Compil. US 1996 on Jazz Classics label
Jazz
the complete dial sessions: 1946-1947 featuring: howard mcghee charlie parker miles davis lucky thompson teddy edwards
Dodo Marmarosa p, 1925-2002 US piano, album by | |
Charlie Parker as, 1920-1955 US alto saxophone | |
Bob Kesterson b, 1917-1996 US bass | |
Vic McMillan b, US bass | |
Harry Babasin b, vc, 1921-1988 US cello | |
Jackie Mills dr, 1922-2010 US drums | |
Roy Porter dr, perc, 1923-1997 US drums | |
Arvin Garrison voc, g, 1922-1960 US guitar | |
Lucky Thompson ts, 1924-2005 US tenor saxophone | |
Teddy Edwards ts, 1924-2003 US tenor saxophone | |
Howard McGhee tr, 1918-1987 US trumpet | |
Miles Davis tr, 1926-1991 US trumpet |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Solo Piano (early 1946) | Dodo Marmarosa | ||
2 | Deep Purple | Dodo Marmarosa | 2:14 | |
3 | Tea For Two | Dodo Marmarosa | 1:30 | |
4 | Charlie Parker Septet (March 28, 1946) | Dodo Marmarosa | ||
5 | Bird Lore | Dodo Marmarosa | 3:03 | |
6 | Howard McGhee Sextet (October 18, 1946) alternate takes | Dodo Marmarosa | ||
7 | Dialated Pupils | Dodo Marmarosa | 2:30 | |
8 | Up In Dodo's Room | Dodo Marmarosa | 3:07 | |
9 | Solo piano (early mid 1947) | Dodo Marmarosa | ||
10 | Tone Paintings I | Dodo Marmarosa | 3:00 | |
11 | Tone Paintings 11 | Dodo Marmarosa | 2:56 | |
12 | Trio (early/mid 1947) master takes | Dodo Marmarosa | ||
13 | Bopmatism | Dodo Marmarosa | 2:56 | |
14 | Charlie Parker Septet | Dodo Marmarosa | ||
15 | Dodo's Dance | Dodo Marmarosa | 3:08 | |
16 | Trio master takes | Dodo Marmarosa | ||
17 | Trade Winds | Dodo Marmarosa | 3:10 | |
18 | Dary Departs | Dodo Marmarosa | 2:35 | |
19 | Cosmo Street | Dodo Marmarosa | 2:53 | |
20 | Trio (December 3, 1947) alternate takes | Dodo Marmarosa | ||
21 | Bopmatism | Dodo Marmarosa | 3:06 | |
22 | Dodo's Dance | Dodo Marmarosa | 3:05 | |
23 | Tradewinds | Dodo Marmarosa | 3:07 | |
24 | Dary Departs | Dodo Marmarosa | 2:45 | |
25 | Dary Departs | Dodo Marmarosa | 2:45 | |
26 | Cosmo Street | Dodo Marmarosa | 3:28 |