Album US 1996 on Concord Jazz label
Jazz (Hard-Bop, Bop, Post-Bop)
The final volume of solo piano in the Maybeck Recital Hall Series recorded at Maybeck Recital Hall for Concord Jazz. = = = Recorded live at Maybeck Recital Hall, Berkeley, CA -- August 27, 1995. James Williams plays the Yamaha S-400 B piano on this recording (tuned and Maintained by Fred Allen, Richmond, CA) = = =
James Williams p, 1951-2004 US piano, album by | |
Sam Lewis voc, 1885-1959 US lyrics by |
Kent Judkins art direction |
Bud Spangler coordinator, remote recording, engineer, recording |
David Luke engineer, recording |
John Burk executive producer |
Jon W. Poses liner notes, program booklet |
George Horn mastered by |
James Gudeman photography |
Nick Phillips producer |
Kathleen Vance production manager |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Polka Dots And Moonbeams | James Williams | Jimmy Van Heusen | 8:15 |
2 | Footprints | James Williams | Wayne Shorter | 4:52 |
3 | Dreamsville | James Williams | Henry Mancini | 7:07 |
4 | I Fall In Love Too Easily | James Williams | Sammy Cahn | 7:30 |
5 | New York | James Williams | Donald Brown | 5:34 |
6 | 'Round Midnight | James Williams | Cootie Williams, Thelonious Monk | 4:11 |
7 | Inner Urge | James Williams | Joe Henderson | 3:01 |
8 | Street Of Dreams | James Williams | Sam Lewis | 4:05 |
9 | Blues Etude | James Williams | Oscar Peterson | 4:58 |
10 | Spiritual Medley (Traditional) (Dedicated To My Father, Tommie Williams) | James Williams | 12:29 | |
11 | Holy, Holy, Holy | James Williams | ||
12 | Sometimes I Feel Like A Motherless Child | James Williams | ||
13 | Blessed Assurance | James Williams | ||
14 | Why We Sing | James Williams |