Album US 1985 on Varrick Records label
Rock (Acoustic)
The sessions which produced this album took place in Cascade Recording Studios, Portland, Oregon, during November and December, 1984, and February, 1985. This studio was at one time a small church with a tiny pulpit and choir area at the north end. Here, Mr. Fahey and Mr. Robb sat, facing the three omni-directional Telefunken 201 microphones which were especially modified by Eric von Helmholz. These microphones were hung so as to preserve the proper intimate atmosphere. Once the controls were adjusted to the delicate sound of the guitar(s), the microphones were never moved; optimum recording levels were set at the beginning of each session and never changed.These guitarists, Fahey and Robb, were the persons solely responsible for the musical flow of each performance. (p)1986 Rounder Records Corp.
![]() | John Fahey g, 1939-2001 US guitar, written by, album by, arranged by |
![]() | Terry Robb g, voc, US arranged by, guitar, written by |
![]() | Scott White , bass |
![]() | Guy Maxwell , percussion, electronic drums, yamaha rx 15 |
Susan Marsh artwork |
Mike Moore engineer |
Bernie Grundman mastered by |
DeeAnn Hall photography by |
Terry Robb producer |
Eric Von Helmholz technician |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Melody McOcean | John Fahey | 6:38 | |
2 | Rain Forest | John Fahey | 6:44 | |
3 | Lullaby And Finale From The Firebird | John Fahey | Igor Stravinsky | 4:16 |
4 | Atlantic High | John Fahey | 2:06 | |
5 | Samba De Orfeo | John Fahey | Luiz Bonfá | 3:11 |
6 | Theme And Variations | John Fahey | Louis Hardin | 2:58 |
7 | May This Be Love / Casey Jones | John Fahey | Furry Lewis, Jimi Hendrix | 3:25 |
8 | Intro To Ocean Waves/ Ocean Waves | John Fahey | Bola Sete | 6:20 |
9 | Juroscho Ascopi | John Fahey | Terry Robb | 5:28 |
10 | St. Patrick's Hymn | John Fahey | 2:37 |