Album US 1955 on Blue Note label
Jazz (Bop)
Recorded on May 9, 1952 (tracks A5, B1, B2, B3, B4, B6) and on April 20, 1953 (tracks A1, A2, A3, A4, A6, B5). 1st original mono issue has: - deep grooved blue/white Blue Note Records labels with 767 Lexington Ave N.Y.C. addess - flat edge vinyl with RVG and "P" (otherwise wrongly called "ear") for Plastylite etched in the trail off - 767 Lexington Ave., New York 21 address on back cover - non laminated framed cover - blank spine on cover
Miles Davis tr, 1926-1991 US trumpet, album by | |
Jackie McLean as, 1931-2006 US alto saxophone, written by | |
Oscar Pettiford b, 1922-1960 US bass, written by | |
Percy Heath b, 1923-2005 US bass | |
Art Blakey dr, 1919-1990 US drums | |
Kenny Clarke dr, 1914-1985 US drums | |
Gil Coggins p, 1928-2004 US piano | |
Jimmy Heath ts, *1926 US tenor saxophone, written by | |
J.J. Johnson tb, 1924-2001 US trombone, written by | |
Traditional , written by, varmeland |
John Hermansader design, cover |
Reid Miles design, cover |
Leonard Feather liner notes |
Francis Wolff photography by, cover photo |
Alfred Lion producer |
Rudy Van Gelder remastered by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Tempus Fugit | Miles Davis | Bud Powell | |
2 | Kelo | Miles Davis | J.J. Johnson | |
3 | Enigma | Miles Davis | J.J. Johnson | |
4 | Ray's Idea | Miles Davis | Gil Fuller, Ray Brown | |
5 | How Deep Is The Ocean | Miles Davis | Irving Berlin | |
6 | C.T.A. (Alternate Master) | Miles Davis | Jimmy Heath | |
7 | Dear Old Stockholm | Miles Davis | Traditional | |
8 | Chance It | Miles Davis | Oscar Pettiford | |
9 | Yesterdays | Miles Davis | Jerome Kern, Otto Harbach | |
10 | Donna (Alternate Master) | Miles Davis | Jackie McLean | |
11 | C.T.A. | Miles Davis | Jimmy Heath | |
12 | Would'n You (Alternate Master) | Miles Davis | Dizzy Gillespie |