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Album Cover
King Crimson
Absent Lovers (Live In Montreal 1984)

Album UK 1998 on Discipline Global Mobile label
Rock (Art Rock, Prog Rock)

Recorded at The Spectrum, Montreal on Wednesday July 11th, 1984. Mixed & mastered at DGM, January & February 1998. Digital Editing by SADiE Total time: 100 minutes. Includes a 20-page booklet. Enhancement (PC & Mac compatible) is a CD-ROM guide to DGM artists and releases.

     
Musicians
PortraitKing Crimson , *1968 GB
album by
PortraitSteve Ball g, acg, GB
artwork, discipline logo
PortraitTony Levin b, bvoc, *1946 US
bass, chapman stick, synthesizer, vocals, photography by, black & white
PortraitBill Bruford dr, perc, *1949 GB
electronic drums, percussion, drums, acoustic
PortraitRobert Fripp g, *1946 GB
guitar, mixed by, mastered by
PortraitAdrian Belew voc, g, *1949 US
guitar, drums, lead vocals, words by
PortraitTone Probe ,
producer, for king crimson
Producers
P.J. Crook artwork, cover paintings "absent lovers i & ii"
Hugh O'Donnell artwork, sleeve design
Alex R. Mundy engineer, assistant
Brad Davis engineer, recording
David Singleton engineer, edited by, mixed by, mastered by
George Glossop mixed by, live mixer
Album Tracks   
No Title Artist Composer Duration
1Entry Of The CrimsKing Crimson6:27
2Larks' Tongues In Aspic (Part III)King Crimson5:05
3Thela Hun GinjeetKing Crimson7:07
4RedKing Crimson5:49
5Matte KudasaiKing Crimson3:45
6IndustryKing Crimson7:31
7Dig MeKing Crimson3:59
8Three Of A Perfect PairKing Crimson4:30
9IndisciplineKing Crimson8:14
10Sartori In TangierKing Crimson4:40
11Frame By FrameKing Crimson3:57
12Man With An Open HeartKing Crimson3:44
13Waiting ManKing Crimson6:26
14SleeplessKing Crimson6:08
15Larks' Tongues In Aspic (Part II)King Crimson7:54
16DisciplineKing Crimson5:04
17HeartbeatKing Crimson5:15
18Elephant TalkKing Crimson8:56

30sec audio samples provided by

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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.
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