Album US 1996 on Catalyst label
Classical (Contemporary)
Recorded on December 11-15, 1994, at Whitfield Street Studios, London
![]() | Evelyn Glennie perc, *1965 GB composed by, percussion, album by |
![]() | Philip Smith p, piano |
![]() | Simon Smith dr, technician, percussion |
Dolly Williamson a&r |
J. J. Stelmach art direction |
Mike Ross-Trevor engineer, recording |
Carol Weinberg photography by |
Ralph Mace producer, photography |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Entrances | Evelyn Glennie | 0:10 | |
2 | Halasana | Evelyn Glennie | Louis Cauberghs | 6:50 |
3 | Sorbet No. 1: Latin American Interlude | Evelyn Glennie | 0:50 | |
4 | Bongo-O | Evelyn Glennie | Roberto Sierra | 3:38 |
5 | Sorbet No. 2: Chinese Cymbals | Evelyn Glennie | 1:37 | |
6 | Prim | Evelyn Glennie | Áskell Másson | 7:31 |
7 | Sorbet No. 3: UDU Trail | Evelyn Glennie | 1:55 | |
8 | The Anvil Chorus | Evelyn Glennie | David Lang | 7:59 |
9 | Sorbet No. 4: Woodblocks And Falling Instruments | Evelyn Glennie | 0:32 | |
10 | To The Earth | Evelyn Glennie | Frederic Rzewski | 8:10 |
11 | Sorbet No. 5: Wood And Metal Chimes | Evelyn Glennie | 2:08 | |
12 | Pezzo Da Concerto No. 1, Op. 15, For Snare Drum | Evelyn Glennie | Nebojša Jovan Živković | 4:30 |
13 | Sorbet No. 6: Simtak Debut | Evelyn Glennie | 2:09 | |
14 | Matre's Dance | Evelyn Glennie | John Psathas | 9:22 |
15 | Exits | Evelyn Glennie | 0:12 | |
16 | Sorbet No. 7: Hi-Hat Playout | Evelyn Glennie | 1:59 |