic Wars in 1812. Religious story sees young postulant leaving convent to pursue love, adventure. As Teresa embarks on worldly adventures, statue of Virgin Mary assumes her place until she returns. Tale of faith, love, war and tragedy all inspire Bernstein to create lengthy, ambitious score in vein of legendary Ten Commandments score for Cecil B. DeMille. Massive chords launch work from outset, spotlighting great power of Church, faith. Bernstein creates sweeping primary love theme for initial romance with British Captain during first part of movie, then writes dynamic Spanish-flavor music for her life amongst gypsies, new romance with bullfighter. This portion of score transforms theme into earthier shadings, brings in flamenco colors. Also highlighting both parts of film score are two massive cues underscoring the miracle itself (CD 1, track 8), battle of Waterloo (CD 2, track 12). Miracle sequence presents Bernstein at his most powerful, with magnificent series of fortissimo major chords for large orchestra, chorus playing in epic manner. Bernstein also arranges, adapts several period pieces to augment tale, all of which appear as "extras" on CD 2. Both versions of penultimate cue ("Gratitude") also appear. Entire presentation, including both orchestra and all choral overlays, comes from pristine mono elements housed at Warner Bros. Informative notes by Frank DeWald, old-fashioned "spectacular-style" artwork rounds out magnificent package." This soundtrack was produced in cooperation with the American Federation of Musicians of the United States and Canada. © 1959 Warner Bros. Entertainment Inc. ℗ 2013 Warner Bros. Entertainment Inc. Motion Picture Artwork, Logos and Photography © 2013 Warner Bros. Entertainment Inc. Manufactured by Intrada, Inc. Printed in the U.S.A.
![]() | Elmer Bernstein key, p, 1922-2004 US composed by, conductor, album by, arranged by |
![]() | Leo Shuken , 1906-1976 US orchestrated by |
Joe Sikoryak art direction |
Frank K. DeWald liner notes, booklet editor, editorial assistant |
Kay Marshall design, production artist |
Douglass Fake executive-producer |
Roger Feigelson executive-producer |
Regina Fake management, production manager |
Doug Schwartz mastered by, cd mastering |
Joe Tarantino mastered by, ddp mastering |
Lukas Kendall producer |
Neil S. Bulk producer |
Chris Malone remastered by, audio restoration |
No | ![]() |
Title | Artist | Composer | Duration |
---|---|---|---|---|---|
1 | ![]() | The Album | Elmer Bernstein | ||
2 | ![]() | Main Title | Elmer Bernstein | 2:19 | |
3 | ![]() | At First Sight | Elmer Bernstein | 2:34 | |
4 | ![]() | Aftermath | Elmer Bernstein | 1:29 | |
5 | ![]() | Infirmary | Elmer Bernstein | 3:02 | |
6 | ![]() | Un Momento | Elmer Bernstein | 2:46 | |
7 | ![]() | Convalescence | Elmer Bernstein | 1:52 | |
8 | ![]() | Stolen Fruit | Elmer Bernstein | 1:35 | |
9 | ![]() | Departure / Decision / Flight / French Attack | Elmer Bernstein | 12:09 | |
10 | ![]() | Musical Watch / Death News | Elmer Bernstein | 1:12 | |
11 | ![]() | Christian Gypsy / Proposal | Elmer Bernstein | 2:41 | |
12 | ![]() | A Woman For Carlitos / Michael’s Return | Elmer Bernstein | 0:48 | |
13 | ![]() | Betrayal / Guido Dead | Elmer Bernstein | 4:41 | |
14 | ![]() | Madrid | Elmer Bernstein | 2:18 | |
15 | ![]() | With Your Permission / The Painting | Elmer Bernstein | 1:02 | |
16 | ![]() | Casimir Exits | Elmer Bernstein | 0:59 | |
17 | ![]() | Teresa And Cordoba | Elmer Bernstein | 1:53 | |
18 | ![]() | Hail The Matador / The Bull | Elmer Bernstein | 0:52 | |
19 | ![]() | Cordoba’s Death | Elmer Bernstein | 1:58 | |
20 | ![]() | La Morena Gitana | Elmer Bernstein | 0:58 | |
21 | Reunion | Elmer Bernstein | 3:14 | ||
22 | Toast To Victory / Waltz | Elmer Bernstein | 3:30 | ||
23 | Forgotten Vows | Elmer Bernstein | 3:19 | ||
24 | Bugles / Action | Elmer Bernstein | 1:12 | ||
25 | Waterloo / Teresa Departs / The Journey / Arrival At Convent / Madonna Returns | Elmer Bernstein | 11:35 | ||
26 | Gratitude | Elmer Bernstein | 0:55 | ||
27 | Ave Verum Corpus / End Title | Elmer Bernstein | Wolfgang Amadeus Mozart | 2:47 | |
28 | The Extras | Elmer Bernstein | |||
29 | French Attack (Alternate) | Elmer Bernstein | 3:11 | ||
30 | A Woman For Carlitos / Michael’s Return (Film Version, No Vocal) | Elmer Bernstein | 0:48 | ||
31 | Gratitude (Alternate) | Elmer Bernstein | 0:57 | ||
32 | Oh Maria, Madre Mia | Elmer Bernstein | Traditional | 3:05 | |
33 | Salve Virgen Pura | Elmer Bernstein | Unknown Artist | 2:28 | |
34 | British Grenadiers | Elmer Bernstein | Unknown Artist | 0:57 | |
35 | Auld Lang Syne | Elmer Bernstein | Traditional | 1:09 | |
36 | La Boca De Pepita | Elmer Bernstein | Unknown Artist | 2:03 | |
37 | Cancion De Maja | Elmer Bernstein | Unknown Artist | 2:09 | |
38 | Muineira | Elmer Bernstein | Unknown Artist | 0:49 | |
39 | Adoramus Te | Elmer Bernstein | Giovanni Pierluigi da Palestrina | 2:07 |
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