Album US 1974 on Cadet label
Jazz and R&B/Soul
Published By Ke-Bo Music Corp. The Persuader Published By Rahanna Music Co. [a2, A3, B2] Published By Michael H. Goldsen Inc. Johannes Heil Published By Williamson Music, Inc.Screen [B3] Published By Gems-Columbia Music, Inc. [B1]
Sonny Stitt as, ts, 1924-1982 US album by, alto saxophone | |
Wade Marcus tb, str, US arranged by, strings & horns | |
Kermit Moore str, vc, 1929-2013 US cello, cello, solo | |
Seymour Barab vc, 1921-2014 US cello | |
Kenneth Adams clarinet | |
Maurice Smith flute, piccolo flute | |
Skip Juried , recorded by, at sound exchange | |
Jon Child , recorded by, at the hit factory | |
Alan Raph tb, *1933 US trombone | |
Garnett Brown tb, *1936 US trombone | |
Harry Divito trombone | |
James Seldar trumpet | |
Wilmer Wise tr, trumpet | |
Harry Zaratzian vl, 1922-2013 US viola | |
Julien Barber vl, str, viola | |
Louis Harber violin | |
Max Hollander vn, violin | |
Paul Winter vn, *1939 US violin | |
Stanford W. Allen violin | |
Montego Joe dr, perc, JM congas | |
Jimmy Johnson dr, *1930 US drums | |
Gordon Edwards b, US electric bass | |
Roland Hanna p, 1932-2002 US electric piano, written by | |
Billy Butler g, 1925-1991 US guitar | |
Elliott Randall g, voc, guitar | |
Norman Pride cng, bgo, congas | |
Richard Davis b, *1930 US electric bass | |
John Tropea g, *1946 US guitar | |
Ron Carter b, *1937 US bass | |
Norman Price , congas |
Neil Terk art direction |
Dan Hahn engineer |
Dixon Van Winkle engineer |
Hank Dunning photography by |
Esmond Edwards producer |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Satan | Sonny Stitt | Jon Lucien | 4:07 | |
2 | A Crazy Mixed Up World | Sonny Stitt | Roland Hanna | 3:45 | |
3 | Big Bad Henry | Sonny Stitt | Roland Hanna | 6:31 | |
4 | Gee Baby Ain't I Good To You | Sonny Stitt | Andy Razaf, Don Redman | 1:53 | |
5 | Will You Love Me Tomorrow | Sonny Stitt | Goffin And King | 5:50 | |
6 | Anone | Sonny Stitt | Roland Hanna | 6:48 | |
7 | It Might As Well Be Spring | Sonny Stitt | Rodgers & Hammerstein | 4:50 |
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