Album UK 1988 on MMC label
Electronic, Jazz and Rock (New Age, Fusion, Soft Rock, Smooth Jazz, Ambient)
This music was recorded on 24-track analogue at 30 ips without noise reduction, and mixed to 2-track analogue using Dolby SR. Subsequent mastering to the 1610 format and PQ editing at EMI Abbey Road was engineered by Peter Mew. Recorded between October 1987 and January 1988 at: Last Chance Recordings, London The White House Studio, Suffolk The Red House Studio, Bedfordshire Eastcote Studio, London Windmill Lane Studios, Dublin Additional engineers: Richard Dodd Norman Goodman Graham Lyons Neil Richmond Keiron Wheeler Pat McCarthy Fran Kelly
Mo Foster b, GB bass, composed by, keyboards, producer, album by | |
Ray Russell g, *1947 GB composed by, guitar | |
Simon Phillips dr, *1957 GB drums | |
Gary Moore g, voc, 1952-2011 GB guitar | |
Rod Argent voc, *1945 GB keyboards | |
Peter Van Hooke dr, *1950 GB percussion, electronic | |
Stan Sulzmann fl, sax, *1948 GB soprano saxophone | |
David Defries tr, perc, fh, *1952 GB trumpet | |
Frank Ricotti perc, *1949 GB vibraphone |
Simon Smart engineer, mixed by, remastered by |
Peter Mew mastered by |
Mo Foster |
Ray Russell |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | The Light In Your Eyes | Mo Foster | 5:36 | ||
2 | A Walk In The Country | Mo Foster | 4:29 | ||
3 | Gaia | Mo Foster | 6:22 | ||
4 | Crete Revisited | Mo Foster | 4:39 | ||
5 | So Far Away | Mo Foster | 3:42 | ||
6 | Pump II | Mo Foster | 6:02 | ||
7 | Jaco | Mo Foster | 6:06 | ||
8 | Bel Assis | Mo Foster | 3:42 | ||
9 | And Then There Were Ten | Mo Foster | 4:57 | ||
10 | Analytical Engine | Mo Foster | 4:56 |
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