Album 1987 on Verve Records label
R&B/Soul (Soul)
CD release contains two extra tracks not featured on the LP version: 'Them There Eyes' and 'Lover Of The Simple Things'. CD states: 'Made in West Germany by PDO'. Inlay states: 'Made in West Germany. Printed in U.S.A.' Track 11: including "Everyday I Have The Blues" and "Drink Muddy Water". Label stated as "Verve Digital" on front and back inlays; "Verve Records" on CD. Recorded live direct to digital 2-track using the Sony PCM 1610 system at the Vine St. Bar & Grill, Hollywood, California. DDD: Digital tape recorder used during session recording, mixing and mastering (transcription).
Marlena Shaw p, voc, *1942 US vocals, album by | |
Paul Humphrey dr, *1935 US drums | |
Larry Ball b, eb, electric bass | |
Buddy Montgomery vib, p, 1930-2009 US piano |
Bill Levy art direction |
Art Hotel design |
Joseph Montoya design |
Larry Walsh edited by, digital |
David Kreisberg engineer, producer |
Nick Dofflemeyer engineer |
Ron Berinstein executive-producer, producer |
Sherry Barnett photography by |
Diedre Davidson photography by, assistant |
Miriam Cutler producer |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Day In - Day Out | Marlena Shaw | Johnny Mercer, Rube Bloom | 3:15 |
2 | It Is Love | Marlena Shaw | Billy Tragesser | 4:21 |
3 | Nobody Knows You When You're Down And Out / That's Life | Marlena Shaw | E.Y. Harburg, Jimmy Cox, Vernon Duke | 5:09 |
4 | Unforgettable | Marlena Shaw | Irving Gordon | 4:06 |
5 | At Last | Marlena Shaw | Charles Tobias, Henry Tobias, Sam Lewis | 4:08 |
6 | Them There Eyes | Marlena Shaw | Doris Tauber, Maceo Pinkard, William Tracey | 4:14 |
7 | Lover Of The Simple Things | Marlena Shaw | Jacques Wilson, Mike Corda | 4:28 |
8 | On The Street Where You Live | Marlena Shaw | Al Lerner, Frederick Loewe | 5:31 |
9 | It Might As Well Be Spring | Marlena Shaw | Rodgers & Hammerstein | 9:31 |
10 | Go Away Little Boy | Marlena Shaw | Goffin And King | 9:31 |
11 | Rockin' Chair Blues | Marlena Shaw | Ansley Fleetwood, Charles Leviner, Peter Chatman | 5:12 |