Album US 2007 on Tzadik label
Electronic, Folk, World, and Soundtrack (Abstract, Score, Experimental)
Tracks 1-1, 1-3 and 1-5 recorded 1959 for a UN film produced for World University Services. Track 1-2 recorded 1959 and is the complete score to the Maya Deren and Alexander Hammid's film. Originally reconstructed by Steve Peters in 1996 following the film's soundtrack, this version features all the music recorded for "Meshes" and includes multiple takes, whispered directions by Deren and moments of music ultimately never used in the final cut of the film. Track 1-4 recorded 1952. It is longer than the version released on Meshes. Track 1-6 to 1-8 recorded 1961 for the film "Portrait of a Tahitian Girl, Maeva" produced and directed by Umberto Bonsignori and scripted by Maya Deren. 2-1 recorded 1959 for a film by Marie Menken. 2-2, 2-3 and 2-4 recorded 1961 for films by Marie Menken. 2-5 recorded 1956 for a documentary film commissioned by the Cummins Engine Company. This music was also used in Alexander Hammid's 1958 film "Power Among Men", produced by the UN. 2-6 recorded in 1967 and is an early unmixed version of music created for an abstract film of reflecting water patterns by director Yudel Kyler. 2-7 recorded 1967. 2-8 and 2-9 recorded 1961 for a film directed by John Kotty and produced under the auspices of the Quaker Pacifist Movement in America. 2-10 recorded 1959 for a little known documentary about Henri Matisse by Walter Lewisohn. 2-11 recorded 1959 and is a brief soundtrack montage from Ed Emshwiller's animation. 2-12 recorded 1960 for a short by Ed Emshwiller. All music composed, performed and recorded in the studio he shared with Maya Deren at 61 Morton Street, NYC. All materials used by permission of the Ito Estate. These recordings were made available for release through the kind cooperation of the Teiji Ito Collection of Noncommercial Recordings, ca. 1952-1982 at the Rodgers & Hammerstein Archives of Recorded Sound/The New York Public Library for the Performing Arts, Anthology Film Archives, Filmmaker's Coop and the Teiji Ito Estate. "Meshes of the Afternoon" and "The Very Eye of Night" were first released on ¿What Next? in 1996. Special thanks to Andrew Lampert, Martina Kudláček, Henry Hills, Steve Peters, Sara Velez, Tom Christie, Cherel and Tavia Ito. With semi-glossy 16 page booklet.
Teiji Ito , 1935-1982 JP composed by, performer, recorded by, liner notes, music and film interview, nyc 1953, album by | |
Maya Deren , 1917-1961 US liner notes, music and film interview, nyc 1953 | |
John Zorn as, *1953 US liner notes, notes, producer |
Chippy design |
Scott Hull mastered by |
Martina Kudláček photography by, cover image, stills |
Kazunori Sugiyama producer, associate |
Teiji Ito |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Lights Along The Way—India | Teiji Ito | 5:07 | ||
2 | Meshes Of The Afternoon | Teiji Ito | 12:54 | ||
3 | Lights Along The Way—Java/Korea | Teiji Ito | 7:38 | ||
4 | The Very Eye Of The Night | Teiji Ito | 13:07 | ||
5 | Lights Along The Way—China | Teiji Ito | 5:38 | ||
6 | Maeva | Teiji Ito | 25:28 | ||
7 | Search For Love/Rape Scene | Teiji Ito | 8:38 | ||
8 | Return To Tahiti | Teiji Ito | 14:11 | ||
9 | True Love Found | Teiji Ito | 2:35 | ||
10 | Dwightiana | Teiji Ito | 3:25 | ||
11 | Bagatelle For Williard Maas | Teiji Ito | 5:22 | ||
12 | Moonplay | Teiji Ito | 4:13 | ||
13 | Arabesque For Kenneth Anger | Teiji Ito | 4:51 | ||
14 | Operation Hourglass–Diesel Engine | Teiji Ito | 2:37 | ||
15 | Water Music Study | Teiji Ito | 6:39 | ||
16 | Orgia | Teiji Ito | 11:34 | ||
17 | The Language Of Faces | Teiji Ito | |||
18 | 1 | Teiji Ito | 9:37 | ||
19 | 2 | Teiji Ito | 4:37 | ||
20 | Works Of Matisse | Teiji Ito | 4:57 | ||
21 | Handwritten | Teiji Ito | 2:14 | ||
22 | Lifelines | Teiji Ito | 6:47 |
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