Compil. US 1992 on MusicMasters Jazz label
Jazz (Swing)
Tracks 1.1, 1.2, 1.5, 1.6, 1.8, 1.9, 1.10, 2.1, 2.2, 2.5, 2.7, 2.9 and 2.10 recorded in New York City February/March 1954. Tracks 1.3, 1.4, 1.7, 2.3, 2.4, 2.6, and 2.8 recorded in Hollywood, California, June 1954.
Artie Shaw cl, 1910-2004 US clarinet, producer, arranged by, album by, written by | |
Tommy Potter b, 1918-1988 US bass | |
Irv Kluger dr, vib, US drums | |
Hank Jones p, 1918-2010 US piano | |
Tal Farlow g, 1921-1998 US guitar | |
Joe Roland vib, vibraphone, vibes | |
Joe Puma g, 1927-2000 US guitar |
Kristen Stephen design |
Dan Morgenstern liner notes |
Loren Schoenberg liner notes |
Van Webster mastered by, digital mastering |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Imagination | Artie Shaw | Jimmy Van Heusen And Johnny Burke | 4:19 |
2 | Besame Mucho | Artie Shaw | Consuelo Velazquez, Sunny Skylar | 4:05 |
3 | My Funny Valentine | Artie Shaw | Rodgers & Hart | 5:31 |
4 | Too Marvelous For Words | Artie Shaw | Johnny Mercer, Richard Whiting | 5:47 |
5 | I Can't Get Started | Artie Shaw | Ira Gershwin, Vernon Duke | 5:16 |
6 | The Sad Sack | Artie Shaw | Artie Shaw | 6:08 |
7 | Dancing On The Ceiling | Artie Shaw | Rodgers & Hart | 7:15 |
8 | Someone To Watch Over Me | Artie Shaw | George & Ira Gershwin | 4:49 |
9 | Mysterioso | Artie Shaw | Artie Shaw | 5:21 |
10 | The Chaser | Artie Shaw | Artie Shaw | 8:00 |
11 | Pied Piper Theme | Artie Shaw | Artie Shaw | 6:20 |
12 | Love Of My Life | Artie Shaw | Artie Shaw | 4:57 |
13 | Rough Ridin' | Artie Shaw | Ella Fitzgerald, Henry Jones | 7:49 |
14 | Yesterdays | Artie Shaw | Jerome Kern, Otto Harbach | 6:07 |
15 | Lyric | Artie Shaw | Artie Shaw | 6:22 |
16 | Bewitched, Bothered & Bewildered | Artie Shaw | Rodgers & Hart | 4:14 |
17 | Lugubrious | Artie Shaw | Artie Shaw | 4:42 |
18 | S'posin' | Artie Shaw | Andy Razaf, Paul Denniker | 5:35 |
19 | Tenderly | Artie Shaw | Jack Lawrence, Walter Gross | 4:46 |
20 | When The Quail Come Back To San Quentin | Artie Shaw | Artie Shaw | 5:57 |