Album US 2009 on Varèse Sarabande label
Soundtrack (Score, Soundtrack)
Score published by Universal Pictures Music (ASCAP) • "Being Bad" published by Canshaker Productions, Inc. (BMI), Bonglab 2000 Music (BMI) and UPG Music Publishing. Courtesy of Quango Music Group, Inc. ℗2009 Universal Studios Motion Picture artwork, artwork title & photos ©2009 Universal Studios. ℗2009 Varèse Sarabande Records, Inc. Manufactured by Varèse Sarabande Records, Inc. Distributed by Universal Music Distribution.
James Newton Howard p, key, *1951 US music by, producer, piano, orchestrated by, album by | |
George Doering g, US acoustic guitar | |
Sérgio & Odair Assad , *1978 BR acoustic guitar, soloist, featuring | |
Marcelo Nisinman ban, *1970 AR bandoneon | |
Abraham Laboriel b, *1947 MX bass guitar | |
Pete Anthony , *1963 US conductor, orchestrated by | |
Sandy De Crescent contractor | |
Peter Rotter , contractor, orchestra | |
Pamela Sollie , US coordinator, orchestra | |
Adam Michalak , crew, scoring | |
David Marquette , US crew, scoring | |
Greg Loskorn , *1965 US crew, scoring | |
Seth Waldmann , US crew, scoring | |
Bitter:Sweet , drum programming, featuring | |
Vinnie Colaiuta dr, *1956 US drums | |
Michael Landau g, *1958 US electric guitar | |
Michael Valerio b, electric upright bass | |
Harry Garfield key, US executive-producer, executive in charge of music for universal pictures | |
Kathy Nelson , US executive-producer, executive in charge of music for universal pictures | |
Roger Wilkie vn, US leader, orchestra | |
Brad Dechter sax, *1956 US orchestrated by | |
Jeff Atmajian p, *1960 US orchestrated by | |
Alex Acuña dr, perc, *1944 US percussion | |
Luis Conte perc, *1954 CU percussion | |
Satnam Ramgotra tab, CA percussion | |
The Hollywood Studio Symphony , performer | |
Joe Rotondi Jr. p, ep, piano | |
Richard Grant , programmed by, auricle | |
Dan Higgins sax, *1955 US saxophone | |
Joel Peskin sax, US saxophone | |
Chris Bacon , *1977 US synthesizer, programmed by | |
Simon Franglen syn, *1963 GB synthesizer, programmed by | |
Stuart Michael Thomas synthesizer, programmed by | |
Bill Reichenbach tb, US trombone | |
Gary Grant tr, US trumpet | |
Jerry Hey tr, fh, *1950 US trumpet | |
Kim Hutchcroft sax, fl, US trumpet | |
Wayne Bergeron tr, *1958 US trumpet | |
Wayne Wallace tb, *1952 US trumpet | |
Shana Halligan voc, p, performer on track, written by, performer | |
Kiran Shahani b, written by, performer |
Erik Swanson edited by |
Nick Ratner edited by |
Mick Gormaley edited by, assistant |
Braden Kimball engineer |
Matt Ward engineer |
Robert Townson executive-producer |
Patricia Sullivan Fourstar mastered by |
Alan Meyerson mixed by, recorded by |
Ed Cherney recorded by |
Shawn Murphy recorded by |
Brian Ross supervised by |
Kiran Shahani |
Shana Halligan |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | War | James Newton Howard | 4:06 | |
2 | Following Claire | James Newton Howard | 2:00 | |
3 | Security Meeting | James Newton Howard | 2:49 | |
4 | Split To Rome | James Newton Howard | 2:30 | |
5 | Tully's Letter | James Newton Howard | 1:52 | |
6 | The Ghost | James Newton Howard | 2:48 | |
7 | Rome Hotel | James Newton Howard | 1:38 | |
8 | Back To The Unit | James Newton Howard | 1:44 | |
9 | Split To London | James Newton Howard | 0:47 | |
10 | The Frame Up | James Newton Howard | 2:27 | |
11 | Split To Miami | James Newton Howard | 0:49 | |
12 | Miami Hotel | James Newton Howard | 1:02 | |
13 | Share My Fire | James Newton Howard | 1:27 | |
14 | Bench Mark | James Newton Howard | 0:36 | |
15 | Safe House | James Newton Howard | 2:19 | |
16 | Split To Cleveland | James Newton Howard | 0:48 | |
17 | The Formula | James Newton Howard | 5:50 | |
18 | San Diego Airport | James Newton Howard | 1:24 | |
19 | A Cream Or A Lotion? | James Newton Howard | 1:40 | |
20 | Airport Love | James Newton Howard | 1:55 | |
21 | The Real Setup | James Newton Howard | 3:12 | |
22 | Played | James Newton Howard | 1:48 | |
23 | Duplicitá A Due | James Newton Howard | 2:05 | |
24 | Being Bad | Shana Halligan | Kiran Shahani, Shana Halligan | 3:00 |