Album US 1978 on Angel Records label
Classical and Soundtrack (Romantic, Operetta)
Recorded in the USA. "Based on the San Diego Opera version by Tito Capobianco". English lyrics © 1977 Mayerling Productions, Ltd. ℗ 1978 EMI Records Limited. © 1978 Capitol Records, Inc. Quadraphonic SQ System. Title on label: The Merry Widow--Highlights. Includes insert (6 p., folded) with libretto.
Franz Lehár , 1870-1948 AT album by | |
Beverly Sills voc, 1929-2007 US soprano vocals, anna glawari, album by | |
Alan Titus voc, *1945 US baritone vocals, count danilo danilovitch, album by | |
Glenys Fowles voc, *1941 AU soprano vocals, valencienne, album by | |
Henry Price voc, *1945 US tenor vocals, camille de rossillon, album by | |
New York City Opera Orchestra , orchestra, album by | |
New York City Opera Chorus , *1943 chorus, album by | |
Julius Rudel , 1921-2014 US conductor, album by | |
David Rae Smith baritone vocals, baron mirko zeta | |
James Billings , baritone vocals, njegus | |
Thomas Jamerson voc, US baritone vocals, vicomte cascada | |
Sheldon Harnick key, *1924 US lyrics by, new english lyrics |
Marvin Schwartz art direction, design |
Lloyd Walser chorus master |
Bud Graham engineer |
Richard Traubner liner notes |
Tito Capobianco other |
Jack Mitchell photography by |
George Sponhaltz producer |
John Coveney producer |
Franz Lehár |
Sheldon Harnick |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Anna’s Entrance (No. 3) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 3:20 | ||
2 | Oh Fatherland (Maxim’s) (No. 4) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 2:19 | ||
3 | Do Listen, Please (No. 2) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 4:06 | ||
4 | Act I Finale (No. 6) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 10:03 | ||
5 | Dances & “Vilia” (No. 7) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 9:57 | ||
6 | Heia! See The Horseman Come (No. 8) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 3:07 | ||
7 | Ev’ry Woman (No. 9) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 2:38 | ||
8 | Just As A Rosebud Blossoms (No. 11) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 6:08 | ||
9 | Act II Finale (No. 12) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 11:04 | ||
10 | Grisette Song (No. 14) & Très Parisien | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 4:49 | ||
11 | Strings Are Sighing (Waltz) & Act III Finale (Nos. 15 & 16) | Franz Lehár - Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Orchestra & New York City Opera Chorus, Julius Rudel | 3:59 |
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