ArtistInfo
Rodrigo de Zayas
Luths - Theorbes, Vihuelas, Guitare Baroque
Compil. FR 1979 on Arion label
Classical (Baroque)
Coffret trois disques, livret en français et en anglais. Collection dirigée par: Ariane SEGAL. Enregistrement réalisé par la Maison de la Culture de Rennes, direction Chérif Khaznadar, en 1978. Prise de son: Marcel Fogger Livret avec commentaires en français et anglais de Rodrigo de Zayas.
Musicians
 | Rodrigo de Zayas , vihuela, album by |
 | Luis de Narváez , 1500-1555 ES performer on track |
 | Luis De Milán g, ES performer on track |
 | Alonso Mudarra g, 1510-1580 ES performer on track |
 | Gaspar Sanz g, *1640 ES performer on track |
 | John Dowland voc, b, 1563-1626 GB performer on track |
 | Francesco Canova da Milano , 1497-1543 IT performer on track |
 | Thomas Robinson , GB performer on track |
 | Danyell Batchelar , performer on track |
 | Robert de Visée voc, g, 1650-1725 FR performer on track |
 | Pietro Paolo Melii Da Reggio , IT performer on track |
 | Sylvius Leopold Weiss sax, 1687-1750 DE performer on track |
 | Johann Sebastian Bach , 1685-1750 DE performer on track |
Producers
| Chérif Khaznadar directed by |
| Marcel Fogger recorded by |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | 1 Cancion del Emperador (vihuela Basse) | Luis de Narváez | 3:12 | |
| 2 | Baxa de contrapunto (vihuela En Sol-alto) | Luis de Narváez | 1:32 | |
| 3 | Siete diferencias sobre el guardame Las Vacas | Luis de Narváez | 2:47 | |
| 4 | Veinte y dos diferencias sobre el Conde Claros | Luis de Narváez | 3:04 | |
| 5 | Fantasia de redobles (vihuela tenor) | Luis De Milán | 3:14 | |
| 6 | Tento n°4 (vihuela baryton) | Luis De Milán | 5:11 | |
| 7 | Doce diferencias sobre el Conde Claros (vihuela baryton) | Alonso Mudarra | 2:11 | |
| 8 | Pavana de Aleixandre y gallarda (vihuela soprano) | Alonso Mudarra | 1:59 | |
| 9 | Fantasia que contrahace la harpa en la manera de Ludovico (vihuela soprano) | Alonso Mudarra | 1:53 | |
| 10 | Pavana (vihuela basse) | Alonso Mudarra | 1:46 | |
| 11 | Guitare Baroque | Rodrigo de Zayas | ||
| 12 | Passacalles por la C, por cruzado y por quinto tono punto alto | Gaspar Sanz | 3:26 | |
| 13 | Canarios | Gaspar Sanz | ||
| 14 | Fuga del primer tono | Gaspar Sanz | 10:09 | |
| 15 | Fuga al ayre de giga | Gaspar Sanz | ||
| 16 | Gallardas | Gaspar Sanz | ||
| 17 | Folias | Gaspar Sanz | ||
| 18 | Mariçapalos | Gaspar Sanz | ||
| 19 | Giga al ayre ingles | Gaspar Sanz | 1:08 | |
| 20 | Preludio o capricho arpeado por la cruz | Gaspar Sanz | 1:28 | |
| 21 | Sesquialtera | Gaspar Sanz | ||
| 22 | Pavana | Gaspar Sanz | 4:07 | |
| 23 | Rujero | Gaspar Sanz | ||
| 24 | Paradetas | Gaspar Sanz | ||
| 25 | La Esfachata de Napoles | Gaspar Sanz | ||
| 26 | La Minona de Cataluna | Gaspar Sanz | ||
| 27 | La Cavalleria de Napoles con dos clarines | Gaspar Sanz | ||
| 28 | Passacalles por la L por el dos bemolado y por primer tono punto bajo | Gaspar Sanz | 3:03 | |
| 29 | Mr. John Langton's pavan (luth tenor) | John Dowland | 6:00 | |
| 30 | The most high and mighty Christianus the Fourth, King of Denmark, his galiard (luth tenor) | John Dowland | 2:52 | |
| 31 | The frog galiard (luth alto) | John Dowland | 2:09 | |
| 32 | Tarleton's Riserrectione (luth tenor) | John Dowland | 2:50 | |
| 33 | Dowland's first galiard (luth tenor) | John Dowland | 3:13 | |
| 34 | The most sacred Queen Elizabeth, her galiard (luth alto) | John Dowland | 1:36 | |
| 35 | Fantasy (luth alto) | John Dowland | 3:25 | |
| 36 | fantasy (luth alto) | John Dowland | 4:47 | |
| 37 | Ricercar n°1 (luth alto) | Francesco Canova da Milano | 6:52 | |
| 38 | Ricercar n°2 (luth alto) | Francesco Canova da Milano | ||
| 39 | Ricercar " la Compagna" (luth tenor) | Francesco Canova da Milano | ||
| 40 | A toy (luth soprano) | Thomas Robinson | 3:20 | |
| 41 | A gigue (luth soprano) | Thomas Robinson | ||
| 42 | Mounsier's almayn (luth soprano) | Danyell Batchelar | 2:15 | |
| 43 | Six variations sur les Folies d'Espagne (théorbe à la française) | Robert de Visée | 4:34 | |
| 44 | Capricio cromatico (théorbe à l'italienne) | Pietro Paolo Melii Da Reggio | 6:22 | |
| 45 | Capricio detto "il Gran Matias" (théorbe à l'italienne) | Pietro Paolo Melii Da Reggio | ||
| 46 | Fantaisie (luth baroque allemand) | Sylvius Leopold Weiss | 2:29 | |
| 47 | Suite Pour La Luth À Monsieur Schouster" Bwv 995 (Luth Baroque Allemand) | Rodrigo de Zayas | ||
| 48 | Prélude (entrée, tres viste) | Johann Sebastian Bach | 6:35 | |
| 49 | Allemande | Johann Sebastian Bach | 5:50 | |
| 50 | Courante | Johann Sebastian Bach | 2:20 | |
| 51 | Sarabande | Johann Sebastian Bach | 2:40 | |
| 52 | Gavotte I | Johann Sebastian Bach | 2:30 | |
| 53 | Gavotte II (en rondeau) | Johann Sebastian Bach | 1:35 | |
| 54 | Gavotte I (sans répétitions) | Johann Sebastian Bach | 1:15 | |
| 55 | Gigue | Johann Sebastian Bach | 2:15 | |
| 56 | Fugue en sol mineur, BWV 1000 (luth baroque allemand) | Johann Sebastian Bach | 6:00 | |
| 57 | Prélude, fugue et allegro en mi bémol majeur, BWV 998 (luth baroque allemand) | Johann Sebastian Bach | 13:35 |
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